La voz del huito(2023)

Ajishama, The White Ibis(es)

Shot in Venezuela over a 30-year period, this documentary depicts the life and work of José Maria Korta, the controversial Jesuit Missionary with the Ye'kwana people of the Amazon.

Quatro em Linha(pt)

Little Girl(fr)

7-year-old Sasha has always known that she is a girl. Sasha’s family has recently accepted her gender identity, embracing their daughter for who she truly is while working to confront outdated norms and find affirmation in a small community of rural France.

Who's Afraid of Kathy Acker?(en)

Documentary tracing the extreme life of outlaw writer, performance artist and punk icon, Kathy Acker. Through animation, archival footage, interviews and dramatic reenactments, director Barbara Caspar explores Acker's colorful history, from her well-heeled upbringing to her role as the scribe of society's fringe.

The Shaman & Ayahuasca: Journeys to Sacred Realms(en)

Filmed in the jungles of Peru, shaman Don Jose Campos introduces the practices and benefits of Ayahuasca, the psychoactive plant brew that has been used for healing and visionary journeys by Amazonian shamans for at least a thousand years.

The Judge(en)

A verité legal drama about Judge Kholoud Al-Faqih, the first woman appointed to a Shari'a court in the Middle East, whose career provides rare insights into both Islamic law and gendered justice.

Spears from All Sides(es)

Until the 1950s, the Waorani were able to successfully defended their area of settlement – today’s Yasuni National Park in the Ecuadorian Amazon – with the aid of spears. Then Christian missionaries entered the thick rain forest and paved the way for an oil company. Nowadays many of the tribes are estranged as some want to benefit from the short-term money the company is offering while others fight to preserve their land, culture and independence under all circumstances.

My Village in Nunavik(en)

Shot during three seasons, Kenuajuak's documentary tenderly portrays village life and the elements that forge the character of his people: their history, the great open spaces and their unflagging humour. Though Kenuajuak appreciates the amenities of southern civilization that have made their way north, he remains attached to the traditional way of life and the land: its vast tundra, the sea teeming with Arctic char, the sky full of Canada geese. My Village in Nunavik is an unsentimental film by a young Inuk who is open to the outside world but clearly loves his village. With subtitles.

AMAZORIOCA(pt)

A journey through the Brazilian Amazon, guided by the eyes of Renato, a Carioca turned Amazorioca. A reflection on identity, the legacy of an ancestral territory, and the cost of progress. An ode to the forest and the fragility of what remains.

Amazon(en)

Explore the mysterious Amazon through the amazing IMAX experience. Amazon celebrates the beauty, vitality and wonder of the rapidly disappearing rain forest.

The End of Eternity(es)

Every two weeks, the world loses a language and with it, a piece of human history. Ese Eja is one of the language in danger of extinction. Many stories and myths have been forgotten, but through dreams, the memory of the ancestors fight for remaining in the Ese Eja community.

La mia danza(it)

Filippo returns to the Ticino dance school where the desire to dance was awakened in him as a child. He traces his relationship with dance, from childhood to adulthood.

Amazon: Land of the Flooded Forest(en)

Explore an extraordinary region where water and land life intermingle six months out of the year.

The Metaphor That Became a Room(en)

The Metaphor That Became a Room is a psychological drama exploring identity, communication, and the struggle for self-understanding. Divided into two parts, the film first delves into the protagonist’s frustration with the urge to persuade others, realizing that over-explaining only distorts meaning. A note from the past echoes a hard truth: “Someone’s unwillingness to understand will always outweigh your effort.” In A Symphony of Unfinished Selves, the narrative shifts inward, revealing the protagonist’s fractured identity. Trapped in a metaphorical room built from illusions and contradictions, he reflects on his dual persona—the social facade and the hidden, lost self. The film questions how we see ourselves versus how others see us and whether true self-recognition is possible. Through minimalist dialogue and layered symbolism, the film captures the silent tension between who we are, who we appear to be, and who we long to become.

Tears in the Amazon(ko)

A documentary about environment destruction in the Amazon and the tribes living there. Produced for the 48th anniversary of MBC, Korea. A brilliant records of the itinerary for 250 days through the Amazon.

Heaven Earth(en)

This documentary examines ayahuasca shamanism near Iquitos (a metropolis in the Peruvian Amazon), and the tourism it has attracted. The filmmakers talk with two ayahuasqueros, Percy Garcia and Ron Wheelock, as well as ayuahuasca tourists and local people connected with the ayahuasca industry.

Fadia’s Tree(en)

While millions of birds migrate freely in the skies above, Fadia, a Palestinian refugee stranded in Lebanon, yearns for the ancestral homeland she is denied. When a chance meeting introduces her to the director, Sarah, she challenges her to find an ancient mulberry tree that once grew next to her grandfather’s house in historic Palestine, a tree that stands witness to her family’s existence.

Shelley in Wonderland(en)

Shelley is a timid elderly lady who is competing in the Miss Senior USA pageant. Immersion in an extravagant world that also touches on the universal need for visibility, beauty and being included.

The Inflated Jungle(es)

A series of suicides among youths who had to travel far from home to go to school, shocked their indigenous community in the Colombian Amazon. They are different cultures in the frantic friction of our time, it is a generation of young people born from the meeting of both cultures who are hanging before the mirages of a foreign world.

Peach(es)

How are biographies charted? How is identity constructed? Can we relive our past, reinvent it, rearrange or recycle it? Can we really know who we are if we ignore where do we come from?