1965-05-10
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We examine the unique manufacturing ecosystem that has emerged, gaining access to the world’s leading hardware-prototyping culture whilst challenging misconceptions from the west. The film looks at how the evolution of “Shanzhai” – or copycat manufacturing – has transformed traditional models of business, distribution and innovation, and asks what the rest of the world can learn from this so-called “Silicon Valley of hardware".
"I was visiting Jerome Hill. Jerome loved France, especially Provence. He spent all his summers in Cassis. My window overlooked the sea. I sat in my little room, reading or writing, and looked at the sea. I decided to place my Bolex exactly at the angle of light as what Signac saw from his studio which was just behind where I was staying, and film the view from morning till after sunset, frame by frame. One day of the Cassis port filmed in one shot." -JM
A story about people whose lives are connected by typewriters. A meditation on creativity and technology featuring Tom Hanks, John Mayer, Sam Shepard, David McCullough and others.
A whimsical yet serious-minded look into the future sponsored by the appliance and radio manufacturer Philco-Ford. In the "1999 House of Tomorrow", each family member's activities are enabled by a central computer and revolve around products remarkably similar to those made by the sponsor. Power comes from a self-contained fuel cell which supports environmental controls, an automatic cooking system, and a computer-assisted "education room".
Knokke, Belgium. A small mundane coastal town, home to the beau-monde. To compete with Venice and Cannes, the posh casino hosts the second ‘World Festival of Film and the Arts’ in 1949, organised in part by the Royal Cinematheque of Belgium. To celebrate cinema’s 50 year existence, they put together a side program showcasing the medium in all its shapes and forms: surrealist film, absolute film, dadaist films, abstract film,… The side program would soon become a festival in its own right: ‘EXPRMNTL’, dedicated to experimental cinema, and would become a mythical gathering of the avant-garde…
A cinematic exploration of the world of automated vehicles — from their technical history to the personal narratives of those affected by them to the many unanswered questions about how this technology will affect modern society. This documentary features interviews with industry pioneers and scenes with cutting-edge “AVs” in action around the world.
The biggest tech revolution of the 21st century isn’t digital, it’s biological. A breakthrough called CRISPR gives us unprecedented control over the basic building blocks of life. It opens the door to curing disease, reshaping the biosphere, and designing our own children. This documentary is a provocative exploration of CRISPR’s far-reaching implications, through the eyes of the scientists who discovered it, the families it’s affecting, and the genetic engineers who are testing its limits.
Divided into 26 parts, an attempt to remake James Benning's film, YouTube (2011) with similar internet footage after 13 years.
A team of scientists search for the lost island of Testerep in front of the Belgian coast, venturing into artificial landscapes and virtual realities.
A recollection of almost 40 years of career. A giant image-jukebox, from early 70s autoportrait to films for Alain Bashung / Elli Medeiros, private karaokes to “video sculptures” applied to John Travolta or Maria Callas, and much much more…
Promotes television sets and the broadcast of New York's first regularly scheduled programs by providing a clinical look at the inner workings of television, including the manufacture of the tubes, lab experiments, and an actual telecast. Shows RCA's production studios in Rockefeller Center, television demonstrations at the 1939–40 New York World's Fair, RCA's Empire State Building transmitter, and remote mobile broadcast units. One of a variety of "Reelisms" shorts produced by Frederic Ullman Jr. and Frank Donovan for RKO in the late 1930s.
The Dreamer That Remains is a documentary produced by Betty Freeman and directed by Stephen Pouliot in 1972. Here is the director’s original cut along with his commentary. If you’ve never seen Partch or his instruments before, this is the place to start.
A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.
On a NASA research base in Silicon Valley, there's an organization that's changing the world ... Singularity University (SU). Created by renowned futurist Ray Kurzweil and entrepreneur Peter Diamandis, with support from NASA, Google, and others, the university brings in some of the smartest students from around the world, and gives them a crash course in the most powerful exponential technologies on the planet. The students are then given a challenge: create companies that will impact a billion people within ten years. The film follows the students and their companies over five years, as they use the support of scientists, astronauts and billionaires in their attempt to make a dent in the universe.
A video directed by Josh Begley shows the preposterous effort that would be required to build a border wall.
A silent succession of black-and-white photographs of the city of Montreal.
The creative processes of avant-garde composer Philip Glass and progressive director/designer Robert Wilson are examined in this film. It documents their collaboration on this tradition breaking opera.
More Than Robots follows four international teams of teenagers as they prepare for the 2020 FIRST Robotics Competition. Get to know competitors from Los Angeles, Mexico City and Chiba, Japan as they work towards the ultimate goal of taking their unique designs all the way to the highly competitive global championships. Along the way they must overcome challenges such as having limited resources or putting everything on hold because of the COVID pandemic. The kids persevere and learn that there is a lot more to the competition than just robots.