

Bob's Funeral(2024)
Searching for the root of generational trauma, the director takes a camera into his estranged grandfather’s funeral.
Movie: Bob's Funeral
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Video Trailer Bob's Funeral
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No Vietnamese Ever Called Me Nigger(en)
In defending his refusal to be conscripted into the Vietnam War, champion boxer Muhammed Ali defiantly declared: ‘No Vietcong ever called me a nigger, my enemies are white people, not the Vietcong.’ His rebuttal suggested the title of this documentary, which depicts an anti-Vietnam-War rally in New York in 1967.

Qwerty(en)
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Dear Kid(sv)
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If you hear the story of Kashima, she appears to ask you 3 questions. Get them wrong and she takes a part of your body and kills you. After hearing the tale, it's Ryoko's turn. She needs to find correct answers in order to free herself from the Curse of Kashima.

Sleepy Eyes of Death 14: Fylfot Swordplay(ja)
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Apne Dushman(hi)
Brijesh is an airline pilot. While on duty one day, he comes across some men who are smugglers, and after a short tussle with them, he hands them over to the police. A lipstick containing a deadly secret is left on Brijesh's person, which he unknowingly takes home. He lives with his blind sister, Reshma. Reshma is not really his sister by birth, for he had rescued her when she was being molested. The gangsters find out that the lipstick is in Brijesh's house, and Reshma alone at home, and they sent their operatives to locate the lipstick and if necessary kill Reshma. How is Reshma going to defend herself, when she cannot see the person(s) who have found their way inside, and will do anything to obtain what they have come for. The Mohammeda Rafi song "Ish Desh ke socho kya hoga, ab hum kaise batlayen, jab apne hi gharwale, apne dushman ban jayen..." continues to be banned by India's Government-owned media.

Qwerty(en)
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Double Play: James Benning and Richard Linklater(en)
In 1985, former oil rig worker Richard Linklater began a film screening society in Austin, Texas, that aimed to show classic art-house and experimental films to a budding community of cinephiles. Eventually incorporating as a nonprofit, the newly branded Austin Film Society raised enough money to fly in their first out-of-town filmmaker: James Benning. Accepting the invitation, Benning met Linklater and the two began to develop a personal and intellectual bond, leading to many future encounters. Starting in the 1960s, Benning had been creating low budget films mostly on his own, while Linklater had just begun to craft his first shorts. The filmmakers have remained close even as their careers have diverged. After the cult success of Slacker, Linklater went on to make films with Hollywood support. Benning, meanwhile, has stayed close to his roots and is mainly an unknown figure in mainstream film culture.

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