

Film capturing a family holiday on the North Antrim coast, with trips to the Giant's Causeway and the Carrick-a-Rede Rope Bridge.

0.0A nuanced portrait of a new generation, Dear Thirteen is a cinematic time capsule of coming of age in today’s world. Through the eyes of nine thirteen-year-olds, we see how pressing social, geographical and political challenges are shaping, and being shaped by, young people: rising anti-Semitism in Europe, guns in America, gender identity and racial divisions across Australia and Asia. With no adult commentary outside the filmmaker, Dear Thirteen offers an intimate view into the universal uncertainty inherent in growing up.
0.0The story of the South Shore Resource and Advocacy Center, five survivors of domestic violence, and their experience in the Massachusetts justice system.
"Man of Arran" is a cinematic exploration of the beauty of Ireland's coastline, juxtaposed with the inner strength of 83-year-old Paddy Conaghan, a man who refuses to let age define him. Embarking on an extraordinary adventure: circumnavigating Ireland, diving into winter seas, literally immersing himself in Irelands rugged coastal beauty, and promoting the cause of mental health awareness. Through, stunning visuals, heartfelt interviews, and Paddy's captivating storytelling, Man of Arran aims to transport the audience into Paddy's world and his mission.
0.0Born a conjoined twin due to the effects of Agent Orange used during the Vietnam War, Duc Nguyen, now a father and husband, seeks the truth about his past and contemplates the future.
0.0A documentary tracking the daily lives, struggles and triumphs of some young Irish people living with schizophrenia. They speak openly about what it's like to live with such a severe mental health disorder and struggle with delusional thoughts and the internal voices that are so associated with schizophrenia.
0.0In this layered short film, filmmaker Janine Windolph takes her young sons fishing with their kokum (grandmother), a residential school survivor who retains a deep knowledge and memory of the land. The act of reconnecting with their homeland is a cultural and familial healing journey for the boys, who are growing up in the city. It’s also a powerful form of resistance for the women.
0.0The filmmaker delves into her family's past and the seemingly intact world of childhood begins to fall apart. Here, the private sphere reflects the helplessness and excessive demands of German society in the 1970s - between the shadows of the National Socialist past and new utopias.
7.0Little is known about the figure of Isabel Santaló, an old artist, today fallen into oblivion. But occasionally some visitors come to her flat. Through them and the voice of Antonio López (Dream of Light, Víctor Erice), the only painter who remembers her, we shape a multifaceted film. This is a cinematic portrait, which well into the film takes a surprising turn. A film that reflects on memory and oblivion, art and the creative process; posing the question of what it means to be an artist and a woman.
1.0One who doesn't have roots won't be able to grow wings-a documentary project about a man tracking his origins to the Middle East and establishing a connection with his father, whom he have never met before.
The Journey of Hayun, a Korean-American archer, and her family, as they strive to achieve mastery in archery.
0.0During a camping weekend, Indian filmmaker Poorva Bhat tries to find the right way to discuss consent with her two children. In the intimacy of the tent, the three find the safe space needed to explore together the innocence or otherwise of looks and gestures, both in everyday life and in the cinema.
Interviews and discussions about children in naturism.
5.8A couple of dancers appear one morning in a High School. It's Monday and they announce to a group of youngsters that they have five days to get up on stage and dance. A short time but a big challenge. The dance compels these youngsters to break through their roles exactly at the time of their lives when the social roles are being forged. The handsome boy is no longer the most admired, the timid one takes a step forward. Wilfried van Popple and Amaya Lubeigt are the choreographers. Professional dancers who have decided now to work with people who have never danced before. This is the challenge: five days, a class of teenagers, a microcosm in which occurs a little big bang.
9.0When they hit the Billboard charts, Gama Bomb were trapped by lockdowns, missing a drummer, and unable to tour. Survival Of The Fastest is a new Irish take on classic music documentaries like Anvil or Spinal Tap with a sweet and charming portrait of male friendship during troubled times. Capturing Gama Bomb's quest to play for 10,000 people at Hellfest – the 'Glastonbury of Metal' – Kiran Acharya’s warm and wayward film surprised cinema audiences with a smart, sincere, and absurdly funny year in the life of dear friends trying to keep the show on the road. Packed full of Gama Bomb's trademark humour and pop culture references, the film reflects on their 20-year history in the absurd worlds of punk and metal and their earliest days during the first sparks of the Peace Process in Northern Ireland.
0.0A filmmaker follows her grandparents’ daily life after her chain-smoker and alcoholic grandmother is forced to stop drinking beer for a month.
0.0Affectionate but honest portrait of Thin Lizzy, arguably the best hard rock band to come out of Ireland. Starting with the remix of the classic album Jailbreak by Scott Gorham and Brian Downie, the film takes us through the rollercoaster ride that is the story of Thin Lizzy. From early footage of singer Phil Lynott in Ireland in his pre-Lizzy bands the Black Eagles and Orphanage, it follows his progress as he, guitarist Eric Bell and drummer Brian Downie form the basic three-piece that was to become Thin Lizzy - a name taken from the Beano. Using original interviews with Bell, Downie, the man who signed them and their first manager, it traces the early years leading to the recruitment of guitarists Brian 'Robbo' Robertson and Scott Gorham - the classic line-up. The film uses a number of stills, some seen on TV for the first time, archive from contemporary TV shows and a range of tracks both well known and not so famous.
