Indifferent landscapes, refracting light, some lonely bird and the window to the sebum-laden living room made of patterned wallpaper and trivialities. Cut. Tenacious sequences inflate moments to cliff-hangers and shatter their tremulous spectatorship. Thundering leitmotifs – in constant intoxication by German disinterest – with no backrest or lederhosen. Black-red-gold at full mast, the cinema is dead.
Female Narrator
Male Narrator
Indifferent landscapes, refracting light, some lonely bird and the window to the sebum-laden living room made of patterned wallpaper and trivialities. Cut. Tenacious sequences inflate moments to cliff-hangers and shatter their tremulous spectatorship. Thundering leitmotifs – in constant intoxication by German disinterest – with no backrest or lederhosen. Black-red-gold at full mast, the cinema is dead.
2022-11-04
0
Long live the cinema!
A beautifully told story using archival footage to explore the life of Grande Otelo, a groundbreaking Black Brazilian actor. Overcoming poverty and racism, he built a stellar career, facing controversy yet using it to challenge prejudice.
Since the defeat, the Nazis, who were the masters of the occupied zone, and the French State, which had been ruling the so-called free zone since Vichy, ordered the Jews to take a census. From the spring of 1941, whether they had been French for several generations or naturalized for a few years, foreigners who had taken refuge in France or stateless people who had been driven out of their country, they were put on file, arrested or threatened at any time. Some wrote to the administration, or directly to Marshal Pétain, who seemed to them to be the last resort. These requests are called Suppliques. Men, women, sometimes children, tried as best they could, by all means, to loosen the trap. They address themselves to their executioners, but they do not know it.
Elvis Costello: Mystery Dance, the first-ever documentary portrait of one of the greatest musicians and songwriters of our time. Assured of Costello’s full collaboration, exclusive access to his extensive archive and with the full participation of his record company, the film is a definitive portrait of a major music icon.
The French female pioneer of immersion journalism, Maryse Choisy, who infiltrated in 1928 the prostitution underworld of Paris. Posing as a chambermaid, a lesbian bar dancer and more, she wrote a very successful and scandalous book about that avant-garde experience, and changed her mind about this world and these women's difficult condition.
Rome, Italy, June 1993. Antonietta De Lillo and Marcello Garofalo interview legendary Italian film director Lucio Fulci (1927-96).
Trance dances and out of body projection. In front of the camera, Parvaneh Navaï becomes a mediator who enters in contact with and immerses into the energies of Nature, while her own energy radiates and echos in the forest ("selva"). The camera amplifies and expands her presence, transforming the forest into an imaginary space. The camera becomes a painter's brush.
The director Andrés Kaiser combines hundreds of amateur films and photographs from the treasure trove of images belonging to his migrant grandparents creating a cinematic firework of analogies.
On a cold February morning, 12-year-old Niki and his family arrive at the Kharkiv metro station to take shelter from the terrifying war raging outside. For Niki's family, daylight is synonymous with mortal danger, and the boy is not allowed to leave the station premises, living under the constant glow of their neon lights. While aimlessly wandering around the abandoned cars and full platforms, Niki meets Vika (11), and a new world opens up to him. As their bond strengthens, the children find the courage once again to feel the sun on their faces.
The second part of the trilogy consists of three short movies: Adresseavisen (1967), Vinter i Bymarka (1952) & Trondheim i går, i dag, i morgen? (1977).
In 1988, 20-year-old Céline Dion won Eurovision for Switzerland with the song ‘Ne Partez Pas Sans Moi’, a moment that kickstarted her international career and propelled the young Celine to world fame. This documentary looks back through the archives at an event that changed the Quebec singer's life, with interviews from the song’s composer as well as from Scott Fitzgerald, the British singer who was runner up at Eurovision 1988, beaten by just one point.
Robert Altman's life and career contained multitudes. This father of American independent cinema left an indelible mark, not merely on the evolution of his art form, but also on the western zeitgeist. With its use of rare interviews, representative film clips, archival images, and musings from his family and most recognizable collaborators, Altman is a dynamic and heartfelt mediation on an artist whose expression, passion and appetite knew few bounds.
A woman grieves for her missing son. A deceased young man wants to be found. These lives converge in The Dead Speak Back as we are taken on a surreal and mysterious journey following in the footsteps of the nearly departed. But at what point do we fall into the mystery too far?