Mulheres da Pá Virada(2020)

Devant – Contrechamp de la rétention(fr)

Pauline, Norah, Kristina and others wait for hours, sitting under a hut deep in the Bois de Vincennes. In front of the administrative detention center (CRA) in Paris, they have all come to see their loved ones locked up. Lives on hold, awaiting deportation or release. On this stage, these women tell their stories, talk to each other, share their experience, their revolt and their dreams with new visitors. They are the mirror of migrant detention, its reverse view.

Les filles c’est pas pareil(fr)

In this feature-length documentary, six teenage girls, aged 14 to 16, agree to open up and have their private worlds invaded by the camera. They have to face problems that they intend to take on "to the end": early experience of sexuality, belonging to a gang, relationships with parents, social tolerance, friendship... They live tender and pure lives in their own way.

Amazones, femmes guerrières de l'Antiquité(fr)

The New Spirit of Whisky(de)

A closer look at the underestimated role of women in the current Whisky industry in Scotland

Women's Rebellion(tr)

The documentary chronicles women's experiences of discovering, dreaming, acting and rebelling together, namely the early years of the formation of a feminist movement in Turkey.

Dadi's Family(en)

Dadi manages an extended family in Haryana, Northern India, where daughters-in-law face loneliness and unrealistic expectations. The film delves into family dynamics, highlighting Dadi's firm control amidst tensions. Social and economic shifts challenge traditional values, exemplified by Dadi's son marrying outside the village. Despite clinging to tradition, Dadi adapts to her children's modern aspirations. This narrative reflects the clash between generations and gender roles in 1980s rural India, offering insight into the evolving concept of family.

Welcome Home Freckles(ko)

After four years away, Huiju returns home to South Korea. Exchanges with her loved ones are awkward and clumsy. Huiju turns once again to her familiar rituals: pruning the trees, preparing a sauce, tying a braid.

Strike! The Women Who Fought Back(en)

In their own words, this is the story of six women from the South Wales valleys and how they helped sustain the bitter year-long miners' strike, changing their lives forever.

Una de nosotras(es)

For more than forty years, Belela Herrera has dedicated her life to saving that of others. The politically persecuted, those displaced by civil wars, and the world's refugees are her concern and vocation. Her story is also that of a woman who defined herself and twisted the destiny reserved for girls of her social class: marrying to a man from high society, having a large family and a comfortable and elegant existence . And it is also the story of a female legacy that is part and consequence of the invisible resistance of thousands of women.

Étudiantes en terrain miné(fr)

Documentary about sexual harassment and rape cases in French Universities and Superior Education. Many women come forward about their personal cases and how, despite the many reports, barely no action is taken.

Nose and Tina(en)

Nose and Tina are a couple in love. The film captures the domestic details of their life together and documents their hassles with work, money and the law. The unusual bit: He is employed as a brakeman, and she as a sex worker.

Quel numéro ? - What number ? ou le travail automatisé(fr)

Wacay, mujeres del tabacal(es)

According to an ancient myth, there was a woman who, by violating the prohibition against leaving her house during menstruation, became a cannibalistic woman, an evil spirit. Amid the fear and outcry of the men, the woman was murdered and burned. But soon after, from the ashes of her pubic hair, the tobacco plant sprang forth. Today, the women of the tobacco fields are experiencing a resurgence in collective work that intertwines with personal aspirations. Five women tell us in their own words how they learned the trade from childhood. As they work, the women of the tobacco fields share their lives and their silenced childhoods. They share stories and veiled traditions.

Liberation Diaries(it)

The end of World War II brings Europe a new political system, reshapes national and personal identities. Three women from Milan, Paris and Berlin report on the days of liberation in their diaries. Their personal stories expand the historical picture and make LIBERATION DIARIES a chronicle of female self-empowerment, resistance and resilience.

Women Hay Makers(xx)

Picturesque scenes of land girls gathering hay on an Essex farm during WWI.

Exergo(eu)

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.

Me and the Mosque(en)

Using original animation, archival footage and personal interviews, this full-length documentary portrays the multiple relationships Canadian Muslim women entertain with Islam’s place of worship, the mosque. Islam is the fastest growing religion in the world. In North America, a large number of converts are women. Many are drawn to the religion because of its emphasis on social justice and spiritual equality between the sexes. Yet, many mosques force women to pray behind barriers, separate from men, and some do not even permit women to enter the building. Exploring all sides of the issue, the film examines the space – both physical and social – granted to women in mosques across the country.

Môa, Mother Africa Roots(pt)

The documentary that began together with Mestre Môa do Katendê before his political murder, tells the life story of this capoeirista and founder of Afoxé Badauê, intertwined with the rise of black cultural manifestations in Bahia, based on a last interview left by him.

Worn Bodies(fr)

At dusk, boxers from the La Frappe collective train in a Marseille park. Their bodies get into motion, gradually forming a community of gestures, sensations and emotions.

Rwanda : the silence of words(fr)

Their words had never been heard before. Co-directed by French-Rwandan musician and author Gaël Faye and director Michael Sztanke, this movie records with sensitivity and for the first time the testimonies of Prisca, Marie-Jeanne and Concessa about their lives during the genocide and after. The three Tutsi women tell the camera about their daily lives during the genocide and in the refugee camps of Murambi and Nyarushishi, where they lived a nightmare under the guard of the French soldiers of the Opération Turquoise who, under a UN mandate, where supposed to protect them. While the French army denies any rape accusation, the three women filed complaints with the French justice system in 2004 and 2012. The investigation is now at a standstill.