1964-10-16
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Questions about celebrating 200 years of independence from Brazil with 300 years of slavery.
A journey into the interior of garbage, contemplated as a phenomenon of the human spirit, and not only as a product of human action. This essay-documentary, inspired by modern chaos theory, transits between the reality of statements and the surrealism of poetic images, seeking to integrate the conscious and unconscious life of the human mind. Apparently simple phenomena hide very complex behaviors. Maybe garbage is all that we don't want to see
The term "mongrel complex" refers to a feeling that is characteristic of certain classes in Brazilian society. This feeling, marked by defeatism, pessimism, and misinformation, is closely linked to the denial of "who we are as brazilians". The documentary "The Mongrel Complex" explains this feeling, discusses the theme, and gives a brief social and political panorama of Brazilian reality.
The Amazon is the river of superlatives: the longest - 7,025 km, the most powerful, the most indomitable - no dam possible over hundreds of kilometres. Its waters cross the largest tropical forest in the world: the Amazon, “the lungs of the earth”. Going against the current of this gigantism, this documentary is betting on approaching this extraordinary natural space through one of its tiniest productions: the cocoa bean. Scientists, chocolate makers, producers and farmers, many are those who, faced with the deforestation of this unique ecosystem, use this chocolate seed to recreate, on a small scale, human exploitations in harmony with nature. This film tells us about the fight of those who decided to make cocoa the spearhead of environmental defense in Brazil.
This documentary film explores the world of the bow and the extraordinary masters who make them. The bow is the Cinderella of the orchestra—the overworked and overshadowed ally to its more glamorous partners. Few people, even among lovers of classical music, think of the bow as an instrument in its own right, but players of stringed instruments see them differently. To musicians, the bow is as essential to expressing the soul of the music as the violin or cello. The film follows the journey of the “silent servant” of the music world—from the workshops of the virtuosos of the trade, to the birthplace of the bow in France, and to Brazil, home to the imperiled tree from which the world’s finest bows are made.
Brazil's "Red Command" drug cartel is considered a plague by the government. But for the people of the favelas they control, Red Command *is* the government. They’re the de facto leadership of the area. The gang has taken over the role of the authorities in their shanty towns, where the state has long abandoned them. Away Days got special access to the Rio favelas, hanging out out with young foot-soldiers, speaking to commanders, and seeing how civilians live between the gangs and the equally violent police militias.
An exploration of potential extraterrestrial encounters, centered on a series of events in 1996 when citizens of Varginha, Brazil, reported seeing one or more strange creatures and a UFO crash.
The Documentary tells the story of Jane Vanini from the author's reflections on her militancy-building process. Starting with the meeting of the two during the “Jornadas de 2013”, we will look at Jane's path as we follow steps, from her hometown, Cáceres, to Concepcion, in Chile. It is the possibility of discussing this journey from a personal point of view that makes this project unique and takes us to social, political and human borders. This window is opened to us through Jane's 41 letters to her family, allowing us to glimpse nuances of her intimacy and militancy choices. It was while researching Jane's militancy that the author debated these reflections on his own militant career and the context in which it takes place. Telling Jane's trajectory, going through her family and religious formation and its implications for her activism was one of the moments of encounter between these two days.
Using his personal background, Brazilian Karim Aïnous invites the audience to follow/discover an incredible journey through space and time, with an original and usually unknown prism/aspect : The strong bound between Algeria and Brazil, two countries with political and revolutionary strikes that mould their evolution.
On May 31, 2007, hundreds of armed men, from the Federal Police, in a true war operation, pulled out of the factories, the members of the Factory Commission elected by the workers, swearing in a federal intervener. The workers and their leaders talk about their struggles, day to day in the occupied factories, the reduction of working hours from 44 to 30 hours per week, the agreement with the Chavez government of Venezuela to build a house factory, Petrocasa . They also narrate the terror during the intervention, all kinds of humiliation to which they were exposed, anguish and perspectives.
A beautifully told story using archival footage to explore the life of Grande Otelo, a groundbreaking Black Brazilian actor. Overcoming poverty and racism, he built a stellar career, facing controversy yet using it to challenge prejudice.
"The Pig and the Society," symbolizes the stark contrast between the excesses of wealth and the plight of those left behind. It invites viewers to reflect on their perceptions and prejudices, challenging them to see beyond the surface and understand the systemic issues perpetuating homelessness.
Legendary rock band Rush plays the Maracana Stadium in Rio de Janeiro, Brazil, on the final night of the band's 2002 Vapor Trails tour, in front of 40,000 fans.