Moving Together(2023)

Quando A Noite É Vermelha(pt)

May 2, 2024. Amidst big names from São Paulo's drag scene, a young filmmaker dives into the experience of becoming a drag queen for one night.

How Great It Was(en)

A film about an aging men's field hockey team from the Netherlands - average age: 70! - that has been playing together for over 50 years. They have decided to stop playing because they can't keep up with the 65-year olds… A portrait of a regional team of friends who are growing old together… And they are about to play their very last game together. Winner Audience Choice Award Art of Brooklyn Film Festival 2014

Crossroads(be)

Valery Liashkevich is a homeless artist who lives at a railway station and for over twenty years has painted pictures in the streets of the town of Gomel in Belarus. For the natives he is no more than a local attraction. For art critics he is a phenomenon worth close attention.

Little Azkals(en)

The Philippine Football team Azkals miraculous winnings in Asia started a wave for the country that we too can eye for the most coveted World Cup. For the first time in history, The Philippine Football Federation (PFF) has launched a search for the next Philippine Azkals who will undergo training for the 2019 World Cup qualifier. More than 1000 boys from Luzon, Visayas, and Mindanao tried their lucks. Only 22 are selected. This documentary film is a story of dreams.

Cut Piece(en)

Filmed at New York’s Carnegie Hall, Cut Piece documents one of Yoko Ono’s most powerful conceptual pieces. Performed by the artist herself, Ono sits motionless on the stage after inviting the audience to come up and cut away her clothing in a denouement of the reciprocity between victim and assailant.

Maria: Don't Forget I Come From the Tropics(pt)

An examination of the relationship between the life and art of Maria Martins, now recognized as one of the greatest Brazilian sculptors, in addition to her engravings and texts. The film reveals the greatness of her work and her boldness when dealing directly with the feminine perspective of sexuality, a transgression that led to attacks by Brazilian critics. In parallel, her life as the wife of an important diplomat and her connection to Marcel Duchamp, in a relationship of mutual collaboration between the two artists.

DRIVER(en)

DRIVER is a soulful exploration of resolute female long-haul truck drivers pursuing validation for their hard-earned work as they navigate the oppressive forces in their industry. Employing an intimate lens, Nesa Azimi’s first feature brings the audience into a community of solidarity and self-determination.

Half the Picture(en)

At a pivotal moment for gender equality in Hollywood, successful women directors talk about their art, lives and careers.

Jane Fonda in Five Acts(en)

Girl next door, activist, so-called traitor, fitness tycoon, Oscar winner: Jane Fonda has lived a life of controversy, tragedy and transformation – and she’s done it all in the public eye. An intimate look at one woman’s singular journey.

Davis Report(de)

Angela Davis visiting the German Democratic Republic. A film about the people she met and her impressions.

Yayoi Kusama(en)

Yayoi Kusama born March 22, 1929 is a Japanese artist and writer. Throughout her career she has worked in a wide variety of media, including painting, collage, scat sculpture, performance art, and environmental installations, most of which exhibit her thematic interest in psychedelic colors, repetition and pattern. A precursor of the pop art, minimalist and feminist art movements, Kusama influenced contemporaries such as Andy Warhol, Claes Oldenburg and Yoko Ono.

Yayoi Kusama: I Love Me(ja)

Captures the avant-garde artist Yayoi Kusamas creative process as she diligently works to complete her series of 50 large monochrome drawings. As her work comes to life, one can witness the essence of her art as it wells up in the conflict between life, death, and love.

The Promise of Music(es)

The documentary accompanied the work of the Simón Bolívar Youth Orchestra of Venezuela.

The Price of Everything(en)

Featuring collectors, dealers, auctioneers and a rich range of artists, including market darlings George Condo, Jeff Koons, Gerhard Richter and Njideka Akunyili Crosby, this documentary examines the role of art and artistic passion in today’s money-driven, consumer-based society.

Shirkers(en)

In 1992, teenager Sandi Tan shot Singapore's first indie road movie with her enigmatic American mentor Georges – who then vanished with all the footage. Twenty years later, the 16mm film is recovered, sending Tan, now a novelist in Los Angeles, on a personal odyssey in search of Georges' vanishing footprints.

306 Hollywood(en)

When two siblings undertake an archaeological excavation of their late grandmother’s house, they embark on a magical-realist journey from her home in New Jersey to ancient Rome, from fashion to physics, in search of what life remains in the objects we leave behind.

Quiet Heroes(en)

In Salt Lake City, Utah, the socially conservative religious monoculture complicated the AIDS crisis, where patients in the entire state and intermountain region relied on only one doctor. This is the story of her fight to save a maligned population everyone else seemed willing to just let die.

Earth Hum(en)

“Earth Hum” is dedicated to Rachel Martin’s Family Tree, a drawing that combines art, earth, and love all into one. In a conversation with Martin, we learn a little bit more about her art told through her own voice and drawings as well as the ethereal presence of friends and old Super 8 footage. Like Martin says, in art, you see that there are magical things happening but it is really very human.

The Big Wheel(en)

During the 1980 exhibition of Burden's monumental kinetic sculpture The Big Wheel at Ronald Feldman Fine Arts, New York, Burden and Feldman were interviewed by art critic Willoughby Sharp. Burden articulates the process of creating The Big Wheel, a 6,000-pound, spinning cast-iron flywheel that is initially powered by a motorcycle, and discusses its relation to his earlier performance pieces and sculptural works. Addressing his motivations and the meaning of this potentially dangerous mechanical art object, Burden discusses such topics as the role of the artist in the industrial world, "personal insanity and mass insanity," and "man's propensity towards violence."

In unison(fr)