High Rise and Fall(1993)

Cologne Cathedral: The French Cathedral on the Rhine(de)

An exploration of Cologne Cathedral, an emblematic monument and world heritage site. The towering place of worship took over 600 years to complete. Once the tallest building in the world, its ornate facade remains a masterpiece of Gothic architecture - and a reflection of the evolution of Franco-German relations.

Olga Scheinpflugová(cs)

Téléphone, jolie petite histoire(fr)

Power and Paranoia of the Third Reich(fr)

Le regard de Georges Brassens(fr)

An atypical portrait of singer, songwriter, poet Georges Brassens.

Coup 53(en)

Tehran, Iran, August 19, 1953. A group of Iranian conspirators who, with the approval of the deposed tyrant Mohammad Reza Pahlavi, have conspired with agents of the British MI6 and the US CIA, manage to put an end to the democratic government led by Mohammad Mosaddegh, a dramatic event that will begin the tragic era of coups d'état that, orchestrated by the CIA, will take place, over the following decades, in dozens of countries around the world.

DUE SEGNI(it)

A film commissioned by architects Vitangelo Ardito and Nicoletta Faccitondo (Polytechnic University of Bari) as a companion piece to the book 'Umberto Riva. Perciò è sempre una sorpresa - 19 conversazioni'.

Belgique nazie(fr)

Château d'If : La Prison du comte de Monte-Cristo(fr)

Camping - Die Geschichte einer Leidenschaft(de)

Using vintage footage, this witty documentary explores the history and sociology of camping, from its origins in English high society at the end of the 19th century, through hippy outfits and the advent of mass tourism, to contemporary 'glamping'.

Woodstock(en)

An intimate look at the Woodstock Music & Art Festival held in Bethel, NY in 1969, from preparation through cleanup, with historic access to insiders, blistering concert footage, and portraits of the concertgoers; negative and positive aspects are shown, from drug use by performers to naked fans sliding in the mud, from the collapse of the fences by the unexpected hordes to the surreal arrival of National Guard helicopters with food and medical assistance for the impromptu city of 500,000.

The Armstrong Tapes(en)

Never-before-heard audio tapes recorded with Neil Armstrong during the final years of his life reveal an intimate portrait of this iconic - and famously private - man. Illustrated through previously unseen personal photographs and archival footage, this documentary special takes viewers on an emotional journey into the thoughts and experiences of the first man on the Moon.

The Little Ancestor(xx)

An ancestral house builds itself, comes to life, and shows us its story spanning one hundred fifty years. Through the ages, it allows us to perceive the passage of time.

Matthew Perry: Not just Friends(en)

Salvador Dalí: Génie tragi-comique(fr)

Apollonie, les dieux avaient raison(fr)

Moving Memories(en)

A journey into the 1920s and 1930s featuring restored and edited home movies taken by Japanese American immigrant pioneers.

Best of Thierry Le Luron(fr)

Beyond his talent as an imitator, Thierry Le Luron is first of all a caricature of his contemporaries, whether politicians, journalists or music stars.

Einstein and the Bomb(en)

What happened after Einstein fled Nazi Germany? Using archival footage and his own words, this docudrama dives into the mind of a tortured genius.

Les Suppliques(fr)

Since the defeat, the Nazis, who were the masters of the occupied zone, and the French State, which had been ruling the so-called free zone since Vichy, ordered the Jews to take a census. From the spring of 1941, whether they had been French for several generations or naturalized for a few years, foreigners who had taken refuge in France or stateless people who had been driven out of their country, they were put on file, arrested or threatened at any time. Some wrote to the administration, or directly to Marshal Pétain, who seemed to them to be the last resort. These requests are called Suppliques. Men, women, sometimes children, tried as best they could, by all means, to loosen the trap. They address themselves to their executioners, but they do not know it.