
Povel Ramel jubilee show played at Berns in Stockholm in 1972.
1972-12-26
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6.9A producer puts on what may be his last Broadway show, and at the last moment a chorus girl has to replace the star.
7.2Showman Jerry Travers is working for producer Horace Hardwick in London. Jerry demonstrates his new dance steps late one night in Horace's hotel room, much to the annoyance of sleeping Dale Tremont below. She goes upstairs to complain and the two are immediately attracted to each other. Complications arise when Dale mistakes Jerry for Horace.
4.7Dieters grandma knew it from the start. This guy will be special one. She should be right. Even as a child Dieter shows an enormous power when it is necessary to enforce his will. He quickly learn that you can not only impress the girls, but also make a lot of money as a musician. He understands that the success is mainly a question of the postage costs and a healthy liver. That you may not always tell the truth, but you should always have something lying on the high edge.
0.0A musical fantasia based on the true encounter between mathematician Andrew Wiles and Fermat's last theorem.
0.0A woman has thrown herself away for rescuing a country. A man has picked up a sword to protect a woman. Time in the 17th century, and place in the Iberian Peninsula. The master thief of the era Goemon ISHIKAWA (Arata FURUTA) has been rampaging in the Mediterranean Sea as a protector of a female pirate named Anne the Tornado (Yuki AMAMI)./span> One day, it turns out that Anne is the heir-to-the-throne of a small country. Heard of the corrupt politics in that country after the king's death, her inborn masculine spirit makes-up her mind to become the Queen of the country. The first duty as the Queen is to eradicate the pirates. Against her will, she is forced into a fight against Goemon who protected her former comrades. Godemon, who became suspicious of the series of events, brakes into the castle to steal Anne out. What Goemon saw there was ......!? What would be the fate of Goemon and Anne...!!
5.0A comedy musical stage version of the Phantom of the Opera, filmed live on-stage during a performance in Florida.
6.2A group of dancers congregate on the stage of a Broadway theatre to audition for a new musical production directed by Zach. After the initial eliminations, seventeen hopefuls remain, among them Cassie, who once had a tempestuous romantic relationship with Zach. She is desperate enough for work to humble herself and audition for him; whether he's willing to let professionalism overcome his personal feelings about their past remains to be seen.
10.0"Estratosférica ao Vivo" is not just the record of a Gal Costa show. It is the portrait of the artist reaching the 70 years of life, 50 of them dedicated to music. The show "Estratosférica" crowns the new artistic phase of Gal, more and more interested in connecting several tips of the history of the music of Brazil, joining the composers of its generation to names of the new national scene. The script, created by Marcus Black, was very good at this idea. Sewing songs by Caetano Veloso, Tom Zé, Luiz Melodia, Jards Macalé and Waly Salomão, Carlos Pinto and Torquato Neto, Roberto and Erasmo Carlos - a series of tropicalist and post-tropicalist works that until now serve as reference and feed the new generations of music.
0.0Henrik Dorsin revives the comedy revue of the 1940s and 50s on the Scala theatre stage with sketches and musical numbers.
7.5Set in modern upper-crust Manhattan, an exploration of love and commitment as seen through the eyes of a charming perpetual bachelor questioning his single state and his enthusiastically married, slightly envious friends.
8.1In a woods filled with magic and fairy tale characters, a baker and his wife set out to end the curse put on them by their neighbor, a spiteful witch.
7.0On the day before Easter in 1911, Don Hewes is crushed when his dancing partner (and object of affection) Nadine Hale refuses to start a new contract with him. To prove Nadine's not important to him, Don acquires innocent new protege Hannah Brown, vowing to make her a star in time for next year's Easter parade.
0.0A giant clown, spectacular video, light and pyro effects, an excellently choreographed dance show, impressive artists, an excellent band with Jesse Ritch as special guest and, of course, lots of DJ BoBo - that's the recipe for the Swiss megastar's latest stroke of genius. The breathtakingly large stage turns out to be a giant clown that transforms the hall into a circus ring that is hard to beat in terms of entertainment value. The stage alone is technically impressive: a sophisticated light show and state-of-the-art video mapping allow for rapid scene changes and even allow DJ BoBo to talk to the clown - or dance with his own projection in the background. As ringmaster, BoBo transports his fans into a fascinating dream world in which one highlight follows the next.
0.0Dinner revue that features both satire and other sketches and music numbers.
0.0Georg Kaltengruber actually wanted to spend a cosy New Year’s Eve at home. But his wife Anneliese startles him with a glorious idea: She wants to re-enact ‘Dinner for One’ in Franconian, put it online, and even charge money for it. And her husband Georg is obviously supposed to participate and play James the butler. But Anneliese can’t remember the original plot quite exactly – and so, chaos is sure to follow.
5.6Charlie is in charge of stage props and has trouble with actors' luggage and conflicts over who gets the star's dressing room. Once all that is resolved the next issue is getting everyone on stage with the correct backdrop.
6.0Dames at Sea is a musical with book and lyrics by George Haimsohn and Robin Miller and music by Jim Wise. The musical is a parody of large, flashy 1930s Busby Berkeley-style movie musicals in which a chorus girl, newly arrived off the bus from the Midwest to New York City, steps into a role on Broadway and becomes a star. It originally played Off-Off-Broadway in 1966 at the Caffe Cino and then played Off-Broadway, starring newcomer Bernadette Peters, beginning in 1968 for a successful run. The television version was broadcast on the Bell System Family Theater on NBC on November 15, 1971. The cast had extra chorus girls and boys, and there were full production numbers, turning into the very thing it was spoofing. Ann Miller was singled out for praise, especially when "she was allowed to tap out her brassy...temperamental star..."
6.2Two decades after She's So Unusual made her an icon, Cyndi Lauper's Live... At Last captures an intimate night at New York's Town Hall in 2004.