2003-05-22
0
Private Eye Alexandre LeGland uses the naive recently connected Adam Duchêne to spy on the Portici crime family. But Adam will soon find himself torn between the machiavelian detective and the cruel mobster Eugène Serra.
A short documentary about a female truck driver in the United Kingdom.
Karel Vachek’s graduate film offers us a documentary essay which is both a light-hearted and aggressive little piece and also a parody of investigative film journalism. The Strážnice folk festival, backed by the cultural Party apparatus of the time, for years had little to commend itself to authentic folklore. In the film the event assumes the form of a bizarre stage spectacle with almost surrealistic elements that Vachek reinforces with unconventional approaches (commentary appearing as titles on screen, singing, declamations into the camera, feature etudes, the fusion of news coverage and fiction). The result is a stirring film collage depicting various characters, from crowd-pleasers, Easter egg decorators, kitsch artists and peddlers, to museologists and local residents, all of whom come up against the eccentric "identical” twin reporters Karel and Jan Saudek and a bored actress who appears as an extra. Using their special blend of irony and wit, they present us with the sad truth.
After two small-time robbers mistakenly kill the rich man they are stealing from, their troubles really begin when they get an unexpected visitor.
The Orange is a drama about a lonely man reliving the night he met his soulmate.
Two young women try to adapt to a new city: nostalgia, loneliness, friendship and family are mixed throughout the emotional process of both characters. A reflection on the sense of belonging and the experience of being a foreigner.
Feeling disgruntled, a group of punks start a litter picking group to counter the amount of litter their community faces.
Her first foray into documentary filmmaking was a short called Green Street (1959), a look at an over-loaded freight train departing from Prague. Though only nine minutes in length, Chytilová’s astute editing ensured a visual spectacle.
Little Michael has vicious allergies, and when babysitter Meredith arrives for a night of no-nonsense, he's swiftly dispatched to the yard...where his delicate condition takes a turn for the worse.
A little girl uses a voodoo doll to get rid of her mother's date.
Roadkill Jamboree is a stop-motion/ 2D hybrid music video about how roads and drivers affect animals, featuring music from the ska-punk band Suburban Legends. This grim yet humorous story centers around a band of five undead animals encompassing various species along Interstate Highway 5. Each animal in the band represents a different type of creature native to California while embodying different reasons why roadkill happens.
When a nervous and inexperienced pizza delivery boy stumbles upon a crime he must go on the run and maybe stumble upon saving the day
Africa, a trans woman dedicated to musical representation and comic entertainment on Facebook exhibits her daily life through live broadcasts, having success and a large influx of viewers. This while she is getting ready for her special program in honor of her best friend Vicenta de Loris, since a year has passed since her life was taken from her.
The Moșilor Fair is an exercise by a student director who used his film before he had managed to finalize the originally planned movie. The result is a fascinating experimental montage, without music or sound of any kind, showing details of a legendary fair in the capital.
Denise, Hannah and Leticia are three ordinary women with extraordinary stories to tell. As transgender people, they talk about the challenges of finding their true identities within an intolerant and prejudiced society.
Juliano is a young artist who lives a happy life with his boyfriend, Nuno, a 65-year-old man, until his relationship is shaken by the discovery that his partner has a degenerative disease.
A psycho infiltrates a drug deal. Those in charge of the deal catch wind of the discrepancy.
Two burnout frat guys attempt to hide a dead body from their disgruntled landlord during a home inspection.
Using a unique format of episodes and advertisements: GUNKWORLD is a short film about a horror cult cartoon series on TV where the main characters: Gunkman, Sallysweets and Roboji, are cute monster schoolchildren who terrorize human characters. Outside the TV show, GUNKWORLD begins to advertise its brand through commercials and merchandise, which quickly gains popularity at an unholy rate. The entire planet eventually becomes crazed, all their thoughts replaced with messages from GUNKWORLD. Back in the TV show, Gunkman starts to miss his lines. Gunkman is up to something... As a film, GUNKWORLD overloads the viewer with loud, colorful and compressed visuals, audio, stories and designs, playing with ideas of hypnotic subconscious consumption. It paints a vibrant yet ugly picture of needless ‘over-consumption’ and loss of control. GUNKWORLD is also a love letter to Japanese media, seen from the eyes of a child growing up in Singapore during the 90s.