The Closing Of Winterland documents the Grateful Dead's landmark New Year's Eve 1978 concert that marked the end of the famed San Francisco Bay Area venue Winterland Aena. The Dead celebrated the closing as an approximately five-hour-long party (complete with breakfast with the audience at dawn) and invited some guests including guitarist John Cipollina of Quicksilver Messenger Service and Ken Kesey as well as actor Dan Aykroyd who provided the midnight countdown.
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The Closing Of Winterland documents the Grateful Dead's landmark New Year's Eve 1978 concert that marked the end of the famed San Francisco Bay Area venue Winterland Aena. The Dead celebrated the closing as an approximately five-hour-long party (complete with breakfast with the audience at dawn) and invited some guests including guitarist John Cipollina of Quicksilver Messenger Service and Ken Kesey as well as actor Dan Aykroyd who provided the midnight countdown.
1978-12-31
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Celebrate New Year's Eve at Winterland for One Final Night
Tommy tries to live under his alter ego "Tommy G" after having made a mixtape with his best friend Pelle aka "Little P".
Various international presentions are featured through satellite uplink.
A documentary filmed between 2016 - 2018 about the Boston DIY music scene, and part of the community that keeps it going.
‘Ariana Grande At The BBC’ was recorded live in front of a studio audience – The hour-long special saw Ariana talk to Davina McCall about her music, life and career to date. Ariana performed a range of hits on her BBC Special, they included ‘No Tears Left To Cry’, ‘Dangerous Woman’, ‘Breathin’, ‘Goodnight n Go’, ‘R.E.M’, ‘Only 1’, ‘God is a Woman’, and a mashup of ‘Love Me Harder’ and ‘One Last Time’.
Looking back on BTOB's 10 years, promising a new future, and filling the KSPO Dome with a wave of emotion, the 2022 10th Anniversary Concert BTOB TIME [Be Together] is a treat for the fans who have been with BTOB for the past 10 years, an honest concert movie to watch and listen to.
Set 1: Here Comes Sunshine(Grateful Dead cover) Mississippi Half-Step Uptown Toodeloo(Grateful Dead cover) (>) Mr. Charlie(Grateful Dead cover) He's Gone(Grateful Dead cover) Brown-Eyed Women(Grateful Dead cover) Dear Prudence(The Beatles cover) (Tour debut) Turn On Your Love Light(Bobby “Blue” Bland cover) (Tour debut) Set 2: Deal(Jerry Garcia cover) Scarlet Begonias(Grateful Dead cover) (>) Playing in the Band(Bob Weir song) (>) Cumberland Blues(Grateful Dead cover) (>) Uncle John's Band(Grateful Dead cover) (>) Drums(Grateful Dead cover) (>) Space(Grateful Dead cover) (>) Milestones(Miles Davis cover) (Tour debut) (>) Days Between(Grateful Dead cover) (Tour debut) (>) Throwing Stones(Grateful Dead cover) (Tour debut) One More Saturday Night(Bob Weir song) (Tour debut) Encore: Ripple(Grateful Dead cover)
Escape from everyday life in freedom and community and live utopias - for many organizers and artists, the secret of the music festivals that make culturally weak Mecklenburg-Western Pomerania a place of pilgrimage for tens of thousands of people every summer. But instead of freedom, community and utopia, there was one thing above all in the festival summers of 2020 and 2021: silence.
The untold story of the man and the musician who made an immense cultural impact across just a few short years. Having gained exclusive rights to a never-before-seen personal archive shot by his wife alongside access to his closest friends and family, the doc is described by the filmmakers as a culture-defining special that humanizes ODB as a man, a father and a husband like never before. It explores how Russell Tyrone Jones created Ol' Dirty Bastard, a Hip Hop alter ego superhero that would ultimately consume him.
Set 1: New Speedway Boogie (Grateful Dead cover) They Love Each Other (Jerry Garcia cover) Mama Tried (Merle Haggard cover) Easy Wind (Grateful Dead cover) Ramble On Rose (Grateful Dead cover) Dear Mr. Fantasy (Traffic cover) (>) Hey Jude (The Beatles cover) Bird Song (Jerry Garcia cover) Set 2: Sugaree (Jerry Garcia cover) St. Stephen (Grateful Dead cover) (>) William Tell Bridge (Grateful Dead cover) (>) The Eleven (Grateful Dead cover) Iko Iko (Sugar Boy and His Cane Cutters cover) (>) Drums (Grateful Dead cover) (>) Space (Grateful Dead cover) (>) I Need a Miracle (Grateful Dead cover) (>) Wharf Rat (Grateful Dead cover) Casey Jones (Grateful Dead cover) Encore: Black Muddy River (Grateful Dead cover)
The story behind the “American Pie” album featuring all new interviews with Don McLean, the producer Ed Freeman and musicians involved in making the record.
Live at the Royal Albert Hall is the second live album and video by British rock band Bring Me The Horizon. It was recorded on 22 April 2016 at thr Royal Albert Hall, with accompaniment from the Parallax Orchestra.
"Legion of the Black" tells the visual story of the Black Veil Brides album "Wretched and Divine: The Story of the Wild Ones." The film follows a group of rebels known as "The Wild Ones" as they defend their hearts, minds and bodies against F.E.A.R., a futuristic new world order determined to capture and imprison the rebellious clan living in a survivalist desert camp.
A virtual concert hosted by AJR. This show features songs from AJR’s albums The Click, Neotheater, and OK ORCHESTRA.
Recorded in Auckland's Town Hall, this live concert features Marlon Williams' most adored tracks from the award-winning 'Make Way For Love' and his debut self-titled album.
We love rock ’n’ roll: well, it’s hard not to, with its sexy, totally exhilarating back story, and the way it continues to evolve and remain relevant. Almost 70 years after it burst onto the scene in the United States, the jury’s still out on who actually invented it. The truth is, rock ’n’ roll is a mash-up of genres that aligned at the perfect time, just as people emerged from the trauma of the Second World War craving a complete break from the recent past, and with money to spend.
At the beginning of the 20th century, a new direction in music appeared in America. Although the word "jazz" came into use only in 1913, this music, distinguished by its loudness, audacity, and riot, was heard on the streets of New Orleans at least ten years earlier. Jazz possessed special rhythmic energy never seen before in folk music. In addition, jazz was bold and unpredictable - the same song sounded different with each performance, and this only made jazz attractive. The musicians improvised, following the inspiration and adapting the melody to the sounds of other instruments playing with them on stage.
A data moshed experiment using videos of daily life and textures overlayed with components from older videos creating a personal collage of the last few years.
The struggles of a group of outcasts living in "Yentown", in an alternate-future Japan.
Set 1: Playing in the Band(Bob Weir song) (>) Deal(Jerry Garcia cover) (>) Tennessee Jed(Grateful Dead cover) It Hurts Me Too(Tampa Red cover) Ramble On Rose(Grateful Dead cover) Brown-Eyed Women(Grateful Dead cover) Crazy Fingers(Grateful Dead cover) (Tour debut) (>) Dancing in the Street(Martha Reeves and the Vandellas cover) (Tour debut) Set 2: Sugaree(Jerry Garcia cover) Estimated Prophet(Grateful Dead cover) (>) The Other One(Grateful Dead cover) (verse 1) (>) Terrapin Station(Grateful Dead cover) (>) Drums(Grateful Dead cover) (>) Space(Grateful Dead cover) (>) Stella Blue(Grateful Dead cover) (>) Sugar Magnolia(Grateful Dead cover) (>) Scarlet Begonias(Grateful Dead cover) (>) Sunshine Daydream(Grateful Dead cover) Encore: U.S. Blues(Grateful Dead cover)
The tale of the Grateful Dead is inspiring, complicated, and downright messy. A tribe of contrarians, they made art out of open-ended chaos and inadvertently achieved success on their own terms. Never-before-seen footage and interviews offer this unprecedented and unvarnished look at the life of the Dead.