Femme Fatale(1990)

Taxi Rider(en)

The tables turn when a smooth talking stalker tries to lure his next victim into a taxi.

The Sun Is God(en)

1918 - A woman imagines her lover has returned from the horrors of war in France, remembering moments shared together. A tale of love and loss told through classical ballet.

The Poet and the Boy(ko)

Trapped in routine, a Jeju poet finds himself drawn to a boy—and to emotions he’s never dared name.

Cream(en)

The time has come for CREAM - the latest product that will fix your life. This is the story of Dr. Bellifer, a scientific genius, who after years of smashing particles together, reveals his revolutionary new product: a cream with the power to fix all of the world’s problems.

The Sheds(en)

Examining the underlying tensions between mateship and masculinity in Australian sport in a portrayal of athletes rife with foul language, stigma, secrets, violence and nudity.

Forget Me Not(en)

A father takes his two children eating in a public park. While the older sister feels unwanted because of her baby sister, she wanders off in a distant corner where sinister red eyed animals talk to her.

175(en)

Rural England, winter 2013, Ruth and Juliet are waiting for the British Parliament to pass a legislation that would allow same-sex marriage, so they can get married. But they are out of time.

I Am Curious Gay(en)

On his 21st birthday, Davy wanders into a gay bar and meets the man of his dreams.

In Love Again(en)

AMG auteur Richard Fontaine started making short, silent posing-pouch snapshot films in the mid-1950s and moved on to sound titles like In the Days of Greek Gods (1958) and Muscles from Outer Space (1962), which featured narratives as well as nudity. Fontaine's films are among the first gay-campaigning documents in American cinema--he often managed to include references to the lowly status of the homosexual. His first feature-length erotic film, In Love Again, is more like propaganda than porn. (from: http://www.glbtq.com/arts/film,3.html)

Darker Than Midnight(it)

Davide is different from the other teenagers. Something makes him look like a girl. Davide is fourteen when he runs away from home. His intuition leads him to choose Villa Bellini, a park in Catania, as a refuge. The park is a world in itself, a world of the marginalized, to which the rest of the city turns a blind eye. But one day the past catches up and Davide has to face the most difficult choice, this time alone.

Transamerica(en)

A transgender woman takes an unexpected journey when she learns that she had a son, now a teenage runaway hustling on the streets of New York.

Test Footage of Toast(en)

A man watches test footage of his dog after dropping it off at the vet.

May(en)

A socially awkward veterinary assistant with a lazy eye and obsession with perfection descends into depravity after developing a crush on a boy with perfect hands.

Beautiful Thing(en)

During a long, hot summer on the Thamesmead Estate in Southeast London, three teenagers edge towards adulthood.

Neuro(en)

In the late 1970’s and after a traumatic event on their honeymoon, a struggling couple visit an experimental, and borderline unethical memory research facility.

Deixa, João(pt)

The Pier Man(fr)

Theo is a young docker languishing in his native port. His life flows at the monotonous rhythm of cargo ships passing by. Through his encounter with Giuseppe, a disillusioned sailor ashore for a while, Theo will gather the courage to face the waves to escape his dull existence by trying to get into Giuseppe's gruff crew.

Wounded Warriors(en)

A poignant exploration of one man’s journey to break the violent chains of intergenerational trauma.

My First Suit(en)

14-year old Steve is caught between creatures he does not fully understand: two parents with very different ideas about the suit he should wear to his first school dance. Meanwhile everywhere he seems to look, images of men are taking control of his imagination. In Stewart Main's comical coming of age story Steve escapes his parents' good wishes, to discover his true desires. They aren't quite what his no-nonsense father had in mind.