Based on the novel by Emily Brontë, adapted and directed by Emma Rice. Rescued from the Liverpool docks as a child, Heathcliff is adopted by the Earnshaws and taken to live at Wuthering Heights. He finds a kindred spirit in Catherine Earnshaw and a fierce love ignites. When forced apart, a brutal chain of events is unleashed. Shot through with music, dance, passion and hope, Emma Rice (Romantics Anonymous, Brief Encounter) transforms Emily Brontë’s masterpiece into a powerful and uniquely theatrical experience. Lucy McCormick (Post Popular) and Ash Hunter (Hamilton) lead the company of performers and musicians in this intoxicating revenge tragedy for our time.
The Moor
Hindley Earnshaw
Isabella Linton
The ghost of the King of Denmark tells his son Hamlet to avenge his murder by killing the new king, Hamlet's uncle. Hamlet feigns madness, contemplates life and death, and seeks revenge. His uncle, fearing for his life, also devises plots to kill Hamlet. An historic BBC production taped on location in and around Kronborg castle in Elsinore (Denmark), in which the play is set.
After the death of his dad, Michael is powerless and angry. In a state of heartbreak, he confronts the difficult truths about his father’s legacy and the country that shaped him. At the funeral, unannounced and unprepared, Michael decides it is time to speak.
St George's Park Tea Room, Port Elizabeth, 1950. On a long rainy afternoon, employees Sam and Willie practise their steps for the finals of the ballroom dancing championship. Hally arrives from school to hide out in his parents’ tea room. These two men have been unlikely best friends to Hally his whole life. But it is apartheid era South Africa: he’s Master Harold, and they are the boys. Tony Award-winning playwright Athol Fugard’s semi-autobiographical and blistering masterwork explores the nature of friendship, and the ways people are capable of hurting even those they love.
Josie Rourke directs Gemma Arterton as Joan of Arc in Bernard Shaw's electrifying classic. Performed at the Donmar Warehouse, and part of the NT Live series of broadcasts.
In a woods filled with magic and fairy tale characters, a baker and his wife set out to end the curse put on them by their neighbor, a spiteful witch.
In 1846, Anthony Hope sails into London with the mysterious Sweeney Todd, a once-naive barber whose life and marriage was uprooted by a corrupt justice system. Todd confides in Nellie Lovett, the owner of a local meat pie shop, and the two become partners, as Todd swears revenge on those that have wronged him and decides to take up his old profession.
A week in the life of the exploited, child newspaper sellers in turn-of-the-century New York. When their publisher, Joseph Pulitzer, tries to squeeze a little more profit out of their labours, they organize a strike, only to be confronted with the Pulitzer's hard-ball tactics.
On a bitterly cold London evening, schoolteacher Kyra Hollis receives an unexpected visit from her former lover, Tom Sergeant, a successful and charismatic restaurateur whose wife has recently died. As the evening progresses, the two attempt to rekindle their once passionate relationship only to find themselves locked in a dangerous battle of opposing ideologies and mutual desires.
The Will Rogers Follies is a musical with a book by Peter Stone, lyrics by Betty Comden and Adolph Green, and music by Cy Coleman. It focuses on the life and career of famed humorist and performer Will Rogers, using as a backdrop the Ziegfeld Follies, which he often headlined, and describes every episode in his life in the form of a big production number. The Rogers character also performs rope tricks in between scenes. The revue contains snippets of Rogers' famous homespun style of wisdom and common sense and tries to convey the personality of this quintessentially American figure whose most famous quote was "I never met a man I didn't like."
New York, 1971. There’s a party on the stage of the Weismann Theatre. Tomorrow the iconic building will be demolished. Thirty years after their final performance, the Follies girls gather to have a few drinks, sing a few songs and lie about themselves.
Caesar returns in triumph to Rome and the people pour out of their homes to celebrate. Alarmed by the autocrat’s popularity, the educated élite conspire to bring him down. After his assassination, civil war erupts on the streets of the capital. Nicholas Hytner’s production will thrust the audience into the street party that greets Caesar’s return, the congress that witnesses his murder, the rally that assembles for his funeral and the chaos that explodes in its wake.
Christopher, fifteen years old, has an extraordinary brain – exceptional at maths while ill-equipped to interpret everyday life. When he falls under suspicion of killing Mrs Shears' dog Wellington, he records each fact about the event in the book he is writing to solve the mystery of the murder. But his detective work, forbidden by his father, takes him on a frightening journey that upturns his world.
Set in modern upper-crust Manhattan, an exploration of love and commitment as seen through the eyes of a charming perpetual bachelor questioning his single state and his enthusiastically married, slightly envious friends.
An aged king decides to divide his kingdom between his three daughters, according to which of them is most eloquent in praising him. His favourite, Cordelia, says nothing. Simon Russell Beale, whose recent appearances at the National include Timon of Athens and Collaborators, takes the title role in Shakespeare’s tragedy.
In the early hours of the morning on the campus of an American college, Martha, much to her husband George’s displeasure, has invited the new professor and his wife to their home for some after-party drinks. As the alcohol flows and dawn approaches, the young couple are drawn into George and Martha’s toxic games until the evening reaches its climax in a moment of devastating truth-telling.
Madame Ranevskaya is a spoiled, aging aristocratic lady who returns from a trip to Paris to face the loss of her magnificent Cherry Orchard estate after a default on the mortgage. In denial, she continues living in the past, deluding herself and her family, while the beautiful cherry trees are being axed down by the re-possessor Lopakhin, her former serf, who has his own agenda.
John Hodge's Collaborators centers on an imaginary encounter between Joseph Stalin and the playwright Mikhail Bulgakov.
Hardcastle, a man of substance, looks forward yo acquainting his daughter with his old pal's son with a view to marriage. But thanks to playboy Lumpkin, he's mistaken by his prospective son-in-law Marlow for an innkeeper, his daughter for the local barmaid. The good news is, while Marlow can barely speak to a woman of quality he's a charmer with those of a different stamp. And so, as Hardcastle's indignation intensifies, Miss Hardcastle's appreciation for her misguided suitor soars. Misdemeanours multiply, love blossoms, mayhem ensues. One of the great, generous-hearted and ingenious comedies of the English language, Goldsmith's She Stoops to Conquer offers a celebration of chaos, courtship and the dysfunctional family.
A provocative and wholly unique hybrid of dance, theatre and music, FELA! explores the world of Afrobeat legend Fela Anikulapo-Kuti. Winner of three 2010 Tony Awards including Best Choreography (Bill T. Jones). Featuring many of Fela Kuti’s most captivating songs and Bill T. Jones’ visionary staging, FELA! – an original new creation – comes via Broadway to London and the National Theatre. FELA! explores the extravagant, decadent and rebellious world of Fela Anikulapo-Kuti. Using his pioneering music (a blend of jazz, funk and African rhythm and harmonies), FELA! reveals Kuti’s controversial life as an artist and political activist.
The innovative interweaving of romance and math was conceived. The 2008 Olivier Award winner for Best New Play, it has toured the world and was recently performed in New York as part of the Lincoln Center Festival.