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A documentation of artist JP Meldrum as he prepares for an experimental gig with noise-rock drummer Maxwell Paterson. A concert film, a rehearsal, and an exploration of Victoria outlets and ways-of-creating beyond the traditional spaces.
"Let's Get Loud" was Jennifer Lopez's NBC Special, which premiered on November 20, 2002 and was recorded over 2 nights in Puerto Rico in the fall of 2001. It was Jennifer's first-ever headlining concert appearance, showing off her talents as a vocalist and dancer. The performance features a variety of Spanish and English songs, including: "Love Don't Cost A Thing", "If You Had My Love", "I'm Real", "Plenarriqueña", and many more.
Chronicling Latin baseball players in the minor leagues as they experience the ups and downs of pursuing the dream of playing in the Major Leagues.
When a scheming fortune hunter finds his rich wife is not going to die as expected, he and his lover make other plans to get her millions.
A story of high school awkwardness, anxiety and ancient Greek philosophy, Samira Mian’s autobiographical animation Know Thyself recounts how a panic attack in 9th-grade Latin class sent her on a years-long odyssey of self-discovery. Entertaining and endearing, Mian’s portrait is also an insightful reflection on the inextricable connection between mind and body and the power of self-understanding.
Luis, a private tutor, is invited to a family dinner at the fancy house where he works. What starts as a peaceful evening is soon overshadowed by the conflicts within this dysfunctional family. After a power outage, five masked youths break into the house instilling panic in the place. Luis tries to protect the family, but he quickly finds himself threatened by James, the most violent of the assailants, whose hidden motivations will challenge our understanding of justice.
Carlos reads a book, goes to a museum and climbs a hill. His interest in the view of the city is interrupted by an attractive young man from the capital.
Dolores lives with her brother Pablo and spends her days with her friend Fatima, trapped in a normality that oppresses them. They live in circumstances that escape them, in a small town on the outskirts of Nuevo Leon, Mexico.
When Dolores, an undocumented immigrant who lives alone, discovers $3 million in cash, her life takes a sudden and unexpected turn.
The film depicts how the Church has adapted to the new security norms in the Covid-era, without renouncing to its rituals.
The interview, held on January 4, 2001, was the last given by Professor Milton Santos, who died from cancer on June 24 of the same year. The geographer is gone, but his thoughts remains. Its political and cultural ideals inspire the debate on Brazilian society and the construction of a new world. His statement is a true testimony, a lesson that the world can be better. Based on geography, Milton Santos performs a reading of the contemporary world that reveals the different faces of the phenomenon of globalization. It is in the evidence of contradictions and paradoxes that constitute everyday life that Milton Santos sees the possibilities of building another reality. He innovates when, instead of standing against globalization, proposes and points out ways for another globalization.
An aging Latin lover gets dumped by his sugar mama and must fend for himself in a harsh world.
Mostly fictional episodes in the life of famous german social-critical painter Heinrich Zille.
“SOUTH PACIFIC” IN CONCERT FROM CARNEGIE HALL premiered on April 26, 2006 on PBS. Based on James Michener’s Pulitzer Prize-winning collection of short stories TALES OF THE SOUTH PACIFIC, Rodgers & Hammerstein’s own Pulitzer Prize-winning blockbuster was a landmark of post-World War II Broadway, a provocative romantic drama that beguiled audiences with a hit parade of instant standards. “South Pacific” reached new heights when, for one enchanted evening, Carnegie Hall presented a magnificent concert production with a dream cast headed by Reba McEntire, Brian Stokes Mitchell, Jason Danieley, Lillias White, and Alec Baldwin. Directed for the concert stage by Walter Bobbie, with musical director Paul Gemignani conducting the Orchestra of St. Luke’s.
A symphonic concert spectacle featuring rock maestro Ben Folds with the Adelaide Symphony Orchestra, combining the power of orchestral grandeur with the intimacy of close contact with the musicians. Audience participation peaks as Folds achieves the extraordinary feat of inducing the crowd to sing a choral refrain in three-part harmony. Interwoven with Folds’ personal narratives of the inspirations for his songs, the film transforms enthralling live performance into a unique portal revealing the creativity of the song writing process.