A Penobscot Nation author grew up in a haunted house. After his mother's death, he returns home to confront the odd occurrences that took place there—from ghost stench and spirit turds to knocking inside walls and a botched exorcism—and wonders why we fear spirits and the afterlife, especially once a loved one passes and all we want is to hear from them again, no matter the form.
Morgen Talty
Do ghosts exist? In this new documentary, a filmmaker travels to rumored haunted places interviewing psychics, scientists, and skeptics in search of the truth. Along the way, his crew captures unexplained phenomena including a box that allows the dead to speak.
This short documentary chronicles a four-month period between 1979 and 1980 when residents of Hawaii's Sand Island "squatter" community attempted to resist eviction from the Honolulu shoreline - resulting in displacement, arrests, and the destruction of a community.
The third and final part of a trilogy based on Arctic creation myths. The film is a multifaceted tissue weave of myths and traditions reflected in the symbiosis between reindeer, human and landscape.
The film takes place on December 21, 2012, while the people of the town of Quillagua await the supposed "end of the world" that the Mayans predicted for that day.
Flora Bear’s youngest granddaughter searches for truth and answers about her Indigenous grandmother’s life.
Three high schoolers investigate the disappearance of a fellow student, Aubrey. She was last seen entering the abandoned back hallways of their school, Asher Academies. There is a legend that the founder of the school, Asher Neal, died in the back halls and now his ghost haunts that half of the school, but no one believes that. However, as the team continues to investigate Aubrey's disappearance, the presence of a ghost seems more and more real.
Mayan Renaissance is a feature length film which documents the glory of the ancient Maya civilization, the Spanish conquest in 1519, 500 years of oppression, and the courageous fight of the Maya to reclaim their voice and determine their own future, in Guatemala and throughout Central America. The film stars 1992 Nobel Peace Laureate and Maya Leader Rigoberta Mencu Tum. All of the images, voices, expert commentary and music in the film come directly from Central America, the heart of the Mayan World.
In 2020, just as the pandemic was beginning, Gazala purchased land in western Ohio, on which sits a disused school building. This site allowed her to explore her complex relationship with “the land.” As the daughter of displaced indigenous Palestinians, she attempts to form a proxy bond with the earth, on ground that was stolen from the displaced indigenous Shawnee people. Closeness to the Land is video footage of hand-painted text signs that translate the word الأرض (ard) into six English words, displayed performatively in multiple locations to capture the now-invisible nature of indigenous culture in Ohio. These signs were installed on the old schoolhouse in early 2021.
Two friends, both Indigenous fishermen, are driven to desperation by a dying sea. Their friendship begins to fracture as they take very different paths to provide for their struggling families.
50 years on, the Aboriginal Tent Embassy is the oldest continuing protest occupation site in the world. Taking a fresh lens this is a bold dive into a year of protest and revolutionary change for First Nations people.
This beautiful short film captures the quiet dignity of a day in the life of a Northern trapper, without use of any dialogue.
The Blackfoot bareback horse-racing tradition returns in the astonishingly dangerous Indian Relay. Siksika horseman Allison Red Crow struggles with secondhand horses and a new jockey on his way to challenging the best riders in the Blackfoot Confederacy.
Like a visual elegy, My Memory Is Full of Ghosts explores a reality caught between past, present and future in Homs, Syria. Behind the self-portrait of an exsanguinated population in search of normality emerge memories of the city, haunted by destruction, disfigurement and loss. A deeply moving film, a painful echo of the absurdity of war and the strength of human beings.
Set in the aftermath of the devastating financial crash of the Thai baht and the Asian monetary crisis, Ghosts and Numbers is a fantastic meditation on Thai encounters with the spirit world and the world of numbers, as these intersect in unexpected ways.
In this feature-length documentary, three generations of the Caribou Inuit family come together to tell the story of their journey as Canada's last nomads. From the independent life of hunting on the Keewatin tundra to taking the reins of the new territory of Nunavut on April 1, 1999, we see it all. The film is the result of a close collaboration between Ole Gjerstad, a southern Canadian, and Martin Kreelak, an Inuk. It's Martin's family that we follow, as the story is told through his own voice, through those of the Elders, and through those of the teens and young adults who were born in the settlements and form the first generation of those growing up with satellite TV and a permanent home.
This fascinating program presents the story of Jerusalem and the Holy Land against the backdrop of history and prophecy. Jerusalem is the city where history began, and where many believe history will end.
The Living Stone is a 1958 Canadian short documentary film directed by John Feeney about Inuit art. It shows the inspiration behind Inuit sculpture. The Inuit approach to the work is to release the image the artist sees imprisoned in the rough stone. The film centres on an old legend about the carving of the image of a sea spirit to bring food to a hungry camp. It was nominated for an Academy Award for Best Documentary Short.
Guyanese painter Aubrey Williams (1926-1990) returns to his homeland on a “journey to the source of his inspiration” in this vivid Arts Council documentary, filmed towards the end of his life. The title comes from the indigenous Arawak word ‘timehri’ - the mark of the hand of man - which Williams equates to art itself. Timehri was also then the name of the international airport at Georgetown, Guyana's capital, where Williams stops off to restore an earlier mural. The film offers a rare insight into life beyond Georgetown, what Williams calls “the real Guyana.” Before moving to England in 1952 he had been sent to work on a sugar plantation in the jungle; this is his first chance to revisit the region and the Warao Indians - formative influences on his work - in four decades. Challenging the ill-treatment of indigenous Guyanese, Williams explored the potential of art to change attitudes. By venturing beyond his British studio, this film puts his work into vibrant context.
Traditional Northwestern Indigenous spiritual images combined with cutting-edge computer animation in this surreal short film about the power of tradition. Three urban Indigenous teens are whisked away to an imaginary land by a magical raven, and there they encounter a totem pole. The totem pole's characters—a raven, a frog and a bear—come to life, becoming their teachers, guides and friends. Features a special interview with J. Bradley Hunt, the celebrated Heiltsuk artist on whose work the characters in Totem Talk are based.