A musical documentary and tribute to Hugh Le Caine. The story of early electronic instruments, and the nearly forgotten Canadian music pioneer who created the first synthesizers. As told through interviews with three modern-day modular synth musicians.
A musical documentary and tribute to Hugh Le Caine. The story of early electronic instruments, and the nearly forgotten Canadian music pioneer who created the first synthesizers. As told through interviews with three modern-day modular synth musicians.
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This documentary covers the acid house, rave and club culture revolution in the UK and of course the chemical Methylenedioxymethamphetamine or ecstasy. This era inspired the film 24 Hour Party people and sheds light on the forgotten counter culture movement.
Traces the historical evolution of these structures that make-up “the cloud”, the physical repositories for the exponentially growing amount of human activity and communication taking form as digital data.
Elli works as a techno DJ and loves electronic music. She has a daughter named Toni, who mostly grows up with her father. The 9-year-old girl is only with her on weekends. They have planned a mother-daughter weekend, but suddenly Elli is offered an important gig at an electronic music festival. Finally playing in front of a big audience again, feeling the ecstasy and intoxication of the night. Through the music she escapes the stagnation, the desolation, the role model of the conventional mother and the narrowness of the provincial town. Torn between maternal missing her and asserting herself in her life, Elli tries to be there for Toni and at the same time to live her dreams without restrictions.
By the dawn of the 21st century, hip-hop sales had reached an all-time high, but one thing has remained the same. The doors were still locked, and the music industry held the keys. Young artists began to self-market on the Internet, ultimately helping to collapse the music industry as we knew it. It’s Yours explores how it became possible to become a rap star through a Twitter account, YouTube site or Myspace page. It tells this story through the unique perspectives of numerous artists, producers, record industry insiders, and music and cultural critics.
As a sci-fi obsessed woman living in near isolation, Beverly Glenn-Copeland wrote and self-released Keyboard Fantasies in Huntsville, Ontario back in 1986. Recorded in an Atari-powered home-studio, the cassette featured seven tracks of a curious folk-electronica hybrid, a sound realized far before its time. Three decades on, the musician – now Glenn Copeland – began to receive emails from people across the world, thanking him for the music they’d recently discovered.
The complete collection of Depeche Modes videos.
The original Tresor was in many ways the quintessential Berlin club: located in an unrenovated vault beneath a bombed out department store, it opened its doors amidst the general confusion and ecstasy that swept across the city when the wall fell. Its low ceilings, industrial decor and generally unhinged atmosphere created an unprecedented platform not only for techno in Berlin, but also for the scene taking shape across the Atlantic in Detroit.
The first transatlantic communications cable, traversing the ocean floor from Valentia Island, County Kerry, to Newfoundland, Canada, 165 years ago was an 8 year endeavor that helped lay the foundation of the modern technology industry and explains the fragility of undersea cables today.
Paris, 1978. In a male-dominated music industry, Ana uses new electronic machines to make herself heard, thus creating a new sound that is destined to mark the decades to come: the music of the future.
Promotional film introducing self-service long-distance dialing using a prototype service in Englewood, New Jersey. Demonstrates how direct dial and the new area code system enable callers to make contact instantly without operator assistance.
Armin Only is a Dutch all-night dance event featuring solo performance by Armin van Buuren. The event consists of various genres of electronic dance music (but most predominantly Trance Music), light, laser and firework shows and supporting acts of singers/vocalists like Racoon (2005 edition), Ilse de Lange (2006 edition) and Audrey Gallagher performing 'Big Sky' by John O'Callaghan.
Documentary which follows the construction of a trailblazing 36,000-tonne steel structure to entomb the ruins of the nuclear power plant destroyed in the 1986 Chernobyl disaster.
‘Tangerine Dream is science fiction!’ declares band leader Edgar Froese who died in January, 2015 aged 70. For almost fifty years he and his band ‘Tangerine Dream’ explored sound and its effect on our emotions. This film about one of Germany’s first electronic bands kicks off with the young Berlin musicians who were as inspired by the space age of the 1960s, with its rocket launchings and visions of the future, as they were by their own heartbeat, on which Froese also based compositions. Aided by the Moog and other synthesisers Froese (and various band members) revolutionised popular music. His explorations took him into the worlds of classical, new and film music. He preferred to visualise moods rather than create clearly structured songs. A blend of amateur footage, interviews with band members, relatives, friends and colleagues such as Jean-Michel Jarre that creates a comprehensive portrait of an artistic pioneer.
Apple, is the most valuable company in the world. It has revolutionized the modern age & reshaped our relationships with each other. But it faces a major backlash due to controversies. From anti-competitive practices, using App store to copy the best ideas, trapping consumers in the Apple ‘ecosystem’, tax avoidance & sweatshop practices, this film probes into allegations against the tech giant.
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
Explores the life and innovations of composer and electronic music pioneer Suzanne Ciani.
A collectively made filmic opera in 35 parts. The Black and predominantly queer art collective, an evolving line up of poets and artists from across the world, abstracts and reimagines opera in any traditional conception. Set to hip-hop, blues, noise, R&B and electronica, the piece uses the voice (chanting, singing, screaming; written by poet and activist Dawn Lundy Martin) as its primary tool, verbalising centuries of alienation, vulnerability and protest in the global African diaspora through its disruptive libretto.
Journey through the music videos and short films from Jimmy Cauty and Bill Drummond in their various guises as The JAMs, The KLF and The Timelords, one of the most successful and subversively creative electronic bands of the early 90s.