The students behind the mic and the bands they made famous tell the story of the youth and music culture that originated, and later flourished, on the airwaves of American colleges and universities, establishing a new generational voice and a new path to success for many alumni and artists.
The Lone Rangers have heavy-metal dreams and a single demo tape they can't get anyone to play. The solution: Hijack an FM rock radio station and hold the deejays hostage until they agree to broadcast the band's tape.
DJ Chris Moyles looks at how the Radio 1 Breakfast Show has reflected life in Britain over the past 40 years, as he meets his predecessors in the early morning slot.
April 24, 1993: it's the last broadcast of Radiofreccia, an independent radio station closing after 18 years, barely one minute before coming of age. Bruno, one of its founders, begins to tell its story, the story of a group of friends—especially troubled Freccia's—and a period of their youth in their small hometown.
Inspired by the music and songs of Raj Begum, Songs of Paradise tells the story of the first female singer at Radio Kashmir, a radio station in the valley of Kashmir, a paradise on earth marred by conflict.
An observational documentary which looks at Sydney’s first community Aboriginal radio station, 88.9 Radio Redfern. Set against a backdrop of contemporary Aboriginal music, 88.9 Radio Redfern offers a special and rare exploration of the people, attitudes and philosophies behind the lead up to a different type of celebration of Australia’s Bicentennial Year. Throughout 1988, 88.9 Radio Redfern became an important focal point for communication and solidarity within the Aboriginal community. The film reveals how urban blacks are adapting social structures such as the mass media to serve their needs.
Street vendors in Korea are almost like a national institution, they are so widespread and relied upon. In Little Pond in Main Street a group of vendors band together to create a community radio station but come into conflict with other groups, as well as the government trying to shut them down.
A girl (Alice Babs) from the country moves to Stockholm to become a singer.
A grandson of a recently deceased millionaire mistakes a beautiful female disc jockey for her aunt, who once dated the grandfather.
Eddy Arnold, singing star of the Ace Lucky radio program gets involved when Ace's equipment for a television program is destroyed by a fire. Aces accepts the sponsorship of social-climber Lucille Upperworth, who tries to revamp the western/hillbilly music format to classical music.
SEX AND BROADCASTING is a feature length documentary about New Jersey's WFMU, the world's strangest and most unique radio station, and one man's attempt to keep it alive in the face of recession, the persistent threat of commercial media, and the challenges that come with keeping a rebellious group of outsiders together.
A day in the life of 91.1, Nuxalk Radio, a radio station built to help keep the Nuxalk language alive while broadcasting the laws of the lands and waters.
Three young musicians and three female singers strive for success, competing each other. But love gets in their way.
A monk who got away with everything. Although much of his behavior aroused public outrage, or at least controversy, he never suffered any real consequences for it.
Titled after the first-ever song to play on their airwaves, Kick Out the Jams follows the development of XFM from its rebellious pirate radio roots in the early 90’s, through to its official FM radio launch in 1997 as a major platform for launching alternative talent into the mainstream. The doc deep-dives into the struggles and influence of the station which gave rise to the likes of Ricky Gervais and Stephen Merchant, whose global hits The Office and The Ricky Gervais Show were originally developed while working at the radio station.
A working day in Austria, 2004. Nine modern working-class heroes are engaged in their daily struggle of survival, accompanied, motivated and influenced by the country’s most popular radio station.
In a village in West Africa where dreams play a key role, the hosts of local radio interpret the oniric visions of their listeners. The language of dreams is spoken here. The limits between the real and the fantastic blur, and time is suspended.
Built out of “a pile of radio junk,” Bethesda, Maryland’s WHFS was a music fan’s dream of a radio station: the place on the dial to hear music listeners loved and new tunes they soon would, all with an anything-goes mentality and an ear for the sounds of social change. This doc pays loving tribute to free-form radio and WHFS’s influence over FM stations across the US from the 1960s to the 1980s. All good things come to an end, and so did the disc-jockey-driven format that WHFS pioneered and made successful, but its legacy lives on. The station’s DJs relate its history with passion in this film that captures the tenor of an era, abetted by reminiscences of performers including Emmylou Harris, Taj Mahal, Jesse Colin Young, and others whose music found its way to ears and minds eager for something more than the same old Top 40 programming.