Anishinaabe stories of the Moon People are retold through an experimental steampunk animation by Irish, Anishinaabe, and Métis Elizabeth Aileen LaPensée with music by Cree cellist Cris Derksen. Named in honor of Basil Johnston's work. Curated in the Museum of Contemporary Native Art's Turtle Island Rising: Past and Futures Program.
Anishinaabe stories of the Moon People are retold through an experimental steampunk animation by Irish, Anishinaabe, and Métis Elizabeth Aileen LaPensée with music by Cree cellist Cris Derksen. Named in honor of Basil Johnston's work. Curated in the Museum of Contemporary Native Art's Turtle Island Rising: Past and Futures Program.
2011-11-29
8
The courageous female wrestlers of Ciudad Juárez, a city known for its high murder rate against women - who fight in the ring and in their daily lives to redefine the image of what it means to be a woman in Mexico.
This is a story about a city guy Nikolai, who will have to go instead of his friend on a rural business trip. A series of funny events, meetings and the beauty of the Yakut village encourage Nikolai to make an important decision in his life…
Welcome to Cirque du Soleil BAZZAR, an eclectic lab of infinite creativity where a joyful troupe of acrobats, dancers and musicians craft an awe-inspiring spectacle. Lead by their maestro, they band together to invent a whimsical one-of-a-kind universe. In a place where the unexpected is expected, the colourful group reimagines, rebuilds and reinvents vibrant scenes in an artistic, acrobatic game of order and disorder. Come and claim your place amidst this marketplace of merriment and creative camaraderie. You just might find that the end of the story is really only the beginning!
Doll House is the story of an 11-year-old runaway who arrives at a care home with her only possession a dolls house. She refuses to speak and won’t ever let go of her doll. The other children tease her. People start to disappear and seem to appear as tiny dolls inside the doll house. An evil entity haunts the doll and doll house and is collecting the souls of the children for its ultimate cause, to be alive.
Following Hannah, a queer twenty-something filmmaker, and her two sisters as they explore the globally popular phenomenon of sugar-dating where people in their 20s date older, wealthier men in exchange for money and gifts. Hannah's exploration into the lucrative life of a sugar baby challenges her morals and feminist ideals as she tries to maintain her personal relationships.
According to an urban legend, a girl named Hikiko Mori was taunted and bullied relentlessly by her classmates, eventually resulting in her accidental death. Holding a grudge against all bullies, her spirit now haunts her former school, slowly gathering the strength to exact vengeance on the living. A group of frightened school girls decide to investigate the rumors further and what they find convinces them that they have to stop the spirit of Hikiko-san before it’s too late
Choi Mun-seon (Seong So-min), a painter who lives alone on a beach, rescues drowning In-sun (Kim Ui-hyang). In-sun, a stewardess from Seoul, has more than platonic feelings for him, but he has no special feelings for her.Mun-seon meets Yun Myeong-hee who lived in his neighborhood 15 years ago. In order to help Myeong-hee's brother, Myeong-geun (Hyeon Sang-seob), who works for a magazine company, Mun-seon goes to Seoul. Myeong-hee and Mun-seon fall in love with each other. When In-sun meets Mun-seon in Seoul, she confesses her love for him, but he turns it down in a roundabout way.
In 1974, during the height of the recession, a Japanese Korean family relocates to Tokyo to raise money and seek better treatment for their ill son.
A story about a boat that wanted to fly.
Much like the infamous match between Bret Hart and Tom Magee, a piece of PROGRESS history has recently been uncovered. The former Progress announcer, Jimmy Barnett, has been sharing his memories of a show from May 26th, 1988. Last year he was kind enough to offer his recollections of a very early PROGRESS from way back in May of 1978 (PROGRESS even found the footage in their vault), and it's a rare treat to get details of another historical show from a man on the inside.
Two people are waiting together for each other. Their flat waits with them and for them. Together they are living side by side. Someone is coming, someone is leaving, the flat stays where it is.
Basically this is a commercial for Hollywood's Lido Lounge and for MGM contract players. The Lido is a large watering hole; we visit one afternoon with an orchestra playing, all sorts of stars and would-be stars sitting at tables near the pool alongside paying customers, and bathing beauties parading and diving. The Lido's manager, Reggy Denny, introduces the stars in the audience. He's sometimes interrupted by someone who does a bit, sings a song, or otherwise entertains: most of these are novelty acts. By the end, everyone's having a swell time.
A yeti-centric animation with several ties to the film (violin, basketball, pork buns).