Salomé(2001)

Colorina (es)

Apuesta por un amor (es)

Apuesta por un Amor is a Mexican telenovela produced by Angelli Nesma Medina for Televisa in 2004. Patricia Manterola and Juan Soler starred as the protagonists, while Alejandra Ávalos, Roberto Ballesteros and Fabián Robles starred as the antagonists.

Los Parientes Pobres (es)

Los Parientes Pobres is a telenovela made by Mexican TV network Televisa. It is a telenovela set in Mexico. This telenovela was broadcast in 1993.

Dos Hogares (es)

Dos Hogares is a Mexican telenovela produced by Emilio Larrosa for Televisa. Anahí, Carlos Ponce, Sergio Goyri, Alfredo Adame, Laura León, Jorge Ortiz de Pinedo, Joana Benedek, Víctor Noriega, Claudia Álvarez, Abraham Ramos, Malillany Marín and Olivia Collins in the leading roles. Canal de las Estrellas aired Dos Hogares from June 27, 2011 to January 20, 2012, with Abismo de Pasión replacing it. From October 31, 2011 to May 29, 2012., Univision broadcast Dos Hogares at 3pm central, replacing one hour of Ni Contigo Ni Sin Ti.

Qué Bonito Amor (es)

Qué bonito amor is a 2012 Mexican telenovela produced by Salvador Mejía Alexandre for Televisa. It is based on La Hija del Mariachi, produced by Colombian's RCN Television and written by Mónica Agudelo in 2006-2007. Jorge Salinas and Danna García star as the protagonists, while Malillany Marin, Roberto Palazuelos, Marcelo Buquet, Salvador Pineda and Pablo Montero star as the antagonists.

Distilling Love (es)

Destilando Amor is a 2007 Mexican telenovela produced by Televisa and Nicandro Díaz. It stars Angélica Rivera and Eduardo Yáñez as the main protagonists and was set primarily in Tequila, Jalisco. It is a remake of the 1994 Colombian telenovela Café, con aroma de mujer, and was nominated for twelve Premios TVyNovelas of which it won ten including Best Telenovela of the Year.

I Don't Trust Men Anymore (es)

Yo no creo en los hombres (I don't trust men anymore) is a Mexican telenovela produced by Giselle González for Televisa. It is based on Yo no creo en los hombres (1991), produced in México.

Camaleones (es)

Camaleones is a 2009/2010 Mexican telenovela produced by Televisa. The soap opera premiered on Mexico's Canal de las Estrellas, replacing the completed TV series Verano de Amor. Camaleones is produced by Rosy Ocampo, who has produced several popular telenovelas, such as Amor sin Maquillaje, Las Tontas No Van al Cielo and La Fea Mas Bella. Filming took place in Mexico City and Xochitepec in June 2009, and lasted approximately 7 months. The telenovela premiered on Univision in the United States on May 4, 2010.

Alegrijes y Rebujos (es)

Alegrijes y Rebujos is a Mexican soap opera which became very popular with children and adults in 2003 and 2004. The child actors came from the reality show Código F.A.M.A.. The first place winner, Miguel Martinez, earned the lead role. He shared the spotlight with the other finalists María Chacón, Diego González, Allisson Lozano, Michelle Álvarez, Nora Cano, Jesús Zavala and Tony Cobian.

Un gancho al corazón (es)

Un gancho al corazón is a Mexican telenovela that began airing on Mexico's Canal de las Estrellas, beginning August 25, 2008. It began airing in the United States on Univision on June 22, 2009, with the show's run ending there on May 3, 2010. The telenovela is a production of Angelli Nesma Medina and is an original story by Adrian Suar starring Danna Garcia, Sebastián Rulli, and Laisha Wilkins. The telenovela is a remake of Argentine daily comedy Sos mi vida.

My Love, My Sin (es)

Amarte es mi Pecado' is a Mexican telenovela that was transmitted in the year 2004. It is a production of Ernesto Alonso and the protagonists are Yadhira Carrillo, Alessandra Rosaldo and Sergio Sendel.

Esmeralda (es)

Esmeralda is a telenovela that was released by Televisa in 1997. It is a remake of a 1970 Venezuelan telenovela of that same name, and was itself remade in Brazil in 2004. Another version is Topacio from Venezuela in 1984. One of the most famous telenovela all the time.

La Mentira (es)

La Mentira is a Mexican telenovela, produced by Televisa.

Victoria (es)

A woman who falls in love with a dashing younger man, when her marriage collapses around her.

María la del Barrio (es)

A brave, poor young girl is welcomed into a rich family and develops a romance with their misogynist youngest son, driving a woman already in love with him to go to great lengths to destroy their relationship.

Betty in New York (es)

Betty is a young Latina in New York who, rejected in multiple jobs, accepts one below her qualifications in the fashion industry. Amid the glamor and business, the war between the pretty and the ugly, Betty grows and faces the biggest challenge of her life: love.

The Unremarkable Juanquini (es)

An inept magician pulls off the trick of his life: accidentally disappearing a wanted criminal during a police raid. Now he's going to pay for that.

Maria Mercedes (es)

María Mercedes, a poor girl who sells lottery tickets, meets a rich man who hates his own family and sees in María Mercedes an opportunity to make their lives miserable.

¡Vivan los niños! (es)

¡Vivan los niños! is a Mexican telenovela for children that premiered in 2002. It ran for 155 episodes and finished in 2003. The opening, Vivan los niños, was recorded by the Latin pop group OV7. One of its closing themes, also entitled Vivan los niños, was performed by Cuban-American singer and songwriter Ana Cristina. The show is a version of the Argentinian telenovela "Jacinta Pichimahuida, la maestra que no se olvida". The series starred Andrea Legarreta as 2nd grade teacher Lupita Gómez. After the series ended, Andrea became the long-time host of the morning talk show Hoy. On July 12, 2012, in celebration of Andrea's birthday, the producers of Hoy reunited her with the young actors who played her students on the series.

Overcoming heartbreak (es)

Four women of different ages and social strata are forced to live together under the same roof. At first, the coexistence between them is complicated and tense due to their different visions and ways of facing life, but little by little the sisterhood and solidarity prevail when realizing the peculiar bond that exists between them: each one has suffered, in one or otherwise, the absence and abandonment of their respective partners.