In 1986, for the first time in 75 years, the "Chironnup Kamuy Iomante (the sending off of the spirit of the fox)" was held at Bihoro Pass, in Hokkaido. According to the Ainu's traditional beliefs, animals are "gods" called "Kamuy" who live in the "land of gods" ("Kamuimosiri"), but sometimes they come to the "land of humans" ("Ainumosiri"), to offer their meat and furs as gifts. The Ainu take care of them, and they eventually hold an "Iomante (spirit sending)". In this ceremony, people offer prayers, sing songs, and dance, and send the animal back to the "land of the gods" with food and souvenirs.
In 1986, for the first time in 75 years, the "Chironnup Kamuy Iomante (the sending off of the spirit of the fox)" was held at Bihoro Pass, in Hokkaido. According to the Ainu's traditional beliefs, animals are "gods" called "Kamuy" who live in the "land of gods" ("Kamuimosiri"), but sometimes they come to the "land of humans" ("Ainumosiri"), to offer their meat and furs as gifts. The Ainu take care of them, and they eventually hold an "Iomante (spirit sending)". In this ceremony, people offer prayers, sing songs, and dance, and send the animal back to the "land of the gods" with food and souvenirs.
2021-04-30
0
Shigeki, one of the Ainu people of northern Japan, follows the traditions of his ancestors and teaches his son Motoki about their heritage. But how can old customs be revived after centuries of suppression?
This documentary started as part of a photography project about the indigenous Ainu population in northern Japan, portraying people from tightly knit communities. They feel deeply connected by their culture and tradition. With gorgeous pictures, the directors explore how different generations of Ainu reflect on their identity after centuries of oppression.
TOKYO Ainu features the Ainu, an indigenous people of Japan, living in Greater Tokyo (Tokyo and its surrounding areas), who are and actively in promoting their traditional culture in a metropolitan environment away from their traditional homeland, Hokkaido. Shedding a common assumption that all Ainu live in Hokkaido, the film captures the feelings, thoughts and aspirations of Ainu people that who try to follow the Ainu way no matter where they live.
On the Hokkaido frontier, a war veteran and Ainu girl race against misfits and military renegades to find treasure mapped out on tattooed outlaws.
In the 30th year, Nirasaki Den'emon established the Nirasaki Hokkaido Development Company with investment from Sonoi to build railway facilities. However, the endeavor faced criticism for attempting to buy Ainu land at low prices. Tokyo Nippo reporter Toshimasa Matsuzaka, who was actually Nirasaki's son, wants to expose the flawed practices of the company.
Kanto, 14, a descendant of Japan's indigenous Ainu people, decides to visit a hole in the forest — a path to the other side of the world where dead people live, hoping to see his deceased father.
Documentary filmmaker Kenjiro Fujii takes a look at the history of a distinctly Japanese brand of softcore pornography in this extensive examination of the "pinku eiga" genre (ピンク映画 Pinku eiga or Pinkeiga). For more than 40 years, so-called "pink" films have served as both a key source of revenue for the Japanese film industry as well as a launching pad for the careers of such mainstream filmmakers as Kiyoshi Kurosawa. After providing a detailed history of the still-profitable and popular genre through interviews with a variety of behind-the-scenes players and clips from such classic pink films as Fish Bait Boobies, director Fujii shifts his focus to the production of an upcoming pink film to offer a glimpse into the creative and stylistic evolution of the genre.
The passionate final documentary from Lionel Rogosin, in which Palestinian poet Rashed Hussein and Israeli writer Amos Kenan seek dialogue toward a possible solution to the never-ending conflict. Never before have both sides discussed a mutual problem so frankly, and so willingly. Rogosin provides an open forum for two formidable intellects to discuss the fates of their nations, and the ever-receding possibility of peace.
In a small cockpit-like room, we see two young hip hop musicians from Tokyo giving birth to a beat: precision, patience and camaraderie hold sway, midway between an installation and sitcom.
A documentary chronicling the Off-Broadway sensation, "bare: A Pop Opera" from its inception all the way to the cast recording.
Trailblazing artists, activists, and everyday people from across the spectrum of gender and sexuality defy social norms and dare to live unconventional lives in this kaleidoscopic view of LGBTQ+ culture in contemporary Japan.
The documentary recreates the facts in the life of the Yukpa Chief, Sabino Romero, an indigenous fighter killed on March 3, 2013, in the Chaktapa community of the Sierra de Perija in Zulia state, Venezuela. The film reflects the infinite struggle of Sabino and his people, accompanied by the social groups, in this story of truly libertarian images made with blood and fire, revealing the skein of interests that forged and carried out Sabino's murder, and the attitude Inhuman and murderous of those who made it another victim of history.
Five years after she was groomed and abducted by the most popular teacher in school, Elizabeth Thomas shares new revelations about her ordeal, with famed kidnapping survivor Elizabeth Smart.
Electronic Press Kit of the movie Spring. A collection of behind-the-scenes, videos, photos, interviews etc.
Iron Maiden at Cidade do Rock, Rio de Janeiro, Brazil on September 22, 2013. Setlist: 1. Moonchild 2. Can I Play with Madness 3. The Prisoner 4. 2 Minutes to Midnight 5. Afraid to Shoot Strangers 6. The Trooper 7. The Number of the Beast 8. Phantom of the Opera 9. Run to the Hills 10. Wasted Years 11. Seventh Son of a Seventh Son 12. The Clairvoyant 13. Fear of the Dark 14. Iron Maiden Encore: 15. Churchill's Speech 16. Aces High 17. The Evil That Men Do 18. Running Free
A documentary exploring how Albanians, including many Muslims, helped and sheltered Jewish refugees during WWII at their own risk, and trying to help the son of an Albanian baker that housed a Jewish family for a year return some Hebrew books that the family had to leave behind.
Cult director Jess Franco recalls the making of his adaptation of Bram Stoker's Dracula starring Christopher Lee.