An experimental re-edit of Jack Frost, starring Michael Keaton.
Hoping to find a sense of connection to her late mother, Gorgeous takes a trip to the countryside to visit her aunt at their ancestral house. She invites her six friends, Prof, Melody, Mac, Fantasy, Kung Fu, and Sweet, to join her. The girls soon discover that there is more to the old house than meets the eye.
A wannabe film director becomes embroiled in a battle against the laws of time and space when his attempts to recreate the iconic black and white, photograph-only, time travel film, La Jetée, spiral out of control.
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After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the only other survivor: an eccentric, ideologically opposed figure of the United States military. Together, they brave the toxic landscape in search of safety... and answers.
The Tenant continuously fails to escape his deadly apartment under five minute time limit as his blood-thirsty neighbor threatens to break in and exterminate him.
This exclusive luxury cruise presents itself as the perfect holiday and family utopia. However, all artificial facades of this attractive consumer product dissolve, as a psychedelic dream world unfolds, illusions break and the crude reality beyond superficial comfort is unveiled.
A diary-cum-thriller-cum comedy-cum-horror film shot on an iPhone (RIP BlackBerry!) for zero dollars with friends, IN SEARCH OF GLADYS GLOVER was born in the darkness of winter in a post-pandemic 2022 after a fateful 35mm screening of George Cukor’s NYC classic IT SHOULD HAPPEN TO YOU (1954). Indebted to the spirits of Larry Cohen, Anne Charlotte Robertson, and New York City herself, IN SEARCH OF GLADYS GLOVER is a time-shifting journey about the disorienting feeling of being in the city the past few years. It’s a movie for everyone who wakes up each day and continues to put one foot in front of other—laughing often, crying often, watching as many beautiful films and sports games as possible, aimlessly walking the city streets alone, making art, hanging with good friends—but ultimately doesn’t understand what the fuck is going on anymore.
Host Scott Forrest presents a curated compilation of eight independent short films in this rapid-fire science-fiction feature. Genres collide, narratives twist, aesthetics clash, and even humor, both campy and dystopian, showcase the vast creative possibilities of each story's individual world, offering the viewer a brief glimpse into the lives of every character's attempt to survive the otherworldly chaos around them. Released in 2001, the selected shorts span original creation dates of 1997 to 2001; most of the featured filmmakers also appear as themselves in short video interviews to talk about their inspirations, creative process and motivations while working on their individual shorts.
As a working bellboy in 1946, Carl yearns for more. When world-renowned director Charles Cameron steps into the hotel, he gives Carl an offer he can’t refuse. How far will Carl go to earn the appreciation that he deserves?
A "hero" steps out for work on a rainy Monday with a red umbrella, unaware he's the star of a cosmic show. Rain falls, thoughts swirl, and reality bends. Is this just another day, or the beginning of something out of normalcy?
Students turn the world upside down in their quest to find Krit, a missing young boy. They embark on a challenging journey filled with unexpected twists of fate and high-stakes bets.
A washed up actor performs night after night in a grimy theater to a nearly empty audience. However, everything changes when a clueless dog jumps on stage.
Emily has a doctor's appointment. Sorta. Kinda. Not really.
A dark comedy about a murder and its consequences presented in a backwards manner, where death is actually a rebirth. The film starts with an "execution" of the main protagonist and goes back to explore his previous actions and motivations.
Join Lucy as she embarks on a spiritual journey to Mars in this psychedelic short film full of music and mischief.
In his book "1984", George Orwell saw the television of the future as a control instrument in the hands of Big Brother. Right at the start of the much-anticipated Orwellian year, Paik and Co. were keen to demonstrate satellite TV's ability to serve positive ends-- Namely, the intercontinental exchange of culture, combining both highbrow and entertainment elements. A live broadcast shared between WNET TV in New York and the Centre Pompidou in Paris, linked up with broadcasters in Germany and South Korea, reached a worldwide audience of over 10 or even 25 million (including the later repeat transmissions).