
"Papua New Guinea: Anthropology on Trial" was a 1983 episode of the PBS science documentary series NOVA. It explored the field of anthropology, particularly in the context of Papua New Guinea, from the perspective of the people being studied.


"Papua New Guinea: Anthropology on Trial" was a 1983 episode of the PBS science documentary series NOVA. It explored the field of anthropology, particularly in the context of Papua New Guinea, from the perspective of the people being studied.
1983-11-01
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5.0A deep dive into contemporary Brazilian music. Guided by the composer, anthropologist and ethnomusicologist Kilza Setti and the Hésperides Música das Américas nucleus, the documentary takes us to a world where contemporary music, the Guarani and Timbira peoples, the colonization of America and poetic professions meet.
"Heart of the Country" is the story of Shinichi Yasutomo, the extraordinary principal of a rural elementary school in Kanayama, central Hokkaido, Northern Japan. Yasutomo is a man driven by his vision for learning and his passion for educating the heart as well as the mind. The film follows Yasutomo, his teachers and staff, students and their families over the course of one entire school year. The film is also the story of the families of Kanayama. Parents and elders of this once impoverished town embrace Yasutomo's vision, but not without wary glances back to the past. This small community, bound together by love for its children, is also defined by its journey through the cultural upheavals of postwar Japan.
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0.0John Bishop and Naomi Bishop present a portrait a peculiar life style of the Himalayan indigenous Sherpa people in their documentary , the Himalayan Herders. The 76 minutes long film is about the diverse culture and life style of herders community near Mt. Everest region of Nepal.The film was made in 1997 as a part of Case Studies in Cultural Anthropology Series.
4.7Religious-based images and traditions permeate the lives of all the people who inhabit Seville. Historically, the city's mariquitas ("sissies") have also assimilated them in their childhood and, through them, have been creating their own encounter spaces and their own codes. Nowadays, new dissident identities continue to respond to them: they participate or distance themselves, they continue what exists or transform it. This film looks at these traditions from a perspective always relegated to the margins.
0.0A detailed record of the first stage male initiation ceremony of the Baruya of the Eastern Highlands of Papua New Guinea. A group of nine to 12 year old boys are followed through their first initiation - from the last days with their families through their nose-piercing and other rituals and ordeals to the final feast given in their honour. It is a tough time, the beginning of a ten-year journey to warrior and manhood.
7.3In GLOBAL METAL, directors Scot McFadyen and Sam Dunn set out to discover how the West's most maligned musical genre - heavy metal - has impacted the world's cultures beyond Europe and North America. The film follows metal fan and anthropologist Sam Dunn on a whirlwind journey through Asia, South America and the Middle East as he explores the underbelly of the world's emerging extreme music scenes; from Indonesian death metal to Chinese black metal to Iranian thrash metal. GLOBAL METAL reveals a worldwide community of metalheads who aren't just absorbing metal from the West - they're transforming it - creating a new form of cultural expression in societies dominated by conflict, corruption and mass-consumerism.
6.8Commissioned by the journal Présence Africaine, this short documentary examines how African art is devalued and alienated through colonial and museum contexts. Beginning with the question of why African works are confined to ethnographic displays while Greek or Egyptian art is celebrated, the film became a landmark of anti-colonial cinema and was banned in France for eight years.
6.8An exploration of the heavy metal scene in Los Angeles, with particular emphasis on glam metal. It features concert footage and interviews of legendary heavy metal and hard rock bands and artists such as Aerosmith, Alice Cooper, Kiss, Megadeth, Motörhead, Ozzy Osbourne and W.A.S.P..
7.3A 2004 documentary on thirty years of alternative rock 'n roll in NYC.Documenting the history from the genuine authenticity of No Wave to the current generation of would be icons and true innovators seeing to represent New York City in the 21st century
6.0Haunted by uncanny similarities between Nazi stage techniques and the showmanship employed by modern entertainers, a filmmaker investigates the dangers of audience manipulation and leader worship.
7.6The film discusses the traits and originators of some of metal's many subgenres, including the New Wave of British Heavy Metal, power metal, Nu metal, glam metal, thrash metal, black metal, and death metal. Dunn uses a family-tree-type flowchart to document some of the most popular metal subgenres. The film also explores various aspects of heavy metal culture.
John Waiko is the first Papua New Guinea man to graduate with a PhD and be appointed a professor. He returns to the Binandere clan and his small village of Tabara in the Northern Province of PNG. Once there, he has to organise a celebration for his achievements with his family’s help. Since he has been away for most of his life, he has no recognised wealth in the village (the pigs used for gift giving), nor a network of supporters or knowledge of the preparation and rituals for having such a celebration. He wants the event to happen quickly but that’s not the way it works in Tabara. Man without pigs focuses on the antagonism aroused by the clash between traditional customs and Western values in this remote PNG community.
6.8This film is a portrait of unique cultural space for Spirits, Gods and People. While permanent theatres are commonly built in most cosmopolitan modern cities, Hong Kong preserves a unique theatrical architecture, a Chinese tradition that has lasted more than a century - Bamboo Theatre.
7.5The Amazon rain forest, 1979. The crew of Fitzcarraldo (1982), a film directed by German director Werner Herzog, soon finds itself with problems related to casting, tribal struggles and accidents, among many other setbacks; but nothing compared to dragging a huge steamboat up a mountain, while Herzog embraces the path of a certain madness to make his vision come true.
4.0The real estate industry has destabilized the natural surroundings of the city of Concón, on the Chilean coast, forcing the inhabitants and landscapes of the region to find new ways to adapt and survive. “Nidal” depicts the cohabitating of species and the accelerated transformation of the landscapes due to human occupation.
0.0The film delves into the work processes of an archaeological team from the Aranzadi Science Society at the San Adrián Tunnel site. Interspersing this observation with archival materials, the film explores the relationships between archaeology and museography, as well as the different ways in which these two practices produce the displacement of objects.
6.8Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.
5.8In 1973, five men and six women drifted across the Atlantic on a raft as part of a scientific experiment exploring the origins of violence and sexual attraction. Nobody expected what ultimately took place on that 3-month journey. Through archive material and a reunion of the surviving members of the expedition, this film tells the hidden story of the project.