The degenerate alcoholics, the men and women of the beaches, themselves speak openly about their lives and problems. Through their stories, a picture emerges of those on the periphery of society who succumbed to alcohol because of war or difficult living conditions. They are aware of their own State; reason is still there, but the Will is lacking. The film is a cry for help on behalf of humans, it is a dispassionate and honest description of the position of degenerate alcoholics in Finnish society in the early 1970s.
The degenerate alcoholics, the men and women of the beaches, themselves speak openly about their lives and problems. Through their stories, a picture emerges of those on the periphery of society who succumbed to alcohol because of war or difficult living conditions. They are aware of their own State; reason is still there, but the Will is lacking. The film is a cry for help on behalf of humans, it is a dispassionate and honest description of the position of degenerate alcoholics in Finnish society in the early 1970s.
1971-02-03
0
Greta has escaped her family and moved across the US. She is living in an open relationship with "the love of her life" Matt. We are following Greta for 15 years in a personal story about change, reconciliation and the struggle to live your life as freely as possible.
DREAMING NICARAGUA is a film about HOPE. It's about love for the dignity and courage of the human spirit that, even immersed in uttermost tragic conditions, fights for a better life, and in this case, with a friendly SMILE. DREAMING is a sensitive and lyrical portrayal of four children living in extreme poverty in Nicaragua. The film takes us beyond their hardships and gives voice to the youngsters, who are surprisingly funny, hopeful, and optimistic. A traveling art teacher provides a safe arena for our four unlikely protagonists to express their innermost thoughts. When painting, the kids momentarily escape the stresses of their reality into a world of dreams and ideas, a stark contrast to their lives outside: a vicious cycle of hunger, child labor, and violence. Despite the extreme circumstances, the children and their families face their lives with an inspiring unity, strength and humor.
The Police Tapes is a 1977 documentary about a New York City police precinct in the South Bronx. The original ran ninety minutes and was produced for public television; a one-hour version later aired on ABC. Filmmakers Alan and Susan Raymond spent three months in 1976 riding along with patrol officers in the 44th Precinct of the South Bronx, which had the highest crime rate in New York City at that time. They produced about 40 hours of videotape that they edited into a 90-minute documentary.
In the mountains of Northern Thailand lies a boarding school. The students come from different tribes in the area and live together with their Thai teacher, grow their own crops and cook their own meals while continuing their education. The biggest question on their mind, having spent all their lives in the mountainside, is where the rivers running down the hills end. If they pass the final exams their reward is a trip to the end of the river, to the ocean itself. The children are poor, some orphans, and most of them only speak their tribe's language, but all try their best to pass the exams to be able to take the long-awaited trip. This trip is not only a journey from the children's villages to the ocean but also a journey that symbolizes the change from childhood to adulthood.
In the summer of 1959, as a magazine correspondent, writer and filmmaker Pier Paolo Pasolini (1922-75) traveled along the Italian coast. In 1963, he documented the sexual behavior of the Italians. In the winter of 1970-71, he witnessed the hardships of the most impoverished Italian population suffering from the boot of state power. After these three trips, he came to the conclusion that Italian society had changed drastically for the worse over the years.
For many years, the Swiss photographer Jean-Claude Wicky captured the world of Bolivian miners in photographs. When he discovered how strongly they reacted to his pictures, he decided to make a film. Black-and-white photographs alternate with film sequences, in which the miners talk about the harsh conditions of their everyday lives, while also rendering visible their pride, dignity, culture and dynamic traditions. Every day is night is first and foremost a testimonial of profoundly sincere human encounters based on respect, generosity and gratitude.
Metro trains disappear on the turning track, only to immediately return on the same route. Tapio (57), Toni (42) and Aksa (60) are also stuck on these tracks. The men meet every morning in the square behind the Herttoniemi metro station, from where they transfer to Vuosaari in the metro's "restaurant car". Men's lives are dominated by alcohol and unemployment. The turning track of dreams follows the lives of Tapio, Toni and Aksa for a year - moments filled with joy, despair, self-destruction and friendship in the metro stations and trains of Eastern Helsinki. It gives voice to those who do not have special human dignity in the eyes of society.
A democracy should protect its most vulnerable citizens, but increasingly the United States is failing to do so. This investigation blends the insights of experts with the experiences of citizens of the Rust Belt in the Midwest where the steel industry once flourished, but where closures and outsourcing have left urban areas desolate. It is here where Donald Trump finds some of his most fervent supporters.
Chronicles the fascinating and often turbulent life of Townes Van Zandt.
The chronic shortage of housing in Central Havana has pushed the city upwards, where life spills out onto the rooftops. Resilient and remarkable, these rooftop dwellers have a privileged point of view on a society in the process of major transformation.
Citizens across Europe who used to belong to the lower middle class have fallen into poverty. An in-depth investigation into the precariat, a new social class of financially insecure citizens who, although they are employed, find it very difficult to make ends meet.
Peter Watkins' global look at the impact of military use of nuclear technology and people's perception of it, as well as a meditation on the inherent bias of the media, and documentaries themselves.
A newspaper clip of a 30-year-old movie makes our middle-aged protagonist in the middle of his peak years to look for his best childhood friend. The journey leads him back to his teenage years in the 1990s depression, over-generational substance abuse and past encounters. This partly essayistic, autobiographical documentary tells the story of friendship and generational experiences while also pondering on the causes and effects of destinies in the judgmental atmosphere of our society.
Funny story of an unemployed metalworker, self-proclaimed Marxist, his views and whereabouts.
Santiago Mitre co-directs his first movement following The Student together with choreographer Onofri Barbato. Although it would have been more accurate to say “his first film-story-adventure-movie-great movie following The Student”, the word movement fits perfectly in Los posibles, the most overwhelmingly kinetic work Argentine cinema has delivered in many, many years. The film deals with the adaptation of a dance show directed by Onofri together with a group of teenagers who came to Casa La Salle, a center of social integration located in González Catán, trying to find some refuge from hardship. Already entitled Los posibles, the piece opened in the La Plata Tacec and was later staged in the AB Hall of the San Martín Cultural Center. Now, it dazzles audiences out of a film screen, with extraordinary muscles and a huge heart: Los posibles is a rhapsody of roughen bodies and torn emotions. Precise and exciting, it’s our own delayed, necessary, and incandescent West Side Story.
A historical perspective to understand Neoliberalism and to understand why this ideology today so profoundly influences the choices of our governments and our lives.
Shot over the course of 18 months in New York City's Lower East Side, METHADONIA sheds light on the inherent flaws of legal methadone treatments for heroin addiction by profiling eight addicts, in various stages of recovery and relapse, who attend the New York Center for Addiction Treatment Services (NYCATS).
Africa in the sixties. The Nile perch, a ravenous predator, is introduced into Lake Victoria as a scientific experiment, causing the extinction of many native species. Its meat is exported everywhere in exchange for weapons, creating a globalized evil alliance on the lake shores. An infernal nightmare in the real world that wipes out Darwin's Theory of Evolution.
Hi, My Name is Dicky is a sports documentary about hockey player Richard Clune, and his struggle with substance use disorder while playing in the National Hockey League (NHL). The story begins in Toronto, where we learn about his typical Canadian childhood, then moves onto his teenage experience with the Ontario Hockey League’s (OHL) Sarnia Sting. During his time in the OHL, Rich developed a crippling addiction to drugs and alcohol, which threatened to derail both his personal life and professional career. Shortly after debuting in the NHL with the Los Angeles Kings, Rich made the choice to get sober, embarking on a wild journey to the rehab clinic back home in Canada, from his brother's dormitory in Worcester, Massachusetts. Sober for over ten years, the viewer learns how Rich leads a fascinating life off the ice, and has become a mentor to many players in the NHL, now in the twilight of his career playing for his hometown Toronto Maple Leafs.