Uncomfortably Comfortable(2021)

One Book at a Time(en)

Sarah Kamya is a school counselor in New York City. She began the project Little Diverse Libraries on June 3rd and has already raised over $13,000, supported black owned bookstores, and has distributed 775 books to Little Free Libraries across all 50 states. Sarah is helping educate communities while most importantly amplifying and empowering black voices.

Land Without Bread(es)

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

Carta Sobre Nosso Lugar: Mulheres do Vila Nova(pt)

Pornotropic(fr)

When French writer Marguerite Duras (1914-96) published her novel The Sea Wall in 1950, she came very close to winning the prestigious Prix Goncourt. Meanwhile, in Indochina, France was suffering its first military defeats in its war against the Việt Minh, the rebel movement for independence.

I can't stay here anymore(en)

Jörg is one of the many homeless living near the Vatican. But there is something unusual about him: he appears and talks like a sort of holy man, prophesying, among other things, his next reincarnation as Jesus Christ. This transformation will enable him to drastically change the way things are on this Earth. However, beneath the delusions of omnipotence of a man fighting for glory and universal justice, we find a lonely and pained individual, frightened by the great mystery that awaits all of us.

Mazagão: Porta do Mar(pt)

I Am Richard Pryor(en)

The life story of Richard Pryor (1940-2005), the legendary performer and iconic social satirist who transcended racial and social barriers with his honest, irreverent and biting humor.

Brazen Hussies(en)

Reveals a revolutionary chapter in Australian history, the Women’s Liberation Movement (1965 -1975). Interweaves fresh archival footage, personal photographs, memorabilia, and personal accounts from activists all around Australia to show how a daring and diverse group of women joined forces to defy the status quo, demand equality, and create profound social change. These women defined one of the greatest social movements of the 20th century, sometimes at great personal cost.

How Did We Get Here?(en)

An intimate reflection on life in the digital age and Seán McLoughlin's journey through the highest highs - chanting crowds, sold out shows, and marriage proposals - and lowest lows - grappling with loneliness in the harsh Irish winter - and the life and wonder in between.

Welcome to the Dollhouse(en)

A dive into the societal rules and expectations of the celebration of women’s bodies and their use to show love and power. The Disdress Dolls shimmy, shake, and strip across the stage, challenging concepts of strength and femininity by offering a vulnerable portrait of themselves and playful and macabre world.

Nach dem Sturm(de)

The protests of 1968 had a significant impact on the great cities of the world. But people like to forget that the periphery went through the same social upheavals – Central Switzerland, for example. This is hardly surprising: in the founding cantons of the Old Swiss Confederacy, society followed a strict order; tradition, shaped by centuries of Catholic rule, seemed untouchable. But in the 1960s, the local youth could not take these stifling conditions anymore: starting in 1969, resistance broke out across Central Switzerland.

July '64(en)

A historic three-day race riot erupted in two African American neighborhoods in the northern, mid-sized city of Rochester, New York. On the night of July 24, 1964, frustration and resentment brought on by institutional racism, overcrowding, lack of job opportunity and police dog attacks exploded in racial violence that brought Rochester to its knees. Combines historic archival footage, news reports, and interviews with witnesses and participants to dig deeply into the causes and effects of the historic disturbance.

Cinema Morocco(pt)

For two decades, Cine Marrocos, a movie theatre in the heart of São Paulo, was one of the most popular and opulent of the city. After it was closed, in 1972, it was occupied by a homeless workers' movement. The documentary tells the story of the people who lived there, alternating scenes from an acting class with those of the movies exhibited there in the past.

(Re)Claiming Indian Status(en)

This documentary digs into the stories of Indigenous women and families to reclaim their Indian Status through their fight for the elimination of sex-discrimination in the Indian Act. It highlights the impacts of the law on individuals, families and communities. Since the passing of Bill S-3 and its amendments, thousands of Indigenous people are now eligible for Indian Status.

Γάζωρος Σερρών(el)

Eu também não te vejo daqui(pt)

White Out, Black In(pt)

Shots fired inside a club frequented by black Brazilians in the outskirts of Brasilia leave two men wounded. A third man arrives from the future in order to investigate the incident and prove that the fault lies in the repressive society.

Information for/from Outsiders: Chronicles from Kashmir(en)

Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.

A Cam Life(en)

An undaunted look into the cam business from performers and clients to website and studio owners.

Forest of Crocodiles(en)

How do white South Africans deal with their fears of crime and violence? Like crocodiles, some survive without evolving, living with their fears. Others make fear their friend and evolve in ways you'd never imagine.