

An audiovisual experiment that shows how oil is refined into gasoline and ultimately powers cars and other vehicles, accompanied by classical music and experimental synthesizer sounds. Filmed in the Libyan desert, the film traces the path and development of the gasoline, from the extraction of oil as it is drilled in the Libyan desert to the pump at the gas station, making road construction machines dance and convertibles roar through the Spessart forests. This film also drew Herbert von Karajan and Leo Kirch's attention to Hugo Niebeling, in which the director has road bulldozers "dance" to the music of Vivaldi.

An audiovisual experiment that shows how oil is refined into gasoline and ultimately powers cars and other vehicles, accompanied by classical music and experimental synthesizer sounds. Filmed in the Libyan desert, the film traces the path and development of the gasoline, from the extraction of oil as it is drilled in the Libyan desert to the pump at the gas station, making road construction machines dance and convertibles roar through the Spessart forests. This film also drew Herbert von Karajan and Leo Kirch's attention to Hugo Niebeling, in which the director has road bulldozers "dance" to the music of Vivaldi.
1965-05-10
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0.0A glimpse over the Diguillín River through the mechanical eye of an old digital camera. Light’s trail presents itself fortuitously over the reflection of the sun on the water, tracing infinite threads of concrete luminous information.
7.0In a few years, technology will merge with our bodies in ways that today seem unimaginable, and will redefine the limits of what is a human being. There are already people who, driven by the desire to experiment, have crossed the biological limits by introducing electronic devices that provide them with capabilities that go beyond what is "normal." They are the first hybrids, and they face the reaction of society, which goes from malignancy to enthusiasm. Today they are only a small minority, and many people consider them as disrupted experimenters, but in the near future we may recognize them as pioneers.
3.8An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
3.0Host Grant Jeffrey discusses how technology and government activities are changing the way our information is handled. How is this shaping our lives?
7.5This documentary-drama hybrid explores the dangerous human impact of social networking, with tech experts sounding the alarm on their own creations.
10.0In a culture immersed in technology, Instagram is reviving adventure, face to face community and real relationships. Through sharing the stories of friends old and new, "Instagram Is" sets out to discover the answer to the question "How can something so digital get people out from behind their devices and into the analog world?"
0.0The Cost Of Convenience examines how internet platforms are impacting our mental health, restructuring our communities, threatening our democracy, and violating our human rights.
0.0Thanks to his myriad film roles, Lon Chaney is known as “the man of a thousand faces,” and you could say that the early horror era never beheld a figure more intriguing. Yet because of his numerous transformations, his face never became as iconic as that of, say, Boris Karloff. Accompanied by a soundtrack from Bernhard Lang, this “re-imagination of shots” taken from Chaney´s forty-six surviving films offers a beguiling excursion into the history of film. The director reveals surprising associations, while highlighting the enduring magic of works which are now more or less forgotten.
7.0"In continuo" uses slaughterhouse imagery to present the warlike nature of man, first depicting the cleaning and mechanical preparations for the slaughterhouse and then the killing, however, the animal slaughter itself isn’t shown.
6.9As clichés go, in 1999 the World as we knew it was about to change - and we'd been expecting it. Since childhood we'd been promised that the 21st century would bring us dramatic new technologies like flying cars and Utopian cities. Instead it bought us the smart-phone, social media, and virtual societies. And as it turns out these technologies began to transform society almost as dramatically as the moon colonies we'd been expecting. Now over a decade into the revolution, 'DSKNECTD' explores how digital communication technology is profoundly changing the way we interact and experience each other - for the good and for the bad.
6.0This short documentary follows the fortunes of iconic car manufacturer Lotus. Once famous for its championship-winning race cars and iconic sports cars, Lotus has struggled to remain in profit. A new investor and managing director set out to build the first new Lotus road cars in over a decade: their final petrol-powered car Emira and their first pure electric British hypercar, the 2000bhp Evija.
0.0A team of scientists search for the lost island of Testerep in front of the Belgian coast, venturing into artificial landscapes and virtual realities.
0.0Lake gazes down at a still body of water from a birds-eye view, while a group of artists peacefully float in and out of the frame or work to stay at the surface. As they glide farther away and draw closer together, they reach out in collective queer and desirous exchanges — holding hands, drifting over and under their neighbors, making space, taking care of each other with a casual, gentle intimacy while they come together as individual parts of a whole. The video reflects on notions of togetherness and feminist theorist Silvia Federici’s call to “reconnect what capitalism has divided: our relation with nature, with others, and our bodies.”
8.0In an oil-scarce world, we know there are sacrifices to be made in the pursuit of energy. What no one expected was that a tiny Native community, living down the river from Canada's tar sands, would reach out to the world for help — and be heard.
In this video series an individual confronts fears and, through the process of confessing directly to the camera, transcends trauma. It is also about agin, longing, the delusions and misconceptions we are encumbered with as we mature towards self-awareness, and the masks we assume to deny or hide understanding. The tapes rupture, fracture, and use digital effects to mirror the psychological changes of the protagonist.
7.2From the acclaimed director of American Movie, the documentary follows former Los Angeles police officer turned independent reporter Michael Ruppert. He recounts his career as a radical thinker and spells out his apocalyptic vision of the future, spanning the crises in economics, energy, environment and more.
0.0An experimental video collage piece that investigates the concept of self-destruction across genres, eras, and cultures. Features footage from Abbas Kiarostami's Taste of Cherry (1997), Satyajit Ray's Apur Sansar (1959), Charlie Chaplin's City Lights (1921), and Jeff Tremaine's Jackass 4.5 (2022), among others.
10.0Captures the avant-garde artist Yayoi Kusamas creative process as she diligently works to complete her series of 50 large monochrome drawings. As her work comes to life, one can witness the essence of her art as it wells up in the conflict between life, death, and love.
One film projected two times with a difference of a couple of seconds.
0.0Luis Bunuel, the father of cinematic Surrealism, made his film debut with 'Un Chien Andalou' in 1929 working closely with Salvador Dali. Considered one of the finest and controversial filmmakers with, 'L’Age d’Or' (1930), attacking the church and the middle classes. He won many awards including Best Director at Cannes for 'Los Olvidados' (1950), and the coveted Palme d’Or for 'Viridiana' (1961), which had been banned in his native Spain. His career moved to France with 'The Diary of a Chambermaid' with major stars such as Jeanne Moreau and Catherine Deneuve.