A document of the originators of the DIY Rez Metal scene, and the bands that are now carrying the torch, including I Dont Konform, Mutilated Tyrant and Born of Winter. From a generator-powered show in the Arizona desert to a band practicing in a traditional Navajo dwelling called a Hogan, this story — told by Navajo ("Diné") bands and individuals involved in the scene — explores the creation of Rez Metal in the Eighties, the juxtaposition of old and new Navajo traditions and the link between heavy metal and native pride.
Filmed in Melbourne, Australia in 1984, this concert video is the only full length concert film of the band at this time. A stunning concert with the band in incendiary form, the setlist mixes then new tracks from the 'Perfect Strangers' album with favorites from the early seventies culminating in the brilliant 'Smoke On The Water' finale.
This documentary chronicles the story of Darrell Night, an Indigenous man who was dumped by two police officers in a barren field on the outskirts of Saskatoon in January 2000, during -20° C temperatures. He survived, but he was stunned to hear that the frozen body of another Indigenous man was discovered in the same area.
The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.
In 1973, 15-year-old William Miller's unabashed love of music and aspiration to become a rock journalist lands him an assignment from Rolling Stone magazine to interview and tour with the up-and-coming band, Stillwater.
A documentary that explores the history of heavy metal music, horror films, and how the two genres have merged together over time.
In the summer of 2000, federal fishery officers appeared to wage war on the Mi'gmaq fishermen of Burnt Church, New Brunswick. Why would officials of the Canadian government attack citizens for exercising rights that had been affirmed by the highest court in the land? Alanis Obomsawin casts her nets into history to provide a context for the events on Miramichi Bay.
The film discusses the traits and originators of some of metal's many subgenres, including the New Wave of British Heavy Metal, power metal, Nu metal, glam metal, thrash metal, black metal, and death metal. Dunn uses a family-tree-type flowchart to document some of the most popular metal subgenres. The film also explores various aspects of heavy metal culture.
Sensationalized in the media as a high profile catfishing case involving an NBA superstar and an aspiring model, Shelly Chartier was portrayed as a master manipulator who used social media as her weapon. Through the sensitive and intelligent lens of Indigenous directors Lisa Jackson and Shane Belcourt, the sensationalism is swept aside to reveal something much more compelling and complex - the story of a young woman caught in historical circumstances beyond her control and how she struggles to rebuild her life after incarceration.
Heavy metal band Iron Maiden's 2008 Somewhere Back in Time World Tour. This concert recording accompanies the documentary film "Iron Maiden: Flight 666". The 16 songs performed were filmed live in 16 different cities giving you the full experience of the live power of Maiden and their fans all around the globe.
At 14, best friends Robb Reiner and Lips made a pact to rock together forever. Their band, Anvil, hailed as the "demi-gods of Canadian metal" influenced a musical generation that includes Metallica, Slayer, and Anthrax. Following a calamitous European tour, Lips and Robb, now in their fifties, set off to record their 13th album in one last attempt to fulfill their boyhood dreams.
A rare clip from 1994 warning of the dangers that lurk in America: homosexuals and Satanists.
In GLOBAL METAL, directors Scot McFadyen and Sam Dunn set out to discover how the West's most maligned musical genre - heavy metal - has impacted the world's cultures beyond Europe and North America. The film follows metal fan and anthropologist Sam Dunn on a whirlwind journey through Asia, South America and the Middle East as he explores the underbelly of the world's emerging extreme music scenes; from Indonesian death metal to Chinese black metal to Iranian thrash metal. GLOBAL METAL reveals a worldwide community of metalheads who aren't just absorbing metal from the West - they're transforming it - creating a new form of cultural expression in societies dominated by conflict, corruption and mass-consumerism.
Debauchery, over-indulgence and an unapologetic disregard for safety; welcome to the world of the British hard rock sensation ASKING ALEXANDRIA. With their critically acclaimed sophomore album "Reckless & Relentless" debuting at #9 on The Billboard Top 10, they have dominated the landscape of heavy music with their unforgettable live show and iconic personas. The new, shocking short film "Through Sin and Self-Destruction" is a controversial, uncensored look into the real lives of a new era of rockstars for today’s generation as they take over the Sunset Strip.
In this documentary film a team of researchers examine the social contexts that influenced the emergence and permanence of heavy metal music in Chile, Argentina, Mexico and Peru. Colonialism, dictatorships, terrorism and neoliberal exploitation serve as points of reference for how heavy metal in the region has been directly linked to each country's social and political context.
A documentary of the band's first 12 years with interviews and live footage.
Filmed across two sold-out nights at Birmingham N.E.C. Arena, UK in November 1988 during the band’s “Seventh Tour Of A Seventh Tour”.
This is a music video collection showcasing all of Motley Crue's music videos going back to 1981 and running till 2000 and includes performances by the original Motley Crue and features videos with later members John Corabi and Randy Castillo.
Guns N' Roses live at The Joint at the Hard Rock Casino in Las Vegas on November 21, 2012, during the Appetite for Democracy tour in celebration of twenty-five years of Appetite for Destruction and four years of Chinese Democracy.
As KISSology - Vol. 1 (1974-1977) announces loudly, all the chutzpah and bombast that made KISS so huge--the fire-breathing, the blood-dripping, the kabuki-mask make-up and platform shoes, the synchronized head-bobs--were in place from the very beginning. KISS's 1974 concert in San Francisco is virtually identical to their 1977 concerts in Japan and Houston, at the peak of their popularity. For hardcore fans, this opportunity to bask in the nuances of five performances of "Black Diamond" and six performances of "Firehouse" is essential viewing, but for the less committed the pleasures of KISSology lie in the bizarre collisions pop culture is heir to: Gene Simmons, in full costume, declaring himself "evil incarnate" on The Mike Douglas Show;
The story of a young boy forced to spend all five years of his short life in hospital while the federal and provincial governments argued over which was responsible for his care, as well as the long struggle of Indigenous activists to force the Canadian government to enforce “Jordan’s Principle” — the promise that no First Nations children would experience inequitable access to government-funded services again.