
Phish: Tracking(1994)
Tracking (1994) is a documentary about the band Phish and the recording of the album Hoist. It is directed by the band's bass player, Mike Gordon, who wrote, for the VHS packaging: While in the studio recording the album 'Hoister' (sic) I sported a video camera. Sometimes I pushed the record button. Others, the stop. Alas, I edited. Using machines small yet sweet, I assembled Tracking. This isn't about railroad tracks or stuffing things up the tender nostril. It's about 48 tracks of sound, adjacent on strips of plastic. Like mixing lilac petals, coriander, chunks of butter, and fennel into a soup. Tracking is the recording of different sounds, adjacent on strips of plastic. . . . Many of the musicians on the album, Alison Krauss, Béla Fleck, and actor Jonathan Frakes, are shown recording tracks that eventually wound up on the album. The documentary is approximately 25 minutes long and was produced by Cactus Films.
Movie: Phish: Tracking
Top 9 Billed Cast

Phish: Tracking
HomePage
Overview
Tracking (1994) is a documentary about the band Phish and the recording of the album Hoist. It is directed by the band's bass player, Mike Gordon, who wrote, for the VHS packaging: While in the studio recording the album 'Hoister' (sic) I sported a video camera. Sometimes I pushed the record button. Others, the stop. Alas, I edited. Using machines small yet sweet, I assembled Tracking. This isn't about railroad tracks or stuffing things up the tender nostril. It's about 48 tracks of sound, adjacent on strips of plastic. Like mixing lilac petals, coriander, chunks of butter, and fennel into a soup. Tracking is the recording of different sounds, adjacent on strips of plastic. . . . Many of the musicians on the album, Alison Krauss, Béla Fleck, and actor Jonathan Frakes, are shown recording tracks that eventually wound up on the album. The documentary is approximately 25 minutes long and was produced by Cactus Films.
Release Date
1994-10-01
Average
0
Rating:
0.0 startsTagline
Genres
Languages:
Similar Movies

Phish: 1994 Bluegrass Sessions(en)
The Rev. Jeff Mosier (Blueground Undergrass) was contracted by Phish in the Fall of 1994, to help them learn Bluegrass. They flew him to Michigan and Mike Gordon picked him up in a limo, and they had their first lesson on 11/14/1994, same night as Grand Rapids.

Trey Anastasio: Live at the Warfield(en)
On May 31, 2003, Trey Anastasio played the second of two sold-out shows at San Francisco’s Warfield Theatre. On that night, Carlos Santana dropped by to say hello to Trey, ended up joining the ten-piece band on stage halfway through the first set, and continued to play with the group for the remainder of the night. The results were electric, suffused with spontaneous energy and exuberant interplay between the two guitarists.

Uncle Yanco(fr)
While in San Francisco for the promotion of her last film in October 1967, Agnès Varda, tipped by her friend Tom Luddy, gets to know a relative she had never heard of before, Jean Varda, nicknamed "Yanco". This hitherto unknown uncle lives on a boat in Sausalito, is a painter, has adopted a hippie lifestyle and loves life. The meeting is a very happy one.

Holbrook/Twain: An American Odyssey(en)
Hal Holbrook's Mark Twain is an icon of American theater. Since first walking on stage in 1954, Holbrook has performed his one-man show Mark Twain Tonight! for millions on and off Broadway, in all fifty states, in twenty countries, before five U.S. presidents and behind the Iron Curtain. Countless actors and Twain scholars have been influenced by Holbrook's work and his Tony and Emmy Award-winning masterpiece.

The House That Shadows Built(en)
The House That Shadows Built (1931) is a short feature, roughly 48 minutes long, from Paramount Pictures made to celebrate the 20th anniversary of the studio's founding in 1912. It was a promotional film for exhibitors and never had a regular theatrical release and includes a brief history of Paramount, interviews with various actors, and clips from upcoming projects (some of which never came to fruition). The title comes from a biography of Paramount founder Adolph Zukor, The House That Shadows Built (1928), by William Henry Irwin.

A Trip to Paramountown(en)
Documentary short film depicting the filmmaking activity at the Paramount Studios in Hollywood, featuring dozens of stars captured candidly and at work.

Meeting Resistance(en)
Filmmakers Molly Bingham and Steve Connors capture an unseen side of the Iraq War with this compelling cinematic portrait of the men and women who are actively resisting their homeland's occupation. Via intimate first-person accounts and candid one-on-one interviews with eight Iraqi insurgents, the documentary offers insight to their motivations and allows them to explain their actions, shedding light on several myths in the process.

The Fall of Saigon(en)
In April 1975 -- despite a ceasefire agreement -- the North Vietnamese communists took Saigon and the world by surprise, mounting an offensive that ousted the South Vietnamese government. This enlightening documentary recounts the last two years of America's military engagement in the country and the U.S. role in Saigon's fall. Interviews with former National Security Adviser Henry Kissinger and North Vietnamese officers provide context.
Daryl Hall and John Oates - New Orleans Jazz and Heritage Festival(it)
Daryl Hall and John Oates kept a diverse crowd happy, updating their sound just enough to make hits from the '70s and '80s feel fresh in front of a sing-along crowd at New Orleans Jazz Fest on May 5, 2013. The "rock-and-soul" duo from Philadelphia added funk, rhythm-and-blues and gospel touches to chart-toppers, such as "Maneater," "I Can't Go For That (No Can Do)," and "You Make My Dreams Come True."

Pat XO(en)
This documentary profiles the life and career of Pat Summitt, the NCAA's winningest basketball coach, who resigned from her post at the University of Tennessee in 2012 due to early-onset Alzheimer's disease.

Elvis: #1 Hit Performances(en)
Elvis fans, thank your lucky stars. This jam-packed collection of pulse-raising performances from TV, movies, concerts and special events showcases the King delivering blistering renditions of 15 No. 1 hits. Highlights include Elvis singing "Don't Be Cruel" for his first appearance on "The Ed Sullivan Show" and his performance of "Stuck on You" for "Welcome Home, Elvis," a TV variety special hosted by Frank Sinatra.
Art as a Weapon(en)
Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.

Riverboom(fr)
In the year following the 9/11 terrorist attacks, young journalist Claude Baechtold finds himself in the war zone of Afghanistan. Not entirely voluntarily, the avowed anti-militarist is dragged by two fearless reporters on a round trip through the entire country.
The Sportsman(cs)
Approximately 250 photographs by Roman Sejkot of a mentally handicapped swimmer which are wonderfully animated by the film's director. A selection of these photographs came third in the Sports Stories category in the 1993 World Press Photo competition.
Oh, What a Struggle It Was!(cs)
In this playful experimental film, documentary maker and animator Pavel Koutecký captures Prague during campaigning for the first free elections in 1990. Old political posters recall an atmosphere of belief in democracy and disgust with the years of communist dictatorship.

Helô(pt)
Considered one of the main Brazilian intellectuals, Heloisa Buarque de Hollanda — a member of the Brazilian Academy of Letters — left important marks on national thought and continues to be, at 84 years old, an active voice on the country's cultural and behavioral issues. The documentary sheds light on the trajectory of this icon who has always been at the forefront, serving as an antenna and beacon for cultural and social movements that are to come, while delving into Heloisa's intimacy thanks to the access of her eldest son, director Lula Buarque de Hollanda.

Bouzouki Strumming(el)
One day, while Grigoris is working and singing at a construction site, a conductor, Vangelis, and two bouzouki musicians happen to pass by. They listen, enchanted by his limpid voice, and suggest that he becomes a member of their orchestra. Thus, the newly-wed day laborer gets a second job at Mr. Lefteris’ night club. His wife, Marina, soon joins him at the club, and, before long, she too goes on stage, cuts capers and charms everyone. Her success, however, has a negative impact on the couple’s relationship, since Marina’s admirers as well as those of Grigoris’, turn one away from the other.

So It Goes(en)
Amidst many distractions, Samantha struggles to find her voice recording a new song. She encounters a mysterious stranger who reminds her of why she loves to create music.