Between reality and animation, the story of Nidhal is told, a young homosexual Tunisian who defended individual freedoms in Tunisia through his work in radio. He found himself under a lot of pressure which forced him to leave the country and seek asylum in the Netherlands.
Himself
Between reality and animation, the story of Nidhal is told, a young homosexual Tunisian who defended individual freedoms in Tunisia through his work in radio. He found himself under a lot of pressure which forced him to leave the country and seek asylum in the Netherlands.
2022-04-28
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Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
Delphine Seyrig reads passages from a Valerie Solanas’s SCUM manifesto.
An isolated village in the Lithuanian countryside. Seated in her house, an elderly woman recites an old folk story. Then she climbs up the tall ladder that takes her to the rooftop of the church.
Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.
A duo of street performers learns how sound and picture work together to create amazing cinema experiences.
Three Swedish teenagers express their thoughts about bi- and homosexuality while navigating questions of identity, self-acceptance, and societal expectations. Through personal stories and reflections, the film explores their struggles, hopes, and the challenges of growing up as LGBTQ+ youth in Sweden.
Dead Hand episode 2. Last day of war. Last war broke out. All people are dead, but the machines continue dutifully follow orders. On the automatic base machines fueling and charge the weapons of last surviving bomber preparing to drop bombs at the dead enemy city. This happens until the echo of mankind subsides completely. Then comes a new era in which there is no place for us.
Film profile of gay rock star/political activist Tom Robinson, intercut with the Tom Robinson Band in concert
In 1968, a convoy set off to transport a Calandria, the 70-ton core of a Canadian nuclear reactor, to Rajasthan in India. Even the largest semi-trailers could not keep up with this transport, which drove over specially reinforced roads and through city walls that had been demolished to make room.
The carefree forest animals imagine spring will last forever. However, winter comes and the animals soon realize that their lives are in danger. What they need is a hero; what they need is Crow: The Legend.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
Based on a true story, Angels and Ghosts tells the emotive journey of Amber, a young girl who is on a quest to find her brothers who have disappeared. It's a gripping animated adventure exploring the potent themes of mental health and family bonds. The story, told as a monologue from Amber's perspective, is narrated by Oscar nominated actress Samantha Morton.
The Tŝilhqot’in Nation is represented by six communities in the stunningly beautiful interior of British Columbia. Surrounded by mountains and rivers, the Tŝilhqot’in People have cared for this territory for millennia. With increasing external pressures from natural-resource extraction companies, the communities mobilized in the early 21st century to assert their rightful title to their lands. Following a decision by the Supreme Court of British Columbia in 2007 that only partially acknowledged their claim, the Tŝilhqot’in Nation’s plight was heard in the Supreme Court of Canada. In a historic decision in 2014, the country’s highest court ruled what the Tŝilhqot’in have long asserted: that they alone have full title to their homelands.
Life can arise anywhere, nature behaves strangely and days can last for minutes. Although everything is familiar to us, nothing is what it seems in this place. The cycle of life seen from a different perspective.
A project assembled to musically support William Plomer's (1903-73) book of poems called 'The Butterfly Ball and Grasshoppers Feast'; in which Alan Aldridge had provided the illustrations. British Lion had secured the rights, and commissioned Glover, through Tony Edwards (the Deep Purple manager), to add the musical dimension that it required if it were to be made into a 26-part animated cartoon series, suitable for TV. (Discogs) This is the music video for the song Love Is All, performed by Ronnie James Dio.