An Off theatre company of Madrid is getting ready for their release day
An Off theatre company of Madrid is getting ready for their release day
2021-11-07
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‘RETURN’ follows Torstein Horgmo, Mikey Ciccarelli, Mons Røisland, Brandon Cocard, Brandon Davis, and Raibu Katayama as they push the boundaries of what can be accomplished snowboarding when innovative minds join forces.
A young woman recalls a day when she was attacked by three men on her way home, but daily life must resume its course.
Michèle shares her life with Paul, her husband and work colleague. She has a lover, Thomas, a musician with whom she has been having a passionate affair for some time. Attracted by Thomass non-conformity and lust for life, Michèle abandons her husband, her son and her profession to live this frenzy through to its conclusion. A quest for freedom and change that sends Michèle on a turbulent drift, but remains, nevertheless, intimate and personal.
Return is a methodical construction of the approach of an individual towards an unseen goal, which assumes metaphorical significance. Viola moves toward the camera/viewer, pausing every few steps to ring a bell, at which point he is momentarily thrust back to his starting place, and then advanced again. Finally reaching his destination, he is taken through all of the previous stages in a single instant and returned to the source of his journey.
Canadian Pacific I is made up of a series of slowly dissolved shots done from the same framing over several months. The camera frames a window with a railway yard in the foreground, a bay in the space behind it, and misty mountains in the extreme distance. Trains occasionally pass by in the foreground. Huge ships move across the bay. Blue mists hover over the mountain heads.
A four-part anthology in the spirit of The Twilight Zone, this film starts off with a group of commuters stranded at a train station in the rain, listening to stories told by one of the group. These include tales of a group stranded in the mountains and haunted by guilt over a death they inadvertantly caused, an emotionally broken chessmaster pressed into playing a real-life game for an eccentric millionaire, a wandering medieval samurai who finds a modern-day cell phone on the ground and a person on the other end asking questions about the past, and a young couple who agree to try a computer simulation of what their future as husband and wife would be like.
She's new in chambers, and he's a troublemaker. But what 'is' the true status of the old lady's wartime marriage, and can the two young legal minds find the answer?
A young woman finds herself the victim of an unknown entity's sick and twisted joke.
In this follow-up to their Little Oaza adventures, our vehicular friends come fender to fender with shady businesses looking to destroy Doom Valley.
According to the myth still in force in the coal towns of Patagonia, if a woman enters a mine, the earth becomes jealous. Then, there’s collapse and death. Shady River starts from a dark personal experience to transform in a film about the silence of women who live in men's villages. How to film where our presence is prohibited? How to record the resonances of what doesn’t sound? As the fog and smoke from the power plant cover the town, the voices of the women of Shady River force their way between the white of the ice and the hum of the drilling machines, until blowing up the structure of silence.
A behind-the-scenes documentary on the making of Ming-liang Tsai’s I Don’t Want to Sleep Alone.
Within the assertive climate of the years after the restoration of democracy in 1974, a fringe group, the blind, many of them beggars, protested by demanding Bread and Education and not Beggary.