2064. Cora, a Danish woman, finds an unfinished documentary in which Benjamim, her Brazilian father, attempted - fifty years earlier - to investigate the story of his own parents: Teo, who, afflicted by insanity, died when he was still a child, and Elenir, a mysterious woman he’d barely heard of. In the course of his investigation, Benjamim discovers that both characters are part of a complex family puzzle, filled with traumas and taboos, and starts seeing himself as an important piece in the puzzle. The footage found in Benjamim’s documentary is reorganized by his daughter, Cora, in an attempt to understand her family’s lost past.
Raul
Haroldo
Benjamin
2064. Cora, a Danish woman, finds an unfinished documentary in which Benjamim, her Brazilian father, attempted - fifty years earlier - to investigate the story of his own parents: Teo, who, afflicted by insanity, died when he was still a child, and Elenir, a mysterious woman he’d barely heard of. In the course of his investigation, Benjamim discovers that both characters are part of a complex family puzzle, filled with traumas and taboos, and starts seeing himself as an important piece in the puzzle. The footage found in Benjamim’s documentary is reorganized by his daughter, Cora, in an attempt to understand her family’s lost past.
2021-01-31
0
After finding an unfinished and deleted documentary shot by her father before she was born, Cora begins the unveiling of the insanity which has been haunting her family for generations.
A filmmaker plays with diary-docu and fiction as his camera joins his ventures into a phone dating club. Bored to death, hormones running, and desperately wanting to talk to someone his own age (preferably a girl), he walks into a local phone dating club. Can he hook up with someone? Borrowing the form of a diary-movie, the director unfurls an unpredictable and imaginative look into his own persona. 8mm experimental film by Murakami Kenji, the film that made his name.
CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect ...
On their talk show, three female hosts talk about their various sexual escapades which are then shown in flashbacks
Four couples in crisis attend a multi-faith Conjugal Love retreat. Each participant carries a very clear idea of what she hopes to achieve. However, the strange tasks ordered by the monitors continually disrupt personal plans. The confusion increases when the same monitors stop hiding their conflicts, forcing each participant to assume an unexpected responsibility despite the consequences.
Ann follows Warhol's instructions throughout the entire screen test, as she stares directly at the camera without blinking, until tears begin to fall first from her left eye, and then from her right eye.
Conducting a series of experiments in his makeshift home-lab, a skeptic IT worker tries to cure his harrowing hearing impairment. But where will his research lead him? "Masking Threshold" combines a chamber play, a scientific procedural, an unpacking video, and a DIY YouTube channel while suggesting endless vistas of existential pain and decay. Glimpse the world of the nameless protagonist in this eldritch tale, which is by no means for the faint of heart.
Ravi, a progressive schoolteacher in a small village helps fight an epidemic by getting his students inoculated. He incurs the wrath of local witchdoctor in the process.
Olivia is the mother to an adorable four month old baby girl. She should be happy, but alone in her apartment she feels a greater resistance to take care of her own child. We also meet Isa who lives carefree with her perfect family, living the dream life Olivia yearns for. The postpartum depression takes over Olivia's life and puts both hers and Isas reality at risk.
An anthology of 7 Mexican short films, all created by 5 up-and-coming independent filmmakers, with a common thread: to explore themes of human relationships. In order, A Hand Beneath the Snow (Una mano bajo la nieve), Friendship (Amistad), The View from Up Above (La vista desde arriba), The Short Film (El cortometraje), Silvestre (Silvestre), Cocktails For Two (Cóctel para dos) and When I Hear You Sing, I Forget (Cuando te escucho cantar, olvido).
Aspiring business man is on the way to a meeting when he is disturbed by a man on the floor, after their brief encounter he tries to get on with his day, but fate has other plans.
The Argentine crisis of 2001 is about to explode. Felipe, 13, sees how his family environment is cracking due to the economic and political pressures. Misunderstood, he falls in love with Lucía, the neighbor next door and for a moment he stops feeling alone. But when external violence becomes a real danger, Felipe escapes with her, fed up with the lies of his parents, leaving behind his innocence.
Hum lives in a refugee camp near Hamburg. He loves films and finances his visits to the cinema by selling lost properties from cinema visits in the refugee camp. One day he meets Anna and her friend Ida. At a dinner together in the shared flat of the two, they find out that they all share a love of music. Anna and Ida can sing great together and Hum shares the contact with his friends who play in a band. A timid and touching love story develops between Hum and Anna. Both are looking forward to the first performance of the band, in which Anna now sings. But shortly before the performance, Hum is to be deported. Neither his love for Anna and music nor his imagination can save him from the everyday life of a refugee.
Bathed in the gentle embrace of a rainstorm, Nathan, stirred by an intimate moment with Alex, finds himself compelled to voice the currents of his inner discontent. Amidst the flickering city lights, their souls diverge—one yearning for a love that transcends the physical, the other finding solace in the realm of corporeal passion. Can they navigate the intricate labyrinth of their desires and break free from this cyclical discord, or are they fated to bring a sorrowful conclusion to their tumultuous relationship?
How would a found footage film look if the footage was never found? This conceptual art experiment questions the very nature of film and cinema while serving as an ironic tribute to the found footage horror pop culture. The found footage format provides the narrative justification for such a film to exist: the non-existence exists because the footage existed yet it was lost and never found.