Count Almaviva lives with his Countess on their estate near Seville. The Count has his eye on his wife’s maid Susanna, who is betrothed to the Count’s servant, Figaro. Much to Figaro’s dismay, the Count plans to seduce Susanna on wedding night. Meanwhile, Cherubino, the Count’s young page, is infatuated with the Countess, but has just been dismissed after being discovered with Barbarina, the gardener Antonio’s daughter.
Figaro
Bartolo
Marcellina
Don Basilio
Antonio
Don Curzio
The DVD of the orchestra concert of FINAL FANTASY XI VanaCon Anniversary 11.11.11, which took place on November 11, 2011, is now available. The orchestral performance and the game screen will be exquisitely intertwined, and you will be able to enjoy the excitement that only a video work can provide. In addition to 2ch stereo and 5.1ch surround sound, an audio commentary by composers Naoshi Mizuta and Kumi Tanioka is included as a supplementary audio. In addition, a bonus track that includes behind-the-scenes footage of the production of the film will be included. This is a must-see video work for those who were unable to attend the concert on that day, as well as for those who heard the performance at the venue to relive the excitement.
Grammy-winning artist Tyler, the Creator performs the critically-acclaimed album Call Me If You Get Lost, which debuted at #1 on the Billboard 200 charts in downtown Los Angeles on March 31.
Piano Vladimir Horowitz in a televised recital from the White House on 26 January 1978, on the occasion of the 50th anniversary of his US debut, at the invitation of President & Mrs Carter. On the program, Chopin's Sonata #2 in B-flat minor, Waltzes in A minor and C-sharp minor, and Polonaise in A-flat, followed by encores by Schumann, Rachmaninoff, and Horowitz's own Carmen Variations.
The Glyndebourne Opera's 1981 production of the Benjamin Britten opera, based on Shakespeare's play.
Helena loves the arrogant Bertram, and when she cures the King of France of his sickness, she claims Bertram as her reward. But her new husband, flying from Helena to join the wars, attaches two obstructive conditions to their marriage - conditions he is sure will never be met. Featuring Olivier-award winning actress Janie Dee as the Countess of Roussillon.
The fat knight Sir John Falstaff imagines that Mistress Ford and Mistress Page are both taken with him and so, attracted as much by their husbands’ money as their personal charms, he decides to woo them both. But the women are up to the old lecher’s tricks and turn the tables on him with a series of humiliating assignations, midnight terrors and a very damp, extremely smelly laundry basket. Gutsy, colloquial and bustling with vivid characters, The Merry Wives of Windsor is a brilliantly constructed farce and the only comedy Shakespeare set in his native land. It is also the ancestor of English bourgeois comedy and gave birth to a tradition that reaches down to the modern TV sitcom. The production made merry with the relationship between the life of middle-class Elizabethan England and the late medieval period in which the play is set.
Doctor Faustus is Christopher Marlowe's most renowned and controversial work. Famous for being the first dramatised version of the Faustus tale, the play depicts the sinister aftermath of Faustus's decision to sell his soul to the Devil's henchman in exchange for power and knowledge. In the first-ever staging of this menacing drama at the Globe Theatre, Matthew Dunster's production features Paul Hilton as the arrogant, power-hungry Faustus and Arthur Darvill as the sardonic Mephistopheles, and includes several impressive magical stunts along the way.
A manager of a company has made an embezzlement just to make the sweet life possible with his lover. An office manager promises to take the blame if the manager promises to behave better.
Hiram Draper is an all-American self-made man with a profound distaste for everything British. Yet he must travel to London with his family. When Junior falls in love with an aristocratic girl, whose father despises Americans with equal intensity, fireworks are just about to start.
Death takes a human form and visits Earth to try to find out why humans want so desperately to cling to life. He unexpectedly falls in love with a beautiful young woman.
Anton Špelec (Vlasta Burin) is a producer of musical instruments by trade but a sharp-shooter at heart. He expects to be awarded a medal at a large parade in town where veteran sharp-shooters will be honored. When the town council is one medal short, Anton must wait another year for his prized possession. He drowns his disappointment in drink at the local pub and becomes so drunk that he insults the emperor who sentences him to jail. Instead of fulfilling the emperor’s orders himself, Anton sends his employee in his stead.
Rural comedy of the intrigues and stratagems involving a country wedding. From a comedy by Alexis Kivi.
On June 8, 2024, Oscar-winning French actress Marion Cotillard joined the Berlin Philharmonic Orchestra for a performance of Arthur Honegger’s oratorio Jeanne d'Arc au Bûcher (Joan of Arc at the Stake), conducted by Alan Gilbert, performed at the Berliner Philharmonie in Berlin, Germany and broadcast live on Digital Concert Hall, the online concert hall of the Berliner Philharmonie. In the oratorio, Joan of Arc looks back on her life, her visions, and her successes during a show trial in which she is sentenced to be burned at the stake.
The Pogues playing on St. Patrick's Day in London's Town and Country serves to remind fans why we loved the band and possibly why their breakup was inevitable. A thoroughly sloshed Shane MacGowan mumbles and screams his way through most of their hits to that point in time. Of course, real fans like the mumbling and the screaming. Lots of energy, great guests - The Specials, the late Kirstie MacColl and especially the late great Joe Strummer - who not only gets up on stage for a stirring rendition of London Calling, but serves as a kind of host for the evening as he discusses what made the Pogues so great. The video times in at a paltry 60 minutes which leaves you begging for more, but between the singalong Wild Rover and the silly string silliness of Fiesta, it is a jam-packed entertaining piece of music history.
At a glittering party in 18th-century Paris, the poet Andréa Chenier delivers an impassioned denunciation of Louis XVI. Five years later, the Revolution has given way to the Terror, transforming the power balance between Chénier, his beloved Maddalena, and Gérard, the man who could destroy him...
Murderesses Velma Kelly and Roxie Hart find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago.
Hero and Beatrice, cousins and best friends, have very different approaches to love. Beatrice, burned once, is fiercely avoiding her arrogant ex-boyfriend Benedick and has sworn off men in general. Hero, a true romantic, is deeply in love with Benedick's friend Claudio, but too shy to say it. When they get trapped in a house with the entire boys rugby team, they'll be forced to face the questions they'd been avoiding.
This all-star cast is framed by Peter Hall’s gritty, realistic production and conducted by James Levine, who brings out all the surging emotion and gripping drama in Bizet’s score. At the center of the story is Agnes Baltsa, whose smoky mezzo is tailor-made for the gypsy Carmen, an independent woman who glories in obeying only her own rules, but who is haunted by fate. Superstar tenor José Carreras is Don José, the solider from a small town who catches Carmen’s eye and is destroyed by his growing obsession with her. Samuel Ramey is the charismatic matador Escamillo, who lures Carmen away from Don José with tragic result. Leona Mitchell is Micaëla, the simple girl from Don José’s hometown who cannot save him. March 21, 1987 Matinee Broadcast.