
Monsterama: A Tribute to Horror Hosts was a documentary focused on horror hosts; screened on the horror channel Monsters HD in 2004.

Monsterama: A Tribute to Horror Hosts was a documentary focused on horror hosts; screened on the horror channel Monsters HD in 2004.
2004-07-02
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A&E Comprehensive biographies of five of the greatest classic stars of the horror genre. Features lots or archive footage from some the greatest horror films committed to celluloid.
0.0Tracks Leigh Whannell’s directing process on reimagined horror classic The Invisible Man.
7.0The cast and crew talk about making the film with some behind-the-scenes footage.
6.0Take a behind-the-scenes look into the most pivotal elements of THE BLACK PHONE production, including adapting the story and achieving the vision of director Scott Derrickson.
8.4Mark Gatiss explores and celebrates Dracula, an icon of popular culture, asking just why we keep coming back to the count.
6.6Tom Savini is one of the greatest special effects legends in the history of cinema, but little is known about his personal life until now. For the first time ever a feature length film has covered not only Tom's amazing career spanning over four decades, but his personal life as well.
0.0A misunderstood and isolated transgender teenager takes revenge upon his unaccepting parents. A powerful supernatural entity known as the Bug God contacts him to help him do the deed. A mysterious organization produces a largely fictitious made-for-TV docudrama on the subject.
6.7A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.
Documentary about the making of "Lady Frankenstein" and the directing career of Mel Welles.
0.0World-renowned Drag Queen Miz Cracker helps a Texas family that’s experiencing strange occurrences after renovating their 1892 home. As a lover of the paranormal, can Miz Cracker solve their ghost problem and help them coexist peacefully with the spirits?
A documentary on the life and career of the legendary British exploitation film director Norman J. Warren, who gained a name for himself in the sexploitation business in the late 1960s before moving into low budget horror pictures in the 1970s and 1980s. Produced for the American release of "Inseminoid", which debuted on Blu-Ray in the USA on March, 10th 2020, this extensive documentary draws on hours of footage of Warren and also some of his best known collaborators such as the screenwriter David McGillivray.
7.8Chronicles the last great American showman, filmmaker William Castle, a master of ballyhoo who became a brand name in movie horror with his outrageous audience participation gimmicks.
5.7Revealing, intimate documentary spotlighting the Hollywood horror community.
0.0Florida, Man is a "mostly real" faux documentary exploring filmmaker Evan Jordan's haunted past and future possibilities - shot on location in his hometown and featuring a roster of extended family, friends, and other colorful characters from the American South.
8.0Almost 50 years after the film’s release, all the Overlook Hotel’s sets are thought to have been destroyed, but one last filming site remains.
8.0A look at Hammer’s progression from a back office in London’s Regent Street to its iconic status within the horror film genre. The company, started by comedian and businessman William Hinds in 1934, made films such as The Curse of Frankenstein, Dracula, and The Quatermass Xperiment during the period for which it is best known, making stars out of the likes of Christopher Lee and Peter Cushing.
0.0A intimate reflection at the making of and cultural phenomenon of one of the most popular and profitable horror films ever made, The Exorcist (1973).
0.0Macchie solari (Autopsy), L'etrusco uccide ancora (The Etruscan kills again), commandos are titles that refer to a category for lovers, that of B-movies, Italian thriller of the '60s and' 70s. But in the life and in the poetry of their director, Armando Crispino, there is more, says his son Francesco. Searching for a meeting with his father in the maze of his production, he finds himself investigating the world of Italian genre cinema. Finding that even in this area left in the shadows by the critical discourse we can find more, and better, than we think.