The film is part of Eye Filmmuseum’s Mutoscope and Biograph Collection. This collection consists of about 200 films preserved on their original 68 mm format. The digital file provided is scanned in 2022 at Eye Collection Center, from the 35 mm duplicate negative that was made in 1998. After the first analogue preservation round made 25 years ago, Eye is now undertaking the digital restoration of the Mutoscope & Biograph Collection. “Mardi Gras Carnival” became the focus of attention, thanks to its inclusion within ‘The Artistry of REX’ exhibition, that opened in the summer of 2022 at the Louisiana State Museum.
Hollywood Graveyard host Arthur Dark takes a journey into madness and mournful memory through the mind of Edgar Allan Poe, while visiting his gravesite.
Through special arrangements with Ringling Brothers, we have obtained the finest circus parade caught by a moving picture camera.
The female protagonist finally makes it to get a job as an intern. But after a while working at this weird company, she finds out the criminal site of it and learns to be a criminal herself.
A smug executive enjoys the perfect life - until he loses his job, and finds himself working at a burger joint. Now he's falling behind on his bills, and if something doesn't change soon, his family could lose everything by Christmas.
Dr. Julian Mater is suspended and gets his license revoked for performing experiments on dying patients in cellular regeneration. A couple of years later, he returns to the hospital that condemned his work to begin practicing his grizzly experiments once more.
British Gangster film with a tongue-in-cheek approach to the genre, including a part played by 'Mad' Frankie Fraser. When Tone's ex girlfriend resurfaces with a daughter he never knew he had, he moves from the world of blackmail, extortion and the occasional hit into the realm of nappies and lullabies. His pals, Speed and Bear, feel let down, but his employer Pops Den is furious and decides the best thing to do is wipe Tone out...but who will do it...and at what price?
Night has fallen. A thunderstorm approaches. In a lonely house a young woman mourns her deceased husband. In the cemetery across the street the shape of a man rises from a grave...
Leipzig, December 1734: Christmas brings the Bach family together. The first snow has fallen and the children Gottfried and Elisabeth are delighted about the arrival of their older brothers Friedemann and Emanuel. The Thomaskantor has retired to his music room. Anna Magdalena supports her husband, as there are only a few days left and his latest work, the six-part "Christmas Oratorio", must be finished on time. It is awaited with suspicion by the city council and the gentlemen of the consistory, who have long found Bach's waywardness a thorn in their side and fear that, after the premiere of the St. Matthew Passion a few years earlier, the St. Thomas Church will once again be filled with "operatic" music. With the oratorio, Johann Sebastian Bach hopes that he will finally become court composer in Dresden. And, as always, he demands that all members of the family join forces to help him. But differences of opinion are increasingly delaying the completion of Bach's most famous work.
Carlos and Roque, two high school friends, play on the same soccer team. After an unexpected rapprochement between the two, Carlos doubts about his sexuality, rejects Roque's friendship and forces him to keep quiet. From this moment on, Carlos faces the difficult circumstance of making a decision whether or not to save his friendship.
A lonely old man takes to terrorizing the kids who build a football pitch next to his house.
This piece documents the process behind the creation of Holt's major public art installation, Dark Star Park, in Arlington, Virginia. The park, which features giant concrete spheres and pipes, allows the visitor to reconsider the experience of space, earth and sky within an urban context. It also serves as a kind of contemporary Stonehenge: once a year, on August 1 at 9:30 am, the shadows of the objects exactly align with outlines on the ground. Interviews with the artist, the architects, engineers, contractors, and the public, among others, reveal Dark Star Park as both a public sculpture and a functioning park that reclaims a blighted urban environment.
B., a film-maker and insomniac, decides to rescue his hours of insomnia from the void by filming his quest for sleep. The insomniac asks questions about these different states of consciousness and about the difficulties humans have in synchronising their social rhythms and biological ones.
A private detective becomes involved in a new cast when her partner's guardian is murdered.
The haunting experiences of Dutch U.N. peacekeepers are woven together by the powerful influence music has had on their endurance, survival, and memories of war. This documentary is filled with close-up interviews, scrapbook photographs, video clips, news footage, letters read aloud, and other recollections, as different generations of Dutch peacekeeping soldiers recount the trauma of bloodshed from Korea to more recent events in Rwanda and the former Yugoslavia. Their trusting, and often disturbing, personal revelations resound most poignantly when they talk about the single pieces of music that each found powerful enough to keep insanity at bay.
Di Renjie is an investigator looking into a seemingly dull murder case. But when his superiors start opposing his tactics, he starts to believe there must be a larger conspiracy at play.
Primary is a documentary film about the primary elections between John F. Kennedy and Hubert Humphrey in 1960. Primary is the first documentary to use light equipment in order to follow their subjects in a more intimate filmmaking style. This unconventional way of filming created a new look for documentary films where the camera’s lens was right in the middle of what ever drama was occurring. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1998.
This short film takes a look at the off-screen personas of screen actors. Preserved by the Academy Film Archive in 2012.
Every school day, African-American teenagers William Gates and Arthur Agee travel 90 minutes each way from inner-city Chicago to St. Joseph High School in Westchester, Illinois, a predominately white suburban school well-known for the excellence of its basketball program. Gates and Agee dream of NBA stardom, and with the support of their close-knit families, they battle the social and physical obstacles that stand in their way. This acclaimed documentary was shot over the course of five years.
This film documents the coal miners' strike against the Brookside Mine of the Eastover Mining Company in Harlan County, Kentucky in June, 1973. Eastovers refusal to sign a contract (when the miners joined with the United Mine Workers of America) led to the strike, which lasted more than a year and included violent battles between gun-toting company thugs/scabs and the picketing miners and their supportive women-folk. Director Barbara Kopple puts the strike into perspective by giving us some background on the historical plight of the miners and some history of the UMWA. Preserved by the Academy Film Archive in partnership with New York Women in Film & Television in 2004.
Part documentary, part expose, this film follows one-time child evangelist Marjoe Gortner on the "church tent" Revivalist circuit, commenting on the showmanship of Evangelism and "the religion business", prior to the start of "televangelism". Preserved by the Academy Film Archive in 2005.
This Oscar-winning documentary tells the story behind Japanese daredevil Yuichiro Miura's 1970 effort to ski down the world's tallest mountain. Preserved by the Academy Film Archive in 2010.
Many times during his presidency, Lyndon B. Johnson said that ultimate victory in the Vietnam War depended upon the U.S. military winning the "hearts and minds" of the Vietnamese people. Filmmaker Peter Davis uses Johnson's phrase in an ironic context in this anti-war documentary, filmed and released while the Vietnam War was still under way, juxtaposing interviews with military figures like U.S. Army Chief of Staff William C. Westmoreland with shocking scenes of violence and brutality.
A sideshow barker uses magic and visual aids to alert the public that proper food management is both a resource and a weapon that could be to America's advantage if conserved properly in winning the then current World War. Preserved by the Academy Film Archive, Academy War Film Collection, in 2008.
The Amazon rain forest, 1979. The crew of Fitzcarraldo (1982), a film directed by German director Werner Herzog, soon finds itself with problems related to casting, tribal struggles and accidents, among many other setbacks; but nothing compared to dragging a huge steamboat up a mountain, while Herzog embraces the path of a certain madness to make his vision come true.
Follows a crusading lawyer as he embarks on a campaign to save an African-American man, Paul Crump, from the electric chair. Preserved by the Academy Film Archive in partnership with The Film Foundation in 2007.
A 1968 animation/documentary that criticises the industrial system. Preserved by the Academy Film Archive.
The Japanese attack on Midway in June 1942, filmed as it happened. Preserved by the Academy Film Archive, in partnership with Twentieth Century Fox Film Corporation, in 2006.
At a morgue, forensic pathologists conduct autopsies of the corpses assigned. "S. Brakhage, entering, WITH HIS CAMERA, one of the forbidden, terrific locations of our culture, the autopsy room. It is a place wherein, inversely, life is cherished, for it exists to affirm that no one of us may die without our knowing exactly why. All of us, in the person of the coroner, must see that, for ourselves, with our own eyes. It is a room full of appalling particular intimacies, the last ditch of individuation. Here our vague nightmare of mortality acquires the names and faces of OTHERS. This last is a process that requires a WITNESS; and what 'idea' may finally have inserted itself into the sensible world we can still scarcely guess, for the CAMERA would seem the perfect Eidetic Witness, staring with perfect compassion where we can scarcely bear to glance." – Hollis Frampton
An intense insider's portrait of New Orleans' street celebrations and unique cultural gumbo: Second-line parades, Mardi Gras, Jazz Fest. Features live music from Professor Longhair, the Wild Tchoupitoulas, the Neville Brothers and more. This glorious, soul-satisfying film is among Blank's special masterworks. Preserved by the Academy Film Archive in 1999.
A zesty paean of praise to the greater glories of garlic. This lip-smacking foray into the history, consumption, cultivation and culinary/curative powers of the stinking rose features chef Alice Waters of Chez Panisse, and a flavorful musical soundtrack. Preserved by the Academy Film Archive in 1999.
Directors Werner Herzog and Errol Morris make a bet which results in Herzog living up to his promise that he would eat his shoe if Errol Morris ever completed the film Gates of Heaven.
On a winter's day, a woman stretches near a window then sits in a bathtub of water. She's happy. Her lover is nearby; there are close ups of her face, her pregnant belly, and his hands caressing her. She gives birth: we see the crowning of the baby's head, then the birth itself; we watch a pair of hands tie off and cut the umbilical cord. With the help of the attending hands, the mother expels the placenta. The infant, a baby girl, nurses. We return from time to time to the bath scene. By the end, dad's excited; mother and daughter rest. Preserved by the Academy Film Archive in 2013.
Muscle Beach was shown in competition at Cannes in 1949 and won a prize at the Edinburgh International Film Festival in 1951. The short became a cult favorite, screening at film clubs around the world. Strick used an army surplus movie camera to shoot the film during weekends in the fall of 1948. The songs in “Muscle Beach,” composed and sung by political folk singer Earl Robinson, with lyrics by screenwriter and poet Edwin Rolfe, accent the film’s three-movement structure as it transitions between soaring gymnastics shows, flirty beachgoers and children playing near the now-demolished pier at Ocean Park. Preserved by the Academy Film Archive in 2009.
Little Johnny Jones, to be born in the next year, is shown growing to a ripe, healthy old age, thanks to the efforts of his local public health officers. But without them, he might be one of the 5% or so that dies in the first year. The price for the public health service: about 3 cents a week. Preserved by the Academy Film Archive in 2005.
An experimental short film by John Whitney Sr. which combines animated shapes and colors; Computer graphics as dynamic, swirling art. Preserved by the Academy Film Archive in 2014.