This feature film is a documentary portrait of Joseph Idlout, a man who was once the world's most famous Inuit. Unknown to most Canadians today, Idlout was the subject of many films and books, and one of the Inuit hunters pictured for many years on the back of Canada's $2 bill. In this film Idlout's son, Peter Paniloo, takes us on a journey through his father's life - that of a man caught "between two worlds."
Narrator
This feature film is a documentary portrait of Joseph Idlout, a man who was once the world's most famous Inuit. Unknown to most Canadians today, Idlout was the subject of many films and books, and one of the Inuit hunters pictured for many years on the back of Canada's $2 bill. In this film Idlout's son, Peter Paniloo, takes us on a journey through his father's life - that of a man caught "between two worlds."
1990-01-01
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The director goes back to her roots in Pangnirtung, amongst her family and community. It leads her to another journey: to Qipisa, the outpost camp from where they were uprooted.
This classic short film shows how to make an igloo using only snow and a knife. Two Inuit men in Canada’s Far North choose the site, cut and place snow blocks and create an entrance--a shelter completed in one-and-a-half hours. The commentary explains that the interior warmth and the wind outside cement the snow blocks firmly together. As the short winter day darkens, the two builders move their caribou sleeping robes and extra skins indoors, confident of spending a snug night in the midst of the Arctic cold!
One day in the lives of an average Greenlandic family, which happens to be of great importance for 8-year old Kali - he's about to catch his first prey with the harpoon. The whole family is looking forward for the huge step in boy's maturation.
How Inuit peoples perform arts and crafts, on the island of Baffin Island on what is now the territory of Nanavut.
Follows homeless, addicted and alienated Greenlandic women in Copenhagen, Denmark; includes fragments of Greenlandic culture.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
In this feature-length documentary, 8 Inuit teens with cameras offer a vibrant and contemporary view of life in Canada's North. They also use their newly acquired film skills to confront a broad range of issues, from the widening communication gap between youth and their elders to the loss of their peers to suicide. In Inuktitut with English subtitles.
Director Elisapie Issac's documentary is a sort-of letter to her deceased grandfather addressing the question of Inuit culture in the modern world.
In the mid-1950s, lured by false promises of a better life, Inuit families were displaced by the Canadian government and left to their own devices in the Far North. In this icy desert realm, Martha Flaherty and her family lived through one of Canadian history’s most sombre and little-known episodes.
This film joins a hunting-party of inhabitants of the Frobisher Bay Correctional Centre. The stalking, killing and skinning of seal and caribou are featured prominently, with explanations as to the importance of these animals to the Inuit way of life.
A group of Nunavut elders travel to five museums in North America to see and identify artifacts, tools and clothing collected from their Inuit ancestors. Directed by Zacharias Kunuk and Bernadette Dean.
Qallunajatut (Urban Inuk) follows the lives of three Inuit in Montreal over the course of one hot and humid summer.Only two generations ago Inuit lived in small, nomadic hunting camps scattered across the vast Arctic landscape. Since the 1950s, this traditional lifestyle has undergone an astonishing transition from Stone Age to Information Age, as Inuit first relocated (often by force) to government-run settlements, and, more recently, beyond the settlement into southern cities.
The first of two coproductions by the British Broadcasting Corporation and the National Film Board of Canada, People of the Seal, Part 1: Eskimo Summer is compiled from some of the most vivid footage ever filmed of the life of the Netsilik Inuit in the Kugaaruk region (formerly Pelly Bay) of the Canadian Arctic. The original films of the Netsilik series attempted to recreate the traditional lifestyle of Netsilingmiut living there. They show the incredible resourcefulness of the Netsilik (People of the Seal) who have adapted to one of the world's harshest environments. Part 1: Eskimo Summer shows how Inuit families prepare for winter by hunting seal, birds and caribou and by fishing for Arctic Char during the extended hours of daylight.
Filmmakers revisit Inukjuak, the Inuit village where Robert J. Flaherty filmed Nanook of the North in the early twentieth century, and examine the realities behind the ground-breaking documentary.
Children of the Arctic is a portrait of five Native Alaskan teenagers growing up in Barrow - the northernmost community in the United States. As their climate and culture undergo profound changes, they strive to balance being modern American kids and the inheritors of an endangered way of life.
Inuit traditional face tattoos have been forbidden for a century, and almost forgotten. Director Alethea Arnaquq-Baril, together with long-time friend and activist Aaju Peter, is determined to uncover the mystery and meaning behind this beautiful ancient tradition. Together they embark on an adventure through Arctic communities, speaking with elders and recording the stories of a once popularized female artform. Central to the film is Arnaquq-Baril’s personal debate over whether or not to get tattood herself. With candour and humour, she welcomes us into her world, to experience firsthand the complex emotions that accompany her struggle. Past meets present in this intimate account of one woman’s journey towards self-empowerment and cultural understanding.
“Those Who Come, Will Hear” proposes a unique meeting with the speakers of several indigenous and inuit languages of Quebec – all threatened with extinction. The film starts with the discovery of these unsung tongues through listening to the daily life of those who still speak them today. Buttressed by an exploration and creation of archives, the film allows us to better understand the musicality of these languages and reveals the cultural and human importance of these venerable oral traditions by nourishing a collective reflection on the consequences of their disappearance.
"Melting Lives - Victims of the New Weather" is a six-part documentary series in which the viewers meet people in the Arctic region who live close to and depend on nature for survival, and who struggle to maintain their way of life. Their tales are being heard and testimonies about how life is changing as the world gets ever warmer. The host, Samuel Idivuoma, is from northern Sweden. He visits Inuits on Greenland and in Alaska, aboriginal people in Canada and Nenets from the Siberian tundra in Russia