My Death Dog(NaN)

Fili di memorie(it)

A Day(es)

Lourdes and Humberto have been married for 21 years. Edgar seeks refuge with Venus, his dog. A waterpark, an afternoon to enjoy. A day that should not be ruined.

The Ball(en)

The story of Amy and Jack, two children from Gateshead struggling to become friends against the odds.

Antoine and Colette(fr)

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

Stranger in the City(en)

Aspects of a London day, including prostitutes on street corners, a striptease show and the 2i's Coffee Bar.

The Arrival of a Train at La Ciotat(fr)

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Gu(zh)

On a gloomy day, Gu takes a train back to his hometown for the first time in years to reunite with his wife and son, in court.

Birdman(en)

A portrait of Robert, a troubled but poetic soul struggling with his purgatorial existence in a hackney scrapyard.

1992(fr)

It's 1992. Martin is 17 and he films his daily life with his Hi8 camera. He films anything and everything—his room, the world around him... But never his father, the thought doesn't occur to him. One day he meets Dominique. He's 23 and works as a student monitor at Martin's high school.

Blushing Snow, Bright as Cherries(zh)

A perfumer and a little tyrant... these two women learn together what courage and justice is.

In Another Life(zh)

A servant-turned-assassin/bodyguard and a dispossessed heiress seize control of the latter's freedom (and if at first you don't succeed, try again in your next life).

Home(en)

Two young brothers living in rural isolation struggle to survive in the wake of a mysterious attack, only to have their fragile world shattered by the arrival of a teenage girl. Home by John Henry Hinkel

The Wet Season(en)

Jocelyn works at her Uncle's 'Crying Booths' in the country, while crying is forbidden in the cities.

La Jetée(fr)

A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.

Night and Fog(fr)

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Noodles(en)

A short film about love, told backwards.

Amor(pt)

An anguished woman awaits her love. A film is made about this. The parallels between the love between the woman and the film team are interspersed and show how this feeling can be both a pain and a joy.

Seven Times a Day We Bemoan Our Lot and at Night We Get Up to Avoid Our Dreams(de)

A cinematic devotional book. Based on interviews with an unemployable sufferer (and his fellows), living in the East German countryside. Who lost his memory in 1989 and woke up into several nightmares.

Fanalysis(en)

Actor/cult icon Bruce Campbell examines the world of fan conventions and what makes a fan into a fanatic.

Workers Leaving the Lumière Factory(fr)

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.