Cap d'Agde, Naked City(1994)

Pierre Péan - Edwy Plenel : Les Chevaliers du journalisme français(fr)

The duel between Pierre Péan and Edwy Plenel revisits some of the great moments of French political life and tells the story of more than 30 years of journalism in France. From distrust to attack, from revenge to caricature, the two icons of French journalism, Pierre Péan and Edwy Plenel, have always been at war. Everything opposes them: their working methods, their vision of the profession and even their way of being. Pierre Péan has always worked alone, in secret, while Edwy Plenel was looking for his place in the collective, heading for the upper echelons of the media... In the 1980s, both men became stars of journalism. In the 1990s, with his best-selling investigations, Péan invented his own independent business model, while Plenel became editor of Le Monde. Their exceptional careers have changed the way news is reported in France

Maastricht, 30 ans après(fr)

The Expose of the Nudist Racket(en)

This is a "road show" from 1938. There is no director credited. For a few years in the late thirties, "nudist colony" movies were quite popular on the "sexploitation" circuit. Notice that the girls featured with bare breasts are quite attractive, more so than average people who might be in the colony. These are probably models and aspiring actresses brought in for the movie only. As one producer of the time put it, "If you are going to make a nudist colony movie, bring your own nudists" Notice the title. Nudism is a "racket." an indication of the middle class morality which is imposed on all these movies. Also note how they make fun of the fat woman. This is another aspect of these films.

One Piece - En route vers l'épisode 1000(fr)

The Bapst Brothers, Carriers(fr)

The Bapst Brothers: Romain, Maurice and Jacques – whom we will also meet in The Gruyere Chronicle (produced in 1990) – are peasants and carriers and work with their father. In autumn and winter, they bid for the community’s wood, cut down the pine trees and bring down the logs through the snowy woods by horse-drawn sleigh.

Nudist Land(en)

The lifestyle of certain peoples in Africa, Bali, Samoa and the Hawaiian Islands, among other places, is examined with respect to the idea that physical perfection is the chief result of those lifestyles. Next, "Hesperia," a nudist camp in Oregon, is shown. "Mr. and Mrs. Average Housewife and Worker" arrive at the camp to escape the ills of modern civilization. Although they are at first hesitant and ashamed to participate, when they are shown proof of the advantages of the "back-to-nature" lifestyle, the couple joins in. The average life of an American nudist is depicted, including nudists shown at various jobs and pursuits, such as hewing trees, building houses, writing, painting and sculpting.

Sheila, toutes ces vies-là(fr)

The portrait of a woman who remembers. Sheila tells the story of Sheila, without concessions or evasions. Her childhood, her parents, her beginnings, the rumors, her love affairs, her marriage, her son, her successes, her farewells, her return, her mourning. The journey of an extraordinary popular icon who never stopped fighting. The courage of an artist who never gives up. "Sheila, toutes ces vies-là" is also a journey through time. 60 years of pop music, punctuated by numerous archives, personal films, timeless hits and illustrations by Marc-Antoine Coulon. But also 60 years of fashion, through a legendary wardrobe (her TV show outfits) that Sheila invites us to rediscover.

Le Normandie, un géant à la française(fr)

Tourists(pl)

A reflection on tourism assembled out of amateur videos filmed by tourists during their trips.

Samoa i Sisipo(en)

An overview of the people, lifestyle, and traditions of Samoa, as well tourism and other economic changes on the Samoan islands.

Naked Yoga(en)

Three young ladies perform yoga without clothes in the open air of Cyprus. Another does the same in a studio. These visuals are interspersed with images of Eastern art, processed for "psychedelic" effect. The narrator relates the practice of yoga to Buddhist philosophy. Preserved by the Academy Film Archive in partnership with British Film Institute in 2012.

Wild France(fr)

A documentary that shows the different fauna that populates natural habitats of France, and the people that aims to protect and preserve them.

Mein Besuch in Nordkorea(de)

Foccart, l'homme qui dirigeait l'Afrique(fr)

The Arrival of a Train at La Ciotat(fr)

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

1940: Taking over French Cinema(fr)

Paris, 1940. German occupation forces create a new film production company, Continental, and put Alfred Greven – producer, cinephile, and opportunistic businessman – in charge. During the occupation, under Joseph Goebbels’s orders, Greven hires the best artists and technicians of French cinema to produce successful, highly entertaining films, which are also strategically devoid of propaganda. Simultaneously, he takes advantage of the confiscation of Jewish property to purchase film theaters, studios and laboratories, in order to control the whole production line. His goal: to create a European Hollywood. Among the thirty feature films thus produced under the auspices of Continental, several are, to this day, considered classics of French cinema.

Le Procès du viol(fr)

France, le plus beau décor de cinéma(fr)

Terroirs d'excellence en Savoie(fr)

On Call(fr)

At the consulting service for immigrants at the Avicenne Hospital in suburban Paris, we observe the sorrow and powerlessness of the immigrants who come here.