Four eminent Indian directors explore sex, desire and love through short films in this sequel to 2018's Emmy-nominated 'Lust Stories'.
Four couples deal with love and lust, commitment and infidelity, and the pressures of relationship expectations. Filmed in Melbourne, Berlin, Malta, and New York, In Corpore tackles the consequences faced when one chooses to either suppress or give into the inner desires of body and soul.
Following "Paris, Je t'aime" "New York,I Love You" and "Rio, Eu Te Amo" “Tbilisi, I Love You” has become the next film in the “Cities of Love” franchise.
Anthology series centered on teens facing supernatural threats, many based on the books by R.L. Stine.
An amazing and never-before-seen on-screen cast. And, the people's favorite husband-wife duo, Hira and Mani will be appearing together for the first time.
This three-part ballad, which often uses music to stand in for dialogue, remains the most perfect embodiment of Nemec’s vision of a film world independent of reality. Mounting a defense of timid, inhibited, clumsy, and unsuccessful individuals, the three protagonists are a complete antithesis of the industrious heroes of socialist aesthetics. Martyrs of Love cemented Nemec’s reputation as the kind of unrestrained nonconformist the Communist establishment considered the most dangerous to their ideology.
There is a performance team preparing for an outdoor yard play in Jeonju. Director Young-ro, supporting director Se-young. Actor Man-sik and his wife Hye-young. And Joo-young, the youngest member of the performance team. And Minwoo, who plays busking music. The warm, heart-wrenching stories of the three couples are depicted in omnibus format.
Olivier Assayas, Gus Van Sant, Wes Craven and Alfonso Cuaron are among the 20 distinguished directors who contribute to this collection of 18 stories, each exploring a different aspect of Parisian life. The colourful characters in this drama include a pair of mimes, a husband trying to chose between his wife and his lover, and a married man who turns to a prostitute for advice.
Snow White must flee from her evil stepmother. She's taken in by the lovable seven dwarves. Will the wicked queen be able to get rid of her rival?
Kadhaveedu' is a dedication to Malayalam being accorded the Shresthabhaasha (Malayalam has been declared a Classical language in 2013) status and presents, as a single entity, three different stories penned by the doyens of Malayalam literature - Vaikkom Muhammed Basheer, M T Vasudevan Nair and Madhavikutty. The film is an anthology with adaptations of stories written by renowned Malayalam fiction writers Basheer, M. T. Vasudevan Nair and Madhavikutty (Kamala Surayya).. The stories have been tweaked to fit in a modern setting and the script has been conceived by the director himself.
Four tales, each centered on a woman, journey inward to explore the enigmatic reality of their lives, connecting through a single narrative thread.
A three-part anthology about love and sexuality: a menage-a-trois between a couple and a young woman on the coast of Tuscany; an advertising executive under enormous pressure at work, who, during visits to his psychiatrist, is pulled to delve into the possible reasons why his stress seems to manifest itself in a recurring erotic dream; a story of unrequited love about a beautiful, 1960s high-end call girl in an impossible affair with her young tailor.
Seven erotic vignettes. Tales include "Face to Face" about a man who has the amazing ability to change his appearance and play the ultimate mind game on women, "Limousine Service" about two women spending the night out on the town when they cross paths with a mysterious stranger and "Sweet, Wild, Don't" about an extraordinary casting session.
Anthology film in which Hedy Lamarr plays 2 queens during 2 different time periods. Ulmer directed the Genoveffa di Brabante part whereas Allégret was responsible for the empress Josephine section after he left due to artistic differences with Lamarr.
In three separate segments, set respectively in 1966, 1911, and 2005, three love stories unfold between three sets of characters, under three different periods of Taiwanese history and governance.
As a newly crowned princess, Cinderella quickly learns that life at the Palace - and her royal responsibilities - are more challenging than she had imagined. In three heartwarming tales, Cinderella calls on her animal friends and her Fairy Godmother to help as she brings her own grace and charm to her regal role and discovers that being true to yourself is the best way to make your dreams come true.
An unexpected love triangle, a seduction trap, and a random encounter are the three episodes, told in three movements to depict three female characters and trace the trajectories between their choices and regrets.
“Urban Motives 4.1” is an anthology film consists of 5 short movies by 5 Azerbaijani directors. The first, by Anar Abbasov, is about a relationship between a man and women who live next door; second, by Ru Hasanov, is about a life of a musician who is different from others with his mentality; third, by Teymur Ismayilov, tells a story of a young worker who has his own dreams; fourth, by Jafar Akhundzade, is about traumas caused by war; and the last one, by Vugar Islamzadeh, is a story about a criminal group and an officer who wants to take revenge.