This film takes a close look at Africa's varied geography and the people who settled and live in these region. Also it contrasts the rural villages and the modern cities.
This film takes a close look at Africa's varied geography and the people who settled and live in these region. Also it contrasts the rural villages and the modern cities.
1990-01-01
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Follows in an unconventional way the journey of 'ISH', a former Miami based rapper, who traveled to Africa to visit family. Little did he know that Libreville Gabon would be the place where the project of his dreams would fall on his laps. Against all expectations the alchemy born between him and 2 local beat-makers would lead to the making of a potential first album. Written and Directed by Marc A. Tchicot and Franck A. Onouviet, the film captures glimpse of great encounters and musical moments between people from opposite backgrounds driven by the same passion: music. 'The Rhythm of my life' belongs to the new generation of short films, which combine fiction and documentary style. Deeply grounded in the line of non formatted and guerrilla style independent projects, the rhythm of my life set a different direction for film-making in Gabon and Africa.
The Gangbé Brass Band, a musical group from Benin, sets out to conquer Lagos, capital of Nigeria.
Malawian Short film, the first in the 'Letters From The Future' film series based on stories of HIV/AIDS in Africa. Filmed on location in Lilongwe (Malawi) co-directed by Khama Mbaula and Bright Makina. Shot entirely on a handycam at a 20$ budget, no professional equipment was used to make this.
The Democratic Republic of the Congo is a vast, mineral rich country the size of Western Europe. Alastair Leithead takes an epic journey from the Atlantic Ocean to the far reaches of the Congo river to explore how history has shaped the Congo of today and uncover the lesser told stories of this beautiful, if troubled country. In the largest rainforest outside of the Amazon he comes face to face with its gorillas and hunts with pygmies, he travels into the heart of the Ebola outbreak with United Nations peacekeepers, and explores the cobalt mines which will drive our electric cars of the future.
After the insurrection erupted in Libya in the spring of 2012, more than a million people flocked to neighboring Tunisia in search of a safe haven from the escalating violence. When a massive refugee camp was hastily constructed near the Ras Jdir border checkpoint in Tunisia, a trio of filmmakers carried their cameras in and began filming with no agenda. This on-the-fly chronicle of the camp's installation, operation, and dismantling captures a postmodern Babel complete with a multinational population of displaced folk, a regime of humanitarian aid workers, and international media that broadcasts its “image” to the world. Visually stunning and refreshingly undogmatic, Babylon reveals a rarely seen aspect of the Arab Spring.
Thabo, Thabiso and Moalosi are young, attractive and deal openly with their HIV status. Nearly a third of the population in Lesotho is HIV positive.
Ben Steele’s ORPHANS OF EBOLA follows Abu, a 12-year-old boy from a Sierra Leone village, who loses eight members of his family and must restart his life elsewhere. Filmed over a period of four months, beginning just after the height of the epidemic in Dec. 2014 through the reopening of the country’s schools in April 2015, Abu’s story illustrates the incredible bravery of the thousands of children who have been orphaned by Ebola as they reconcile with the past and forge new lives.
The Ebola outbreak in West Africa seen through the eyes of the local populations, village officials, aid workers, the sick and those who recovered.
For wildlife filmmakers, the only way to safely explore the startling African lion is at the end of a mighty long lens — until now. Man v. Lion follows veteran big cat expert Boone Smith across the Nambiti Game Reserve as he tracks three male lions in the open African bush. But to truly understand these brothers, Boone goes face to face with them. We take an in-depth look at the lions' unique physical attributes, intricate hierarchy, and complex hunting strategies. Boone explores each stage of a lion's kill leading up to the final face-off: Boone in the middle of lions devouring their prey.
This uneven and uninspired documentary of Africa is a collection from various stock footage. Female dancers in mod clothes dance on the Eiffel Tower in comparison to the primitive dances of native Africans. A lone runner trains for a marathon, and a few animals are shown in their natural habitat. Commentary and modern jazz and pop music help to make this seem much longer than 66 minutes.
Wildlife activists and investigators put their lives on the line to battle the illegal African ivory trade, in this suspenseful on-the-ground documentary.
In this wildlife drama, a worsening dry season in the Kalahari Desert leaves prides, packs and herds to rely on the power of family to survive.
The essay by René Vautier, "Déjà le sang de Mai ensemençait Novembre", starts with the recapitulation of the representations of Algeria throughout the history of visual arts in France in an effort to explore the causes for the quest for independence.
Africa. In the wild expanses, where bush-bucks, impalas, zebras, gnus and other creatures graze by the thousands, they are on holiday. German and Austrian hunting tourists drive through the bush, lie in wait, stalk their prey. They shoot, sob with excitement and pose before the animals they have bagged. A vacation movie about killing, a movie about human nature.