Buyers, sellers, people wandering. Toys and jewelry. Tools and cosmetics. Transactions and shouting. A wandering camera lost in the crowd contemplates the passing of a day at the fair on Avenida Argentina in Valparaíso.
Buyers, sellers, people wandering. Toys and jewelry. Tools and cosmetics. Transactions and shouting. A wandering camera lost in the crowd contemplates the passing of a day at the fair on Avenida Argentina in Valparaíso.
2023-07-26
0
When you listen to The Years, the debut studio recording from Urbanites, you're hearing a band in progress. They wanted to make The Years differently, and decided to record the album together, live, in the same space - Studio A of Electrical Audio in Chicago, Illinois. With the exception of limited overdubs, (vocals, drum ensembles and laptop atmospherics) each song represented one collective take, warmly captured to two inch analogue tape. This recording method embraced the mistake as much as the moment. They also chose to document the making of the record with a film, appropriately titled, 'You Can't Rewind The Years'. With a new understanding and years of progress to come, these longtime friends are making the music that they'd always hoped to. As they sing, in The Years' standout track Restless, "Not without trial, not without err - this brokenness is ours to share."
In 1962 Joris Ivens was invited to Chile for teaching and filmmaking. Together with students he made …A Valparaíso, one of his most poetic films. Contrasting the prestigious history of the seaport with the present the film sketches a portrait of the city, built on 42 hills, with its wealth and poverty, its daily life on the streets, the stairs, the rack railways and in the bars. Although the port has lost its importance, the rich past is still present in the impoverished city. The film echoes this ambiguous situation in its dialectical poetic style, interweaving the daily life reality (of 1963) with the history of the city and changing from black and white to colour, finally leaving us with hopeful perspective for the children who are playing on the stairs and hills of this beautiful town.
Photographic and sound story, through the encounter of characters with their stories of a time without end.
There was once, in 1910, a train able to cross the wild territories between Argentina and Chile, making possible a mythical journey, joining two oceans with a single ticket, from Buenos Aires to Valparaiso. The last trip of the BAP was in 1979; in the nineties, its various branches were permanently abandoned. Since then, travelers have been inhabiting the railway landscape as they dream, desire, remember or yearn: as part of their own being and national history.
Twisting in from Chile, Guillermo Ribbeck’s phenomenal EMPTY JARS is a stylishly directed dark fantasy set in a decaying student residence where a woman (Ana Burgos, THE SEA) frees a ghost from a jar and works to find it a suitable human vessel to possess. Potent, inventive and wildly entertaining with a prankster heart and a melancholic soul.
After the social uprising in Chile in October 2019, Camilo el Hueto seeks refuge in Italy, attempting to escape the memories that haunt him. However, a letter will force him to return to his homeland, where he is no longer welcome, determined to get rid of that cursed horn once and for all.
Chile, September 1986. Tamara, commander of the communist guerrilla group Manuel Rodríguez Patriotic Front, and her comrades-in-arms set out to overthrow the military regime installed in 1973 by assassinating the dictator Augusto Pinochet.
Struggling fair owner Kesselring (Nicolás de Jesús) is given a unique opportunity to restore the fair to its former glory when his friend Dr. Goodkat (Fredy Roque) introduces him to Marcus Kelevra (Alexis Adrián), a man whose mysterious act will draw people back to the fair, at a deadly cost, and even sparking interest among his fellow fairgoers.
Made entirely on Roger Wagner's HyperStudio software, Chris Marker explores set theory, using Noah's Ark as an example.
Chris Marker’s Bullfight in Okinawa is a bizarre, 4 min documentary that introduces viewers to Japan’s subterranean past time of bullfighting. Part of Markers five-film “Bestiary” series, Bullfight employs observational documentary techniques and, in particular, Marker’s camerawork is impressive — tight framed shots, free-hand pans, and quick zooms all contribute to the film’s urgent sense of tension — and, if it weren’t for the suspense inducing music, this short-gem would be damn close to pure objective documentary cinema.
A young man, who served as a peacekeeper in Bosnia and Herzegovina for a few months during the war, recounts his experiences. Throughout the film, we only see his face filmed in close-up, along with a few photos. The interview acts as a strong testimony to the failure of the international community in the Yugoslav crisis.
In 1964 Film Culture magazine chose Andy Warhol for its annual Independent Film award. The plan was to show some of Andy's films and have Andy come on stage and hand him the award. Andy said, no, he didn't want a public presentation.
Velvet Underground's first public appearance.
During the summer of 1966 Jonas Mekas spent two months in Cassis, as a guest of Jerome Hill. Mekas visited him briefly again in 1967, with P. Adams Sitney. The footage of this film comes from those two visits. Later, after Jerome died, Mekas visited his Cassis home in 1974. Footage of that visit constitutes the epilogue of the film. Other people appear in the film, all friends of Jerome.
This is a video record of the Buddhist Wake ceremony at Allen Ginsberg's apartment. You see Allen, now asleep forever, in his bed; some of his close friends; and the wrapping up and removal of Allen's body from the apartment. You hear Jonas' description of his last conversation with Allen, three days earlier. You see the final farewell at the Buddhist temple, 118 West 22nd Street, New York City, and some of his close friends: Patti Smith, Gregory Corso, LeRoy Jones-Baraka, Hiro Yamagata, Anne Waldman, and many others.
Shot in 1950 upon arriving in America, Mekas did not edit and present the footage until 2003 making this both his first and last film shot on 16mm.
Pictura is a documentary film directed by seven famous directors, and narrated by several famous Hollywood actors. The film attempts to give the general filmgoing public a taste of art history and art appreciation.
Biography of Norman Corwin, the great writer, producer and director of the Golden Age of Radio. Actors in his radio plays included Orson Welles, Jimmy Stewart, Charles Laughton, Danny Kaye, Paul Robeson and Judy Garland.