

Bournemouth offers a variety of sports, pastimes, steamer trips, and fine dining for holidaymakers, competing with cheaper foreign holidays and offering a variety of transportation options.

0.0The early retired Gert spends the last summer in his garden, a place that has become a real home for him. The garden will be demolished to create a shopping center on its grounds. The only thing Gert can do is remember memories of happy times he spent with his family in the garden.
3.8Private Diary documents photographer Pedro Usabiaga working with a variety of amateur models. The audience sees how the relationships between the photographer and the subjects changes during their time together, as well as how the individual photographs begin to take shape. Pedro Usabiaga is a well-established Basque photographer whose chief concerns are figurative photography and whose passion in photographing the Spanish male. In this hour long conversation with the artist we are given entry into that process of selecting models (none of the models he uses for this book to be titled 'Private Diary' are professional, but instead are randomly chosen as Usabiaga observes athletes in action) and then allowed to follow Usabiaga and his crew as they photograph these men in natural settings and natural light.
6.4The earliest surviving motion-picture film, and believed to be one of the very first moving images ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken on paper-based photographic film in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), on 14 October 1888. The film shows Adolphe Le Prince (Le Prince’s son), Mrs. Sarah Whitley (Le Prince’s mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. Roundhay Garden Scene is often associated with a recording speed of around 12 frames per second and runs for about 2 to 3 seconds.
0.0Did Cartier dream of making a country from this land of a million birds? In his records of his exploration he certainly marvelled at seeing the great auks that have since disappeared from Isle aux Ouaiseaulx, the razor-bills and gannets that are gone from Blanc-Sablon, and the kittiwakes from Anticosti, all the winged creatures of all the islands which he described as being "as full of birds as a meadow is of grass". And that's not even counting the countless snow geese.
In this film we join Alice as she meets committed naturists, newcomers to naturism, and discovers a kaleidoscope of naturist opportunities including Pevors Farm and the Merryhill Music Festival.
8.1An exhilarating documentary film that celebrates the unsung hero of aviation - the local airport - by tracing the life, history, and struggles of an airport icon: Southern California's Van Nuys Airport. Featuring thrilling aerial photography and a sweeping original score, the film dispels common misconceptions and opposes criticism of General Aviation airports.
0.0With 66 million passengers coming through it each year, Roissy-Charles-De-Gaulle airport is Europe's second largest and busiest hub. Every day, up to 1800 aircraft land and take off in record time. This film provides a fascinating glimpse into how Roissy-Charles-De-Gaulle airport is able to welcome over 230,000 passengers a day with as little turbulence as possible.
0.0A movie about travelling to Great Britain from Sweden by car and exploring that country
Are tourists destroying the planet-or saving it? How do travelers change the remote places they visit, and how are they changed? From the Bolivian jungle to the party beaches of Thailand, and from the deserts of Timbuktu, Mali to the breathtaking beauty of Bhutan, GRINGO TRAILS traces stories over 30 years to show the dramatic long-term impact of tourism on cultures, economies, and the environment.
We discover a modest, almost derisory garden, located in the heart of the women's prison in Rennes, Brittany, France.
0.0An intimate portrait of an inter-generational family as they bid farewell to the common ground that binds them together.
10.0Mike and I spent 2 months in Tramore, County Waterford, Ireland in the fall/winter of '92. We had been on the road since the summer, and planned to be gone for another year or so. We made a video to send home to our friends and family in the States as a Christmas card. This is the part of the video where we took our friends on a tour of Tramore.
0.0The world seen through the eyes of children. The action takes place in Karosta, the former military port of Liepaja city – however, it is not that important, as the film could take place anywhere. We observe children playing on the beach, revealing the core of Pakalnina’s work: perceiving and transmitting emotions.
0.0Isamu Noguchi was a sculptor, designer, architect, and craftsman. Throughout his life he struggled to see, alter, and recreate his natural surroundings. His gardens and fountains were transformations meant to bring out the beauty their locations had always possessed.
3.7One of the highest achievements of the new wave of Kirghiz cinema, which emerged in the mid-1960s. This story of a boy building sandcastles on the shores of the Issyk-Kul Lake becomes a documentary parable on the tensions between an artist and society.
6.7The Big One is an investigative documentary from director Michael Moore who goes around the country asking why big American corporations produce their product abroad where labor is cheaper while so many Americans are unemployed, losing their jobs, and would happily be hired by such companies as Nike.
7.6Riding Giants is story about big wave surfers who have become heroes and legends in their sport. Directed by the skateboard guru Stacy Peralta.
6.0Since the 1970s, lesbians from around the world have been drawn to the island of Lesvos, the birthplace of the ancient Greek poet Sappho. When they find paradise in a local village and carve out their own queer lesbian community, tensions simmer with the local residents. With both groups claiming ownership of lesbian identity, filmmaker Tzeli Hadjidimitriou—a native and lesbian herself—is caught in the middle and chronicles 40+ years of love, community, conflict, and what it means to feel accepted.
