Starring Angela Gheorghiu as the celebrated French actress Adriana Lecouvreur and Jonas Kaufmann as her lover Maurizio, Count of Saxony, Cilea s verismo drama explores celebrity, romance, jealousy, and death. The trio of sublime voices is completed by Russian mezzo-soprano Olga Borodina as Adriana s jealous rival, the Princess de Bouillon. David McVicar s hit production the first performance of the opera at the Royal Opera House, Covent Garden for more than a century presents the life of the French actress as a blurring of the distinction between fantasy and reality. The action revolves around a life-size Baroque Theatre, taking us from the bustle and colour of the first act backstage at the playhouse, to the bare final scenes as the drama reaches its fatal climax.
Poisson
Quinault
Abbé de Chazeuil
Major-Domo
Starring Angela Gheorghiu as the celebrated French actress Adriana Lecouvreur and Jonas Kaufmann as her lover Maurizio, Count of Saxony, Cilea s verismo drama explores celebrity, romance, jealousy, and death. The trio of sublime voices is completed by Russian mezzo-soprano Olga Borodina as Adriana s jealous rival, the Princess de Bouillon. David McVicar s hit production the first performance of the opera at the Royal Opera House, Covent Garden for more than a century presents the life of the French actress as a blurring of the distinction between fantasy and reality. The action revolves around a life-size Baroque Theatre, taking us from the bustle and colour of the first act backstage at the playhouse, to the bare final scenes as the drama reaches its fatal climax.
2010-01-01
10
Recorded live at the Vienna State Opera, Placido Domingo and Eva Marton star in a sumptuous recording of Ponchielli's famed four-act melodrama, a story of tyranny and intrigue set in semi-historical and ever-romantic Venice. The action is projected by strong characters whose fundamentally sound instincts become distorted by raw passion. The performance draws upon both human and technical resources including a large ballet and varies in mood from the happy carnival to scenes of the darkest gloom and horror.
An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.
Day 2 HoneyWorks stage for “Capture the Moment” Savor it. Treasure it. Continued growth since 1st fes. Cherished memories. Emotions. A future that is built to last. And this moment is no less precious. Treasure every moment, most importantly this very one. Here, now. In staying true to those ideals, hololive 5th fes. will take place on a three-sided stage – an unprecedented and monumental first for hololive production! Connecting past, present, and future, we aim to hold a performance the likes of which have never before been seen.
On the way to Daphne's relatives' condominium, the Mystery Inc. gang detours through the town of Winter Hollow, where the vengeful Headless Snowman has destroyed the town's Christmas spirit.
In 1953, Jacqueline Auriol, a French pilot, is about to go down in history along with her jet aircraft.
Filmed April 12, 2003 at a benefit concert held at and for The Anthology Film Archives, the international center for the preservation, study, and exhibition of avant-garde and independent cinema. In addition to screening films for the public, AFA houses a film museum, research library and art gallery. The event, which raised money for the Archives and celebrated the life and work of avant-garde film maker Stan Brakhage, featured Sonic Youth providing an improvised instrumental collaboration with silent Brakhage’s films. The band performed with drummer/percussionist Tim Barnes (Essex Green, Jukeboxer, Silver Jews).
“Re-Existence” is a documentary about migration stories of individuals from the Brazilian queer community.
The world where humanity once thrived is gone. People themselves laid waste to the beautiful world headed by corrupt and abusive leaders. People fight to live, and no change is being made to bring and restore a better, more hopeful world. One night Jet goes through his usual motions of buying liquor and pills as he goes by evangelists and meets Janna, who later helps him to restore his hope.
Successful nightclub singer has difficulties with her love life.
Fresh from the 15 date Manchester Arena Phoenix Nights LIVE reunion in aid of Comic Relief (reprising his much loved role of Young Kenny), Justin is ready to hit the road once again. Justin has recently appeared in the new series of Live at the Apollo (BBC1) and Coronation Street (ITV1). He is currently Champion of Champions on Fighting Talk (5Live), a familiar voice on talkSPORT as well as Radio 4’s News Quiz and winner of Celebrity Mastermind. “Simultaneously down-to-earth and out-of-this-world” The List “Comedic Tour-de-force…brought a tear to a critical eye” The Herald “Moorhouse charms the pants off the crowd” Sunday Times.
An adaptation of the 1888 Victorian memoir “My Secret Life,” in which an author describes his lifelong pursuit of the perfect sexual experience. This is illustrated with shots of erotic sculpture and paintings of nudes and couples engaged in the act. The producers were arrested shortly after release and its negatives destroyed by the Canadian government.
01. Sade - Smooth Operator 02. Adele - Chasing Pavements 03. Andrea Bocelli & Katharine McPhee - The Prayer 04. Laura Pausini - Primavera In Anticipo 05. Coldplay - Charlie Brown 06. Europe - Superstitious 07. AC/DC - Thunderstruck 08. Iron Maiden - Hallowed Be Thy Name 09. Metallica - Seek And Destroy 10. Linkin Park Vs Jay-Z - Numb/Encore 11. Green Day - 21 Guns 12. Queen - Another One Bites The Dust 13. Bee Gees - Night Fever More Than A Woman 14. Santana - Corazon Espinado 15. Rob Thomas - If You're Gone 16. Lady Gaga - Bad Romance 17. Caro Emerald - Stuck 18. Kylie Minogue - All The Lovers 19. Scooter - How Much Is The Fish 20. OMD - Enola Gay 21. Van Halen - Jump (audio only) 22. Phil Collins - Don't Lose My Number 23. The B-52`s - Love Shack 24. Andre Rieu - Kalinka 25. Domingo, Netrebko & Villazón - Dein Ist Mein Ganzes Herz
John tells the story of a young male, a psychiatric hospital patient who witnesses the death of another Black male patient at the hands of white staff. Blurring the boundaries between fact and fiction, this work draws from real life cases of mentally ill Black men who have died as a result of excessive force of the State.
Alt Space is a psychological thriller that tells a contemporary story of what it's like to have a dissolving sense of reality. The story is told through the eyes of Julian and Liv, a young couple living in New York City.
Bullet, a female triad member, is recently released from prison. Bullet hooks up with her old gang rather quickly, although she is being closely watched by her policeman father and his gritty female partner Big Aunt . Bullet steals some jewels belonging to triad gangster Chin Bo while helping her friend May, who has been forced into prostitution. Chin Bo, also known as Brother Mad, kidnaps May and another of Bullet's friends to secure the return of his fortune, but the exchange goes wrong and a furious gun battle erupts.
Elham, on the day she wants to sell her gold to buy a house, realizes that her diamond necklace is missing at the jewelry store. She suspects Shahab, the upstairs neighbor, who came to their house in the morning to see the ceiling of the room and bathroom that had leaked, but…
After losing his job, Tommy heads back to his home town of New York City. With zero job prospects, Tommy starts selling cocaine with Donnie, his brother, a veteran drug dealer. Tommy keeps seeing a gorgeous young woman, Zoey. But before he gets the chance things head sideways when she gets attacked in the street. Tommy fights off the attacker and finally meets Zoey. His life and outlook improve instantly as their relationship develops. But keeping his web of lies neat quickly proves futile.
Juan is a 35 year old man whose hobby is bodybuilding. He works in a factory, where despite its huge and muscled physique, is mistreated by his bosses and colleagues. His biggest dream is to leave that life gray and a better life, especially owning your own gym, but has yet to collect some money. And that is, when, in the evening of another of his routine days, attends a terrible episode before which makes a decision that suddenly puts a moral crossroads.
A version of Benjamin Britten's opera based on the Melville story. Will the virtuous young sailor Billy Budd be hanged for murder?
Based on a revolutionary play supposedly written by the Eternal President of the Democratic People's Republic, Kim Il-sung, and rumored to have been co-directed by Kim Jong-il. This revolutionary work is also popular among the Chinese, especially those who lived through the Cultural Revolution, and have fond memories of revolutionary antics.
The operatic version of the famous story about a governess who fears her two charges are possessed.
Pietro Mascagni's opera recorded in 2009. Conductor Stefano Ranzani leads the orchestra and chorus of the Zurich Opera House, with performances by Argentinian tenor Jose Cura and soprano Pauletta Marrocu.
The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.
When the rich and powerful Buoso Donati dies, his family's excitement about his estate is infinitely greater than their sorrow over his loss. They start searching for his will like a flock of hungry vultures. Apparently Donati has bequeathed everything to a monastery. There is absolutely no way they will allow this to happen. They search any means to seize the fortune. Rinuccia, the youngest scion of the family, suggests asking Gianni Schicchi, the father of her lover, for advice. They shudder at the mention of his name, but Gianni Schicchi is already on his way and proves to be a man with ideas.
Since its premiere on 2 June 1937 in Zurich, Alban Berg's second opera "Lulu" has the reputation of being surrounded by scandals. On the one hand, this is due to the dubious character of the subject, the man-eating femme fatale, which Berg had taken from Frank Wedekind's two Lulu tragedies – "The Earth Spirit" and "Pandora's Box" – and combined into one opera libretto. On the other hand, Berg's window had (for personal reasons) repeatedly refused to have the opera completed, which was unfinished when Berg died. This video is of the unfinished two-act torso of "Lulu."
This is an effective staging, though the set looks medieval and the costumes are modern. It’s well paced, well played, well sung. Jonas Kaufmann is an ideal Tito. His voice is not only beautiful and flexible, it’s also ample, retaining warmth and sweetness when he sings out. The character of Tito is too good to be true, but Kaufmann makes him intense, noble, and beliveable. Vesselina Kasarova is riviting as Sesto. Her voice is gorgeous and multi-colored, her technique exquisite, her immersion in the role complete.
The Met’s spectacular production of Verdi’s Egyptian epic captures both the grandeur and the intimacy of this powerful tale of love and politics. Liudmyla Monastyrska is Aida, the Ethiopian princess-turned-slave in love with the Egyptian warrior Radamès, sung by Roberto Alagna. Olga Borodina is her rival, Amneris, daughter of the Pharao, and George Gagnidze sings Aida’s father, Amonasro, the King of Ethiopia. Principal Conductor Fabio Luisi is on the podium.
Franco Zeffirelli directs these two legendary La Scala productions telling tragic tales of jealousy. Mascagni's Cavalleria Rusticana features performances by Elena Obraztsova, Plácido Domingo, and Renato Bruson. Leoncavallo's I Pagliacci stars Teresa Stratas, Plácido Domingo, and Juan Pons. Both are conducted by George Pretre. This production of Pagliacci earned director Franco Zeffirelli the coveted Emmy as Best Director in the category of Classical Music Programming.
Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Viennese composer Wolfgang Amadeus Mozart.
The story of the star crossed love between Manon Lescaut and Des Grieux.
This hard-edged postmodern production of Giuseppe Verdi's haunting masterpiece brings the story of Shakespeare's bloody tragedy to vivid life, characterized by spine-tingling atmospherics and a triumphant debut by American baritone Thomas Hampson in the title role. This Zurich Opera House production also features a mesmerizing turn by Paoletta Marrocu as the beautiful, power-hungry Lady Macbeth, while striking sets and costumes further enhance the duality of the main character whose rise and fall mirror the darkest impulses of man. Replete with supernatural mystery, sexual tension, and violent power plays, this timeless story remains gripping and chilling for today's audiences and boasts some of the most astonishing music of Verdi's legendary body of work.
Claude D'Anna's film of Verdi's Macbeth is a gloomy affair, stressing the descent into madness of the principal villains. It's acted by the singers of the Decca recording of the opera (with two substitutions of actors standing in for singers) and the lip-synching is generally unobtrusive. The musical performance is superb, conducted by Riccardo Chailly with admirable fire, and sung by some of the leading lights of the opera stages of the 1980s. Shirley Verrett virtually owned the role of Lady Macbeth at the time, and she delivers a terrific performance, the voice equal to the role's wide register leaps and it's suffused with emotion, whether urging her husband on to murder or maddened by guilt in the Sleepwalking Scene. Leo Nucci's resonant Macbeth may lack the ultimate in vocal color and steadiness (his last notes of the great aria Pietà, rispetto, amore are wobbly) but he compensates with intensity in both singing and acting.
This all-star cast is framed by Peter Hall’s gritty, realistic production and conducted by James Levine, who brings out all the surging emotion and gripping drama in Bizet’s score. At the center of the story is Agnes Baltsa, whose smoky mezzo is tailor-made for the gypsy Carmen, an independent woman who glories in obeying only her own rules, but who is haunted by fate. Superstar tenor José Carreras is Don José, the solider from a small town who catches Carmen’s eye and is destroyed by his growing obsession with her. Samuel Ramey is the charismatic matador Escamillo, who lures Carmen away from Don José with tragic result. Leona Mitchell is Micaëla, the simple girl from Don José’s hometown who cannot save him. March 21, 1987 Matinee Broadcast.
Composer Thomas Adès conducts the Met premiere of his powerful opera based on Shakespeare’s last play, in Robert Lepage’s brilliantly inventive production. Simon Keenlyside is the magician Prospero, who conjures the storm that shipwrecks his enemies and sets in motion the course of events. Rising Met stars Isabel Leonard and Alek Shrader are the young lovers, Miranda and Ferdinand, Alan Oke sings the sinister Caliban, and Audrey Luna gives a memorable performance as the sprite Ariel.
Director David McVicar’s new production brings opera’s favorite double bill to new life, setting the two operas in the same Sicilian setting, separated by two generations. Marcelo Álvarez takes on the rare feat of singing both leading tenor roles. In Cavalleria, he is Turiddu, the young man who abandons Santuzza (Eva-Maria Westbroek) in his pursuit of the married Lola (Ginger Costa-Jackson)—and ends up being killed in a duel with her husband, Alfio (George Gagnidze). In Pagliacci, Álvarez is Canio, the leader of a traveling vaudeville troupe. Patricia Racette sings Nedda, his unfaithful young wife, whose plans to run away with her lover are foiled by her spurned admirer Tonio (George Gagnidze)—with equally tragic consequences. Met Principal Conductor Fabio Luisi is on the podium.
The documentary draws a portrait of an opera director who is staging Richard Wagner’s Die Walküre. He is torn between the tragicomic routine of an opera house and his own perception of Wagner and the Ring cycle. The film witnesses the director’s drama in maintaining the fragile link between a well-constructed performance and his own vision that lies within the music and the narrative, and is seen as German expressionism-like nightmares.