Christian, Finn and Moritz became addicted to drugs as teenagers. In 1999, the film "Bismuna - Ein Abenteuerfilm" was made about the three teenagers and their counselor as they traveled to an indigenous tribe for the drug cure. Now, some 10 years later, it shows what the men have done with their lives.

Self
Christian, Finn and Moritz became addicted to drugs as teenagers. In 1999, the film "Bismuna - Ein Abenteuerfilm" was made about the three teenagers and their counselor as they traveled to an indigenous tribe for the drug cure. Now, some 10 years later, it shows what the men have done with their lives.
2011-11-04
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6.9This documentary follows three women — a fire chief, a judge, and a street missionary — as they battle West Virginia's devastating opioid epidemic.
7.0Quiet towns across rural Australia are in the grip of an Ice epidemic. Major international drug cartels are working with local outlawed motorcycle gangs to push crystal meth to a captive market of children.
A glimpse into the junkie scene at Dortmund Central Station.
A filmed sequence dramatizes the problems addressed in the program: the story of a working mother addicted to barbiturates initially prescribed by her doctor.
7.0One of the most controversial writers of our times, join Trainspotting author Irvine Welsh as he undergoes a remarkable trip to find new meaning in his work, life and legacy.
0.0Stresses recognition and treatment of drug abuse emergencies, accurate identification of symptoms, and immediate clinical procedures. Presents scenes of actual cases in the emergency room and adjoining physician's offices of Beth Israel Medical Center in New York City. Viewers observe emergency treatment of patients in the major classes of drugs commonly abused, opiates, depressants, stimulants, and hallucinogens. The film demonstrates to health professionals that successful management of drug overdoses can save most lives and avert additional organic and psychiatric complications.
6.0This film presents a series of extemporaneous interviews with teenagers and young adults who have taken narcotics for "kicks," "association," or "curiosity." Residents of the California Rehabilitation Center relate how they were introduced to narcotics, why they wished they had not used drugs or narcotics, and what the future holds for them. Film is shot in Hollywood, Calif.
0.0A tribute to drag superstar, The Vivienne. Friends and family share touching stories of the RuPaul's Drag Race UK winner and her legacy. Her spirit lives on through unreleased footage, showcasing her unique personality and how her passion for entertaining left a mark in the world. Interviews with her dearest drag sisters Baga Chipz, Michael Marouli, Danny Beard, Tia Kofi, Cheryl Hole and more.
10.0Sixteen female sex workers have been named judicial aides by Nicaragua’s Supreme Court to facilitate the resolution of conflicts that come up in their work. It is the first time in the world that sex workers have had access to this function. The film accompanies some of these women in their mediation work and in the actions they promote through their association, Girasoles (Sunflowers) of Nicaragua, to gain recognition and regulations for autonomous sex work.
7.0Documentary about jazz great Chet Baker that intercuts footage from the 1950s, when he was part of West Coast Cool, and from his last years. We see the young Baker, he of the beautiful face, in California and in Italy, where he appeared in at least one movie and at least one jail cell (for drug possession). And, we see the aged Baker, detached, indifferent, his face a ruin. Includes interviews with his children and ex-wife, women companions, and musicians.
0.0Documentary following Jason Mewes' withdrawal from heroin and his struggle to stay clean.
0.0Plastic artist Aparicio Arthola talks with his student about the catarsis in his creative process, the loss, death and uncertainty of art life in Nicaragua
6.7The true-life story of a Harlem's notorious Nicky Barnes, a junkie turned multimillionaire drug-lord. Follow his life story from his rough childhood to the last days of his life.
0.0Cocaine has always gotten a bad rap, and for a reason. It is a drug used by the rich and the poor legally and illegally, Mexican cartels fought over it with Colombia once associated with the brutal cocaine wars, and a source of tension between the American and Mexican borders on the people who are illicitly bringing in cocaine from one side of the border to another and will do anything to do it. So it can be surprising at times to the viewer throughout the course of the documentary special, that it was never always like this.
0.0Initially embarking on an unplanned personal filmmaking project, Ilias Boukhemoucha finds himself drawn to the overlooked corners and marginalized communities within Canadian cities.
6.0Explores the lives of Sara, Gigi and Giovanna, three Latino transvestites who for years have lived on the streets of Manhattan supporting their drug addictions through prostitution. They made their temporary home inside broken garbage trucks that the Sanitation Department keeps next to the salt deposits used in the winter to melt the snow. The three friends share the place known as "The Salt Mines".
0.0In 1973, eleven year old Miguelito was discovered singing in the San Juan airport by the legendary New York record producer Harvey Averne. Within the year, he went from the slums of Manuel A Perez, to recording an album with some of the finest salsa musicians of the time to finally performing with Eddie Palmieri at Madison Square Garden in front of 20,000 people. Throughout Latin America his songs ‘Payaso’ and ‘Canto a Borinquen’ had become cult hits. And then he simply disappeared...
10.0After a tragic series of events in his life, Rob discovers the over-the-counter drug known as codeine. The effects of the pill are so strong and addictive, that soon, Rob becomes dependant and consumes them daily. But the less he feels the more he misses, as his life degrades into a deep, dangerous, oblivion of bliss.
0.0Composed of stills by renowned Magnum photographer Susan Meiselas taken in 1978 and 1979 during the overthrow of the fifty-year dictatorship of the Somoza family. Written in the form of a letter from Meiselas to Karlin, it is a ruminative and often profound exploration of the ethics of witnessing, the responsibilities of war photography and the politics of the still image.