In the late 1990s, some officers at Vancouver Police Department made a documentary film (THROUGH A BLUE LENS) about the everyday lives of six drug addicts in Vancouver's skid row, the Downtown Eastside. TEARS FOR APRIL reintroduces us to these six people; with footage shot over a period of nearly ten years, it continues their biography.
Herself
Why don't we do something to ease the suffering of the poor, the excluded? Because we live in fear of "the other," the stranger. Filmed a few months before the 2004 presidential election, On the Road with Mary is a gripping view of an America living in fear. From a miserable neighbourhood in Detroit ravaged by crack and violence, to the militarized border with Mexico, this potent road movie exposes the unbearable other side of the American Dream.
Megacities is a documentary about the slums of five different metropolitan cities.
In the summer of 1920, Shanghai was scandalized by a sensational murder, a high-profile case and subsequent trial that was the ongoing topic of conversation in the city's numerous cafes, clubs and teahouses. Among the various reasons for its notoriety, two stand out: first, the victim was a high-class prostitute, well known in Shanghai; second, the murderer had been a mid-level manager in a respected foreign firm, a playboy who in Manhattan might have been termed a "prominent young man about town." There were detailed press reports daily as the case wound its way through the judicial system.
Documentary depicting the lives of child prostitutes in the red light district of Songachi, Calcutta. Director Zana Briski went to photograph the prostitutes when she met and became friends with their children. Briski began giving photography lessons to the children and became aware that their photography might be a way for them to lead better lives.
Sundance award-winning director Julia Kwan’s documentary Everything Will Be captures the subtle nuances of a culturally diverse neighbourhood—Vancouver’s once thriving Chinatown—in the midst of transformation. The community’s oldest and newest members offer their intimate perspectives on the shifting landscape as they reflect on change, memory and legacy. Night and day, a neon sign that reads "EVERYTHING IS GOING TO BE ALRIGHT" looms over Chinatown. Everything is going to be alright, indeed, but the big question is for whom?
Some 240,000 women over 55 are at risk of homelessness In Australia – a figure both surprising (owing to this demographic being less likely to speak up about their difficulties) and shocking, given this country’s wealth. Under Cover introduces us to 10 of these people, including a survivor of domestic violence, a former advertising executive, a self-confessed loner and a displaced immigrant, for whom security and shelter are constant unknowns and who, until now, have suffered in silence.
As police and DEA agents battle sophisticated cartels, rural, economically-disadvantaged users and dealers–whose addiction to ICE and lack of job opportunities have landed them in an endless cycle of poverty and incarceration–are caught in the middle.
1995. On the outskirts of Abidjan, the largest city in Ivory Coast, a policeman is murdered. Shot outside his vehicle, while his fiancée sits in the car, terrified. Superintendent Kouassi is the detective in charge of the investigation. Tall and lanky, he moves with the tired energy of a man who has seen it all. Drawing on a network of underworld characters with dubious information, Kouassi’s team begins bringing in potential suspects and subjecting them to horrific brutality: beating them with sticks, hanging them upside-down, threatening their lives. Some of the men are left so broken they have to literally drag themselves into Kouassi’s office later, to be interrogated while lying on the floor, their bodies a mess of bruises, broken bones, and lacerations.
Cocaine has always gotten a bad rap, and for a reason. It is a drug used by the rich and the poor legally and illegally, Mexican cartels fought over it with Colombia once associated with the brutal cocaine wars, and a source of tension between the American and Mexican borders on the people who are illicitly bringing in cocaine from one side of the border to another and will do anything to do it. So it can be surprising at times to the viewer throughout the course of the documentary special, that it was never always like this.
Director Mirjam Leuze’s The Whale and The Raven illuminates the many issues that have drawn whale researchers, the Gitga’at First Nation, and the Government of British Columbia into a complex conflict. As the people in the Great Bear Rainforest struggle to protect their territory against the pressure and promise of the gas industry, caught in between are the countless beings that call this place home.
The true-life story of a Harlem's notorious Nicky Barnes, a junkie turned multimillionaire drug-lord. Follow his life story from his rough childhood to the last days of his life.
An in-depth portrait of British composer, pianist and singer Elton John, pop star and myth of modern culture.
Short documentary, shot over fours years, showing the incredible daily migration of the western toad tadpoles, a designated indicator species on Vancouver Island, British Columbia.
A documentary about the girls of the Mustang Ranch, a legal brothel in Nevada.
Chronicles of a male homosexual drug addict in 1980's in voice-over with long take scenes from Rome, television snippets of news of Gulf War and commercials.
Shot over the course of 18 months in New York City's Lower East Side, METHADONIA sheds light on the inherent flaws of legal methadone treatments for heroin addiction by profiling eight addicts, in various stages of recovery and relapse, who attend the New York Center for Addiction Treatment Services (NYCATS).
"A documentary film which looks at the issue of British Columbia Native land claims and how the aboriginals link their culture to the land, which has been stolen by the dominant white culture of North America. In the film, the argument is presented that the lands have been taken from the Natives without any clear treaty agreements and how attempts had been made to wipe out Native culture through the Residential School system. " Produced by the Union of BC Indian Chiefs in 1975.
There is no topic that unites all of Vancouver quite like that of housing. At every dinner party, social gathering, or chance meeting in the street, everyone has an opinion, and they want to share it. Charles Wilkinson’s new film Vancouver: No Fixed Address tackles the subject from a multiplicity of perspectives. A chorus of voices chime in — everyone from David Suzuki, to Vancouver Mayor Gregor Robertson, Seth Klein, Condo King Bob Rennie, Senator Yuen Pau Woo, and lots of regular Vancouver citizens.