César Awards, de Caunes Era(2022)

Once There Was Everything(en)

Kogonada looks at how the motif of doors reverberates through Robert Bresson's work.

The Story of French Fantasy Cinema(fr)

The story of the French fantasy cinema from Méliès to Raw.

Alexa Boulton: Cinema(fr)

Alexa Boulton interviews the students and teachers of Kelvin High School to uncover the possibilities for the future of cinema

Truffaut / Godard, scénario d'une rupture(fr)

An inquiry into two of the most influencial French filmakers friendship and feud.

Louis de Funès, le rire éternel(fr)

On the occasion of the fortieth anniversary of the death of Louis de Funès, this documentary by Jacques Pessis pays tribute to the cult actor by retracing his career through excerpts of his greatest successes in the cinema and in the music hall, never-before-seen archives, as well as testimonies from personalities and relatives.

The Dinosaur and the Baby(fr)

An hour-long discussion between Fritz Lang and Jean-Luc Godard in which they discuss a variety of art forms, the role of the cinema, their collaboration together, and much more. (Filmed in 1964 but released for TV in 1967.)

The Image Book(fr)

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

Jacques Tati, tombé de la lune(fr)

The crazy rise and fall of Jacques Tati, comedy genius, actor, director and athlete of laughter. Or how the inventor of the mythical Mr. Hulot made France laugh, then the world, flying from success to success, rising higher and higher, until he came a little too close to the sun.

Rock and Roll Hall of Fame Induction Ceremony(en)

The 29th Annual Rock and Roll Hall of Fame Induction Ceremony took place on Thursday, April 10, 2014 at Barclays Center in Brooklyn, New York. The 2014 Ceremony was open to the public, as it had been for the Induction Ceremonies in Cleveland (2009, 2012) and Los Angeles (2013). This was the first time that the event was held in New York. With performances by Peter Gabriel, Hall and Oates, KISS, Nirvana, Linda Ronstadt, and Cat Stevens.

Cinéma! Cinéma! The French New Wave(en)

An intimate window into one of the great movements in film history that brought about an evolution in the art of cinema. The documentary portrays the movement with insight on the lives and works of Jean-Luc Godard, François Truffaut and other principal players in the New Wave.

Jean-Pierre Mocky, libre et sentimental(fr)

A journey into the mind of French actor and director Jean-Pierre Mocky (1929-2019), author of films both playful and profound, of an impressive richness.

Fantômas: A Thoroughly Modern Villain(fr)

The story of Fantômas, the first villain of modernity, from his birth in 1911 as a novel character to his contemporary vicissitudes, passing through Louis Feuillade, André Hunebelle, surrealism and Moscow.

Claude Chabrol, the Maverick(fr)

An account of the life and work of French filmmaker Claude Chabrol (1930-2010), a sybarite Buddha, a furtive anarchist, an insolent lover of life.

The Colour of Words(fr)

This afterword to India Song (Duras' celebrated 1975 film) is organized in several parts. It begins with an interview to Marguerite Duras by Dominique Noguez, an expert in her work; the interview links the film to the two movies whom it's related to: The Ravishment of Lol V. Stein and The Vice-Consul. Several themes are tackled: childhood, autobiographical traces, relationships between differents characters and different films and more. India Song's main actors — Delphine Seyrig and Michael Lonsdale, who played Anne-Marie Stretter and the French vice-consul — join the conversation and talk about their roles and their craft. Marguerite Duras then evokes her memories of the shooting with the composer Carlos D'Alessio and her camera operato Bruno Nuytten. The conversations are punctuated by clips of the film.

Daniel Prévost : bande de ringards !(fr)

Les Scandales de « La Religieuse »(fr)

Released in 1796 posthumously, The Nun, a novel that Diderot did not dream of publishing during his lifetime, as he knew it to be revolutionary, caused the same explosion in the 19th century France as in that of the 1960s, when Jacques Rivette decided to adapt it, with Anna Karina in the title role. “This film is banned and it will remain so!” said the General de Gaulle. Exploration of an indictment of incredible modernity which, through the tragedy of the young Suzanne, locked up in the convent against her will, denounces the inequity of a society denying women all moral, political and sexual freedom.

Dance Around the Guldbaggen(sv)

Filmed during the first ever Guldbaggen (golden scarab) awards, it was edited and developed that night and shown for the first time to the guests at the after party.

Rendez-vous With Maurice Chevalier(fr)

French artist Maurice Chevalier (1888-1972), a legend of stage and screen, was an accomplished singer, actor and entertainer, who embodied the charm of his native Paris throughout a decades-long career that brought him fame in Europe and America and left for show business history a vast repertoire of masterful classic songs and captivating film performances.

France, le plus beau décor de cinéma(fr)

Godard by Godard(fr)

Godard by Godard is an archival self-portrait of Jean-Luc Godard. It retraces the unique and unheard-of path, made up of sudden detours and dramatic returns, of a filmmaker who never looks back on his past, never makes the same film twice, and tirelessly pursues his research, in a truly inexhaustible diversity of inspiration. Through Godard’s words, his gaze and his work, the film tells the story of a life of cinema; that of a man who will always demand a lot of himself and his art, to the point of merging with it.