A documentary film about Syria with its diverse civilizations and history. Where the hero of the film gets lost between his questions about history, culture, and identity, and his attempts to see the story of Syrian history. In the film, the narrator takes us on a journey through Syrian history that diversifies into five basic civilizational shifts, from the agricultural revolution to writing and the emergence of cities to trade until the advent of Christianity and up to the cultural achievement of Islamic civilization.
A family lives poorly in a village in the Lebanese mountain. One day the father abandons his family and leaves for Brazil, considered an Eldorado by a great number of his compatriots. Twenty years pass. The mother raised her children with great difficulty: the elder has a family and the younger one is getting ready to immigrate to Brazil. One day a ragged old man arrives to the village.
Janma Janma is a Nepali film that delves into love, dreams, and the cycle of life. The story follows Amar and Praya, a couple deeply in love. Praya is haunted by recurring dreams of someone trying to kill her, which leave her anxious and fearful. Amar, along with her parents, reassures her that the dreams aren’t real and encourages her to move forward. Praya eventually finds a new beginning, embracing a fresh life. However, she discovers that her old friends didn’t get the same chance at renewal. She shares this realization with Amar, urging him to cherish love and life. The story concludes with Amar reflecting on her words, highlighting the fleeting yet profound beauty of existence. Janma Janma is directed by Sital Nepal and written by Yubraj Lama. It weaves an emotional narrative of second chances, dreams, and the power of love to overcome life’s uncertainties.
Brent Weinbach is weird. In this show, Brent attempts to adjust his quirky personality so that he can fit in with the world around him, which would be valuable to his career as a comedian and entertainer. Through an absurd and abstract discourse, Brent explores the ways in which he can appeal to a broader, mainstream audience, so that ultimately, he can become successful in show business.
Ximena's dad lost his job and it doesn't seem like he is trying to get one. She leaves school to support her family but a power war will break out between her and her father when his authority figure is threatened.
A young loner wandering the back roads of North Carolina comes across an abandoned baby. He immediately starts seeking the baby's parents, but starts developing a bond with the child that explores his own isolated roots.
Everything is different but nothing has changed. A trip through a sunken maze of memories and dreams.
A pair of identical twins, one a photographer and the other a painter, have very little in common.
The phenomenal Hique Gomez plays a little-guy-against-the-world in a film that makes dazzling use of exhilarating Brazilian music, enigmatic photography, exuberant performances, and a cast of characters that would be the envy of Dicken's or Balzac.
Divers go to work on a wrecked ship (the battleship Maine that was blown up in Havana harbour during the Spanish-American War), surrounded by curiously disproportionate fish.
Julie, a young woman tormented by her reaction to a life-changing event, must reflect on her return home to the family farm in order to conquer her own feelings of guilt.
Relive the magic of Thongchai "Bird" McIntyre's captivating performance at Bangkok Youth Center in 1988
A forensic doctor tries to find the killer behind a series of murders using acupuncture techniques.
Dubrowsky (Italian: Il vendicatore) is a 1959 Italian- Yugoslav historical period drama film directed by William Dieterle. It is based on the novel Dubrovsky by Alexander Pushkin.
The incidents arising from the escape of a very lively specimen of the monkey tribe from its cage provide a series of scenes calculated to arouse many bursts of hearty laughter, for the animal makes very good use of his freedom, to the terror of every one. Up lamp posts, through windows into bedrooms, now nearly captured, only to slip through the net surrounding him, startling the whole neighborhood. He leads his owner a lively and exciting chase which is comical in the extreme. Finally in a most unusual manner the monkey is captured and taken back to his cage. (Moving Picture World)
In an idyllic Stockholm suburb, 11-year-old Lillebror Ström lives with his mum, dad, sister and grandma. When Alex, his sister, introduces her new boyfriend to the family, only Lillebror and his best pal Jens get suspicious. Is Slim Trim really that nice, and what's the deal with those shady friends of his? Meanwhile Lillebror's daddy Roland has financial troubles. Roland works at the Toy Museum, which is host to a gold exhibition. When the greatest gold heist in national history is exposed, Roland's in trouble, being the only one with access to the secret information about the museum's security system. Lillebror and Jens have to do something.
Ángel, a young man with a good education who was raised in a slum in the city of Tijuana, lives with his mother and stepfather, because of the mistreatment he gives, he decides to face him and flee from his own home and seek the American dream.
"With the barrel bombs falling on Ghouta, civilians sought shelter in the basements of their homes. I was one of them, holding on to my camera, I tried to film what I couldn’t express in words."
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
An intrepid archeology professor and his team of students are the only ones who stand in the way of an ISIS illicit antiquities network. Faced with losing their cultural heritage they become spies and they go undercover in ISIS territory. They dodge bombs and militia to create a system to monitor theft and destruction of Syrian antiquities. During this process, they discover more than they anticipated, discovering thousands of trafficked items and that the crimes committed are being enabled by terrorists and multinational corporations. The tragedy continues because the sale of illegal goods are uncovered in the most unsuspecting place.
It was perhaps the most spectacular flourishing of imagination and achievement in recorded history. In the Fourth and Fifth Centuries BC, the Greeks built an empire that stretched across the Mediterranean from Asia to Spain. They laid the foundations of modern science, politics, warfare and philosophy, and produced some of the most breathtaking art and architecture the world has ever seen. This series, narrated by Liam Neeson, recounts the rise, glory, demise and legacy of the empire that marked the dawn of Western civilization. The story of this astonishing civilization is told through the lives of heroes of ancient Greece. The latest advances in computer and television technology rebuild the Acropolis, recreate the Battle of Marathon and restore the grandeur of the Academy, where Socrates, Plato and Aristotle forged the foundation of Western thought.
This intimate documentary follows a group of Syrian children refugees who narrowly escape a life of torment and integrate into a foreign land.
Shot by a reported “1,001 Syrians” according to the filmmakers, SILVERED WATER, SYRIA SELF-PORTRAIT impressionistically documents the destruction and atrocities of the civil war through a combination of eye-witness accounts shot on mobile phones and posted to the internet, and footage shot by Bedirxan during the siege of Homs. Bedirxan, an elementary school teacher in Homs, had contacted Mohammed online to ask him what he would film, if he was there. Mohammed, working in forced exile in Paris, is tormented by feelings of cowardice as he witnesses the horrors from afar, and the self-reflexive film also chronicles how he is haunted in his dreams by a Syrian boy once shot to death for snatching his camera on the street.
In the privacy of her own home, a Syrian woman shares her thoughts and feelings, talking about her existence, and her desire to be open about her sexuality in a conservative society.
Bitter Rivals illuminates the essential history - and profound ripple effect - of Iran and Saudi Arabia's power struggle. It draws on scores of interviews with political, religious and military leaders, militia commanders, diplomats, and policy experts, painting American television's most comprehensive picture of a feud that has reshaped the Middle East.
Four nights in Caracas. A documentary essay about chaos and civilization.
The inside story of Mohammed Emwazi's journey from being an ordinary London boy to becoming terrorist 'Jihadi John', and the intelligence operatives' attempts to catch him.
In war-torn northern Syria, WHO LOVES THE SUN delves into the world of makeshift oil refineries and the stark realities of life within this post-apocalyptic landscape. Mahmood is a prominent figure in these operations, navigating harsh working conditions and complex local dynamics.
The film is a reportage showing the help of workers from the GDR in the industrial reconstruction of Syria. We witness the friendly relationship between workers from both countries, who are jointly involved in the construction of the cotton spinning mill in Homs. In impressive pictures the exoticism of the environment and the mentality of the Syrian hosts is shown. At the same time it becomes clear that the workers from the GDR become 'ambassadors of the GDR' through their collegial behaviour and good work.
An attempt to re-contextualize the European migrant crisis and ongoing hostilities in Syria, through eyewitness and participant testimony. Children and parents recount the revolution, civil war, air strikes, atrocities and ongoing humanitarian aid crises, in a portrait of recent history and the consequences of violence.
Winner of the Grand Jury Documentary prize at the Sundance Film Festival, Syrian filmmaker Feras Fayyad’s breathtaking work — a searing example of boots-on-the-ground reportage — follows the efforts of the internationally recognized White Helmets, an organization consisting of ordinary citizens who are the first to rush towards military strikes and attacks in the hope of saving lives. Incorporating moments of both heart-pounding suspense and improbable beauty, the documentary draws us into the lives of three of its founders — Khaled, Subhi, and Mahmoud — as they grapple with the chaos around them and struggle with an ever-present dilemma: do they flee or stay and fight for their country?
THE STORY WON’T DIE, from Award-winning filmmaker David Henry Gerson, is an inspiring, timely look at a young generation of Syrian artists who use their work to protest and process what is currently the world’s largest and longest ongoing displacement of people since WWII. The film is produced by Sundance Award-winner Odessa Rae (Navalny). Rapper Abu Hajar, together with other creative personalities of the Syrian uprising, a post-Rock musician (Anas Maghrebi), members of the first all-female Syrian rock band (Bahila Hijazi + Lynn Mayya), break-dancer (Bboy Shadow), choreographer (Medhat Aldaabal), and visual artists (Tammam Azzam, Omar Imam + Diala Brisly), use their art to rise in revolution and endure in exile in this new documentary reflecting on a battle for peace, justice and freedom of expression. It is an uplifting and humanizing look at what it means to be a refugee in today’s world and offers inspiring and hopeful vantages on a creative response to the chaos of war.
Two thousand years ago, it was a flourishing city in the middle of what is now a Syrian desert. At the crossroads of trade routes, Palmyra attracted caravanners from Mesopotamia, India and China. In what remains of its ruins, rediscovered by Europeans in the 17th century, its numerous necropolises bear witness to a prosperous past. Carved in limestone in the first centuries of our era, the faces of the representatives - men, women and children - of its greatest families adorn the walls of its tombs. Since 2012, Danish archaeologist Rubina Raja has been leading a long-term project to find, document and retrace the family trees and daily life of these Palmyrenians.
A unique interview with Tooba Gondal, the woman who groomed and lured scores of Western women to join ISIS. Using social media, she became a deadly matchmaker, recruiting a number of high-profile “jihadi brides” for ISIS militants in Syria: she allegedly helped organise the transporting of three British schoolgirls, including Shamima Begum, to Syria.