2019-01-01
10
Over the last few decades, systematic concreting and the use of chemical products have seriously damaged the biodiversity of cities. In Strasbourg's old historic city center, on the Cathedral of Notre Dame, Mathieu Baud, in charge of the conservation of the building, watches over the remaining representatives of a rich and unsuspected wildlife. Collaborating with filmmakers Pauline Bugeon and Cédric Chambin, Mathieu embarks on an investigation to document, inventory and attempt to preserve the wild species that populate the most visited religious monument in France, the Cathedral of Strasbourg.
Outskirts of Moscow. A girl comes to an unfamiliar apartment to look after a dog. After a while, she realizes that the owner of the apartment has disappeared. She finds herself into a series of people that have been taking care of the dog for years in that same apartment, creating a weird community around this strange absence of the owner.
An ex-CIA operative is thrown back into a dangerous world when a mysterious woman from his past resurfaces. Now exposed and targeted by a relentless killer and a rogue black ops program, he must rely on skills he thought he left behind in a high-stakes game of survival.
Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.
Hatred Lefan (Rendy Herpy) in the greater his father when he had lost his mother. Lefan assume that the life of his mother, his father always hurt inner mother. When Lefan are in this situation, Elfa ([Hidayatur Rahmi]), sister of a cleric advised him to no effect.
During World War II, a young African American is forced to continue his family’s tradition of military service when he is drafted into the United States Army. Despite complications that arise during his basic training, including his jealousy following his girlfriend's flirtatious attention to his sergeant, the young soldier becomes a hero when he locates Japanese saboteurs operating a radio station outside of his military base.
A beautiful seductive fairy makes gentle winged creatures appear.
Characters discover a tarot card. They either choose to believe or ignore the tarot cards that supposedly predict the future, but no one knows how the story will end. Soon after, they experience extreme horrors, that are exactly the opposite of what the tarot cards foretold.
In 1994, a South African photojournalist received the Pulitzer Prize for his picture of a starving girl stalked by a vulture. Weeks later, he carried out a terrible, desperate act--an act that embodied the anguish of an entire nation.
A family lives poorly in a village in the Lebanese mountain. One day the father abandons his family and leaves for Brazil, considered an Eldorado by a great number of his compatriots. Twenty years pass. The mother raised her children with great difficulty: the elder has a family and the younger one is getting ready to immigrate to Brazil. One day a ragged old man arrives to the village.
A young girl is striving for stardom. In order to get a lead role in a new production, she agrees to stand-in for a famous star whose rich patron died in her arms one night. The real-life drama gradually comes to mirror the story of the play being performed by her.
Set in the 1800s, the film is about a "dacoit" tribe who take charge in fight for their rights and independence against the British.
Wartime, 1942. Singapore. An Australian fighter pilot shot down in combat awakens suspended in the treetops. As night devours day, he must navigate through dangerous jungle in search of sanctuary.
From the rains of Japan, through threats of arrest for 'public indecency' in Canada, and a birthday tribute to her father in Detroit, this documentary follows Madonna on her 1990 'Blond Ambition' concert tour. Filmed in black and white, with the concert pieces in glittering MTV color, it is an intimate look at the work of the icon, from a prayer circle before each performance to bed games with the dance troupe afterwards.
In this Oscar Winning documentary short film, students in their final year at the National Ballet School of Canada are seen learning the flamenco from Susana and Antonio Robledo, who come to the school every winter to conduct classes which are held after the day's regular schedule has ended.
A documentary about dancer Heinz Bosl who died in 1975 - aged 28.
A three-part film by Cao Fei. Part one, 'Imagination of Product', shows workers and machines at the OSRAM lightbulb factory in China's Pearl River Delta. In the second part, 'Factory Fairytale', dancers and musicians appear in the factory, as work continues around them. Finally, 'My Future is Not a Dream' consists of portraits of the factory workers facing Fei's camera.
In Buenos Aires a group of acclaimed dancers create the first Contemporary National Company of Dance under their collective leadership. This is the story of four talented dancers, Ernesto, Bettina, Victoria and Pablo, along six years of their journey. We follow their lives, we attend their rehearsals and performances in the emblematic building of the National Library, along with their premiere and backstage in the historical National Theatre of Cervantes. They expose their dreams as dancers, individuals and members of our society, as we observe the fulfilment of their biggest dream: the demand of a National Dance Law. Amazing choreographies, beautiful folklore songs and original Latin-American contemporary music reveal the beauty of dance becoming life.
Leon Gast's musical documentary reveals New York City's Latin culture and features live performances of salsa greats The Fania All Stars and The Spanish Speaking People of New York. A document of urban American Hispanic culture, Gast's film captures the rhythms of New York's Spanish Harlem, from illegal cockfights and Santeria rituals to the rooftops and backstreets of El Barrio and the legendary musicians performing at the Cheetah club.
The documentary portrayed one of the most established dance companies in Hong Kong which has a history of over four decades. With a tradition of blending Chinese dance and ballet together in the training, the dance company has set sail to re-evaluate its artistic essence by adapting new physical disciplines and philosophy, picking up different cultural traces, meditation and Chinese martial arts. Through monologues of the company members, the film unveiled their fears, self-doubts, and findings in their quest to refine their dance forms and express their cultural roots. It's an uncertain journey towards the cultivation of inner peace and the essence of movement and stillness.
A history of the work of Merce Cunningham.
Ballroom dancers Veloz and Yolanda perform the various dance fads of the first half of the twentieth century.
Why We Fight? is a cinematographic film that tries to understand the violence around us, but also within ourselves, in order to better cope with the world today.
An abridged history of motion pictures: In 1888 George Eastman registered the made up word “Kodak” as a trademark. In 1894 Jean Aimé “Acme” Le Roy presented the first film screening in New York City. In 1895 Auguste and Louis Lumière filmed workers leaving their factory in Lyon. In 1903 Thomas Alva Edison orchestrated and captured on film the electrocution of an elephant in Coney Island. In 2011 Anja Dornieden and Juan David González Monroy filmed dwarfs dancing on a stage at an amusement park in China. In 2012 Eastman Kodak filed for bankruptcy.
A variation on the popular Butterfly Dance, released in hand-colored and stenciled versions. The film has the catalogue number 2011 and was likely shot in 1897 but not screened in France until the 10th of December 1899.
Peter Blackman, founder of Steel 'n' Skin, talks about this pan-African group, which takes African culture to British schools. The film follows the group during a ten day workshop in Liverpool.
A group of women dressed up as Commedia dell'Arte characters dance together.