The misadventures of two families who are forced to live in the same house as tenants after being conned by their estate agent.
I Am Not An Animal is an animated comedy series about the only six talking animals in the world, whose cosseted existence in a vivisection unit is turned upside down when they are liberated by animal rights activists.
In order to protect an ordinary businessman, Tsukasa Atsumi, from demons, a genius kunoichi, Shizuri Ideura, signs a master-servant contract with him on the condition that she stays with him. Despite her cool appearance of defeating demons, Shizuri is an otaku NEET who spends all her time playing video games. While Shizuri is spoiled by Tsukasa and leads a lazy cohabitation life, the quirky Kunoichi gather together.
Buntarou doesn't know what he wants to do in the future. He does not have any kind of dream that he wants to pursue, so currently he just spends his days hanging around with his friends. One day, his classmate Sayuki asks him if he wants to help with development of a gal game. She says that she had become interested in his help after she read one of his works intended for the drama club. Buntarou doesn't know anything about gal games, but Sayuki claims that she has the ability to make it a success. Can they make the game, and will it be a success like she claims it will be? This is the story of youths taking a daring step into the unknown...
It's comedy’s closed thing to a sport – comedians battle it out with the most brutal jokes imaginable.
Each week, the Chapmans and their son Leland will fly from their Da Kine Bail Bonds headquarters in Hawaii to various bail bondsmen businesses around the United States as they assist in apprehending criminals. The series will also encompass the group as they improve the bail bondsmen businesses techniques on how to run more efficiently, from the writing of bonds to the tedious task of tracking criminals and technological device training.
The Adventures Of Bottle Top Bill And Corky is an Australian children's animated television program that was first screened on ABC2 in 2005. The animation is a mixture of CGI, 2D and stop motion.
Kazuki experiences hallucinations of fighting robots that no one else can see, so he should have expected trouble when the most beautiful girl in school took an interest! But there's no way he could have expected to be waylaid by a mad scientist and thrown into a parallel world with robots, aliens, and a boarding house filled with beautiful girls! He may not make it home. He may get hurt. He may go insane. But at least he gets to drive the Robots!
Real-life couples reveal their intimacy issues and hash out their problems as they talk to a professional therapist, hoping to make a breakthrough and strengthen their relationships.
The Day After Tomorrow is a 1975 British science-fiction television drama produced by Gerry Anderson between the two series of Space: 1999. Written by Johnny Byrne and directed by Charles Crichton, it stars Brian Blessed, Joanna Dunham and Nick Tate, and is narrated by Ed Bishop. It first aired in the United States on NBC, as an episode of the children's science education series Special Treat, in December 1975. In the UK, BBC1 broadcast the programme as an independent special in December 1976, and again in December 1977. The plot of The Day After Tomorrow relates to the interstellar mission of Altares, a science vessel of the future that can travel at the speed of light. Departing from its original destination, Alpha Centauri, Altares moves deeper into space and her crew of three adults and two children encounter phenomena such as a meteor shower, a red giant star and, finally, a black hole, which pulls the ship into another universe. Originally commissioned to produce a child-friendly introduction to Albert Einstein's special relativity theory in the form of an action-adventure, Anderson and Byrne conceived The Day After Tomorrow as the pilot episode of a TV series. To this end, writer and producer proposed the alternative title "Into Infinity", although their limited budget precluded the production of further episodes. With a cast and crew that included veterans of earlier Anderson productions, filming on The Day After Tomorrow ran from July to September 1975 and consisted of ten days of principal photography and six weeks of special effects shooting. The visuals of Space: 1999 influenced both special effects technician Martin Bower, the designer of the scale models that appear in the programme, and production designer Reg Hill, who re-used set elements from various episodes of Space: 1999 to construct the Altares interiors. Newcomer Derek Wadsworth collaborated with Steve Coe to compose the theme and incidental music.
Kurosaki is a young man whose family was destroyed by swindlers. Despite that, Kurosaki grows up to become a con artist known as Kurosagi. As Kurosagi, he swindles other con artists and returns the money to the original victim. He works with the master swindler Katsuragi Toshio even though Toshio had a hand in the destruction of Kurosaki's family. Kurosaki's life begins to change when he meets Yoshikawa Tsurara, a young law student who disapproves of his disrespect of the law. Can she persuade Kurosaki to give up swindling and his quest for revenge?
Love Momozono is a 14-year-old student at Yotsuba Junior Highschool that tends to care more for others than for herself. One day she visits a show of the famous dance unit "Trinity" and decides to become a dancer, too. On the same event, subordinates of the Labyrinth Kingdom show up who want to collect the unhappiness of the audience. Love gets the power to change into Cure Peach and fights them. Soon after, she is joined by her good friends Miki, who is Cure Berry, and Inori, who becomes Cure Pine.
Shinichi Sakurai’s one wish is for a little peace and quiet. But Hana Uzaki — his boisterous, well-endowed underclassman — has other plans. All she wants is to hang out and poke fun at him. With the help of her chipper charm and peppy persistence, this might just be the start of a beautiful relationship!
After a seance ghost of a young high-class call Maximiliano Ossa, who died in very strange circumstances, returns from 1925 to 1997 to recover the love of his beloved Pola Santa Maria
As Faten, a woman who works at the real estate registry, decides to ask for a divorce from her husband Seif, she finds herself facing many hardships and obstacles; raising two daughters on her own and finding out that the odds are stacked against her when it comes to the law.
A girl lives in an abandoned house in a village. She ignites a conflict between doubt and certainty among the village residents through the miracles she performs. A journalist pursues her to try to prove that she is practicing quackery and sorcery.