Blas Romero "El Platanito" is a bullfighter who begins to take its first steps in Merida. After a long journey, one day he is lucky enough, his performance is showed on TV and that brings him to top of the charts. From now on, his problems will be centered with the dilemma of having to give up their dreams of making serious classical bullfighting, or jump to a false bullfighting, between slapstick and temerity, which will give offer him numerous well-paid contracts.
Blas Romero "El Platanito" is a bullfighter who begins to take its first steps in Merida. After a long journey, one day he is lucky enough, his performance is showed on TV and that brings him to top of the charts. From now on, his problems will be centered with the dilemma of having to give up their dreams of making serious classical bullfighting, or jump to a false bullfighting, between slapstick and temerity, which will give offer him numerous well-paid contracts.
1966-11-24
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Juanito, a peaceful fan of bullfighting, has become picador's assistant to see from the same arena the show in which he brags he is one of the protagonists. Furthermore, he believes he has discovered in a neighbor a potential figure of bullfighting sphere.
Four real episodes told by their protagonists: Antonio Mejías "Bienvenida" tells the serious goring he suffered in the Plaza de Las Ventas and his recovery process. Álvaro Domecq Romero evokes the last days of the life of the mare "Splendid", the noble animal that was brave and sensitive companion of his father. Andrés Vázquez tells how the times of the "capeas" were in little villages. With him were many unknown kids, who found an anonymous and obscure death. Finally, Luis Miguel "Dominguín", who was with Manolete, in Linares, the afternoon in which he met his death, evokes that tragic afternoon and glosses the bullfighter's human virtues. The four protagonists have seen the death in one way or another and the four tell the indelible impression that remained on them.
After his retirement, french philosopher and bullfighting enthusiast Francis Wolff decides to embark on a journey to France, Spain and Mexico joined by two mexican filmmakers who hardly know anything about bullfighting, a culture whose days seem to be numbered. During their road trip, they encounter numerous personalities with whom they reflect on mankind’s relationship with animals and nature, but most importantly on our relationship with death and the meaning of the ultimate journey: life itself.
A meditation on freedom and technological approaches to manifest destiny.
The Journey is a cross-continental story that explores the idea of culture, not just as tradition but as an expression of love. When Bee (Yew) returns to Malaysia for the first time in a decade - she introduces her conservative father Uncle Chuan (Lee) to her happy-go-lucky British fiancé, Benji (Pfeiffer). With Benji's lack of cultural understanding and comprehension of Chinese traditions, Chuan opposes their marriage. Unexpected circumstances ensue, and Chuan reluctantly submits to their union, on the condition that their wedding adheres to Chinese tradition. Part of that tradition is that Chuan must invite all of his childhood friends personally. So the quintessential odd couple, Benji and Chuan, embark on a cross country adventure to deliver the invitations. Despite language barriers and initial hesitation from both parties, the two men come to realize that their priorities are essentially one and the same.
When a routine money drop goes awry, Big Jim Cartoni decides to do the unthinkable: get out of the mob. Acting on his dream of opening his own club and going legit, he's foiled at every turn by lifelong nemesis, Joey Moran, all the while hoping his boss doesn't find out about the club until it's a success. With the city of Chicago as its' backdrop, follow the story of one man who tries to beat the odds without ever having to fix the numbers.
Following the death of the unmarried and childless Taki, Takeshi, a young relative of hers, discovers several pages of closely written lines in which the old lady has recorded her memories. This is how he learns the truth about her youth working as a housemaid and nanny for the Hirai family in a little house in Tokyo with a red gabled roof.
Mikio and his older brother Saneo, who is mentally handicapped, live together and have just buried their father. One day, Mikio hires a hooker named Marin for his brother. Marin is an underground singer who goes by the name Fala. A video producer who is filming Fala's documentary finds out about her double life, and proposes to film her and Saneo's sex life. Dreaming about leaving Tokyo with Saneo with a huge sum of money from the film, Mikio and Marin agree to the offer.
"Vampire Stories: Brothers" tells a story about Sei, who finds out that he is a pure blood vampire from his older brother, Ai, and that he will turn at the age of 20. Sei has to choose to live or die, but what complicates his decision is his younger step sister, Midori, whom he cares for. What will Sei choose? To live or to die?
When his father dies, Jeffrey is sent to live with his aunt Charlotte in Canada. Once there he leads his aunt and his friends in staging, a non-violent hunger strike to try to save his aunt's house from being demolished to make room for a ski resort.
The wife of a candidate for Parliament is having an affair with the brother of her husband's rival. Her lover is running for election on a promise of building a railway that the community needs, but a wealthy landowner won't give permission for the railway to be built over his land. When the landowner is later found dead, suspicion falls on the adulterous candidate.
A woman is put on trial for murdering a musician who ruined her marriage.
Artist Lilah Bloom's life is upended when her widowed brother decides to remarry a strong-willed business woman. Humor and self-awareness emerge as she ventures out to start a new life with a charming musician.
The Mother is one of Monteiro’s first essays on the universe of Portuguese oral culture, folktales and obscure colloquialisms. The plot revolves around a traditional tale about theft, greed, an ubiquitous mother, and the links between the worlds of the living and the dead.
Buenos Aires, during the summer heart, in gated communities surrounded by wastelands covered with trash. The barking of stray dogs, repeated power outages, and uncontrollable clouds of smoke drive the inhabitants to confront their most primitive instincts.
Maria finds herself caught between two worlds. At school this 14-year-old girl has all the typical teenage interests, but when she’s at home with her family she follows the teachings of the Society of St. Paul and their traditionalist interpretation of Catholicism. Everything that Maria thinks and does must be examined before God. And since the Lord is a strict shepherd, she lives in constant fear of committing some misconduct...
Personality differences, an old friend and a past flame poke holes in the way a husband and wife perceive their marriage.
Poet-filmmaker Jørgen Leth taps his own earliest inspirational veins by free-floating through a camera/microscope-enhanced set of poems with love as their first and final subject. For example, how a tropical island woman prepares for a meeting with her lover. The film was shot partly in the South Pacific with more than a nod to social anthropoliogist B. Malinowski's historical work The Sexual Life of Savages.