1988-02-08
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This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Walter Bonatti is THE mountaineering legend, capable of meeting the great challenges of mountaineering: K2, Drus, G4, Matterhorn, to name a few. But the summits reached are not points of arrival, they are intermediate stages which then push him on a journey around the world, in search of himself. His exploration, starting from the vertical walls, then moved towards horizontal paths and was always expressed towards the interior space where our fears and our desires reside. Where the man, sitting alone in front of himself, must decide to surpass himself or to adapt. And Walter never complied with them, he wrote his own rules and followed them all his life, allowing himself no loopholes or shortcuts. He built himself as a mountaineer, as an explorer, as a photojournalist and as a writer, but always and only with the intention of being an uncompromising man with his hands, his muscles, his heart and his head.
Co-directors Hubert Caron-Guay and Serge-Olivier Rondeau follow migrant workers through the steps in the hiring process of a community-based employment assistance organization. The filmmakers highlight the migrants’ difficult path by capturing conversations between the future employees and the recruiters. Through images shot on a body camera and a minimalist observational approach, the film exposes harsh and poignant realities. It draws parallels between the changing of the seasons and the cycle of the cattle industry that begins with animals being raised and cared for at a ranch and ends with them being sent to the abattoir grimly looming in the background. Ressources is a sobering and thought-provoking work that gives a voice to those who are at the heart of the food system that sustains this country.
Crystal Pillar, White Lady, The Whale—these are the names given by ice-climbing enthusiasts to the spectacular ice formations surrounding Quebec's Montmorency Falls. Ice Birds shows two experienced climbers scaling the breathtaking wall of the Crystal Pillar with precision and considerable daring, appearing from below as black spots on the vast landscape of one of nature's masterpieces.
"Perilous Assignment" is an episode of ABC's Walt Disney Presents. Disney loved to show viewers behind the scenes of the daring shoots of its theatrically released or TV shows. The theme of the episode is the making of his next film, The Third Man on the Mountain, an adaptation of James Ramsey Ullman's novel Banner in the Sky, based on the true story of the first ascent of the Matterhorn. Walt Disney will not be limited to a simple promotional making-of. He offers to meet exceptional people, including the French mountain guide Gaston Rébuffat. The latter will show climbing techniques and then reveal breathtaking images of his ascents of steep cliffs with a client for the ascent of Mont-Blanc, filmed for the occasion. In 1958, Walt Disney will therefore offer him to be deputy director on the high mountain scenes of the film "The Third Man on the Mountain".
In 1990 Macartney-Snape returned once again to Mt Everest with the idea of climbing the mountain from the sea to the summit. The idea had originally been floated by adventure cameraman Michael Dillon. With sponsorship provided by Australian Geographic amongst others, it would take Macartney-Snape three months to achieve this goal. This was the first time anyone had walked from sea level and reached the top of Mt Everest, as even the first expeditions started from Kathmandu, at 1400m above sea level. Although Macartney-Snape planned climbing Everest via the more difficult West Ridge, bad weather and strong avalanche risk changed his plans and he finally ascended via the South Col route.
Secessionnist movements in Canada outside Quebec.
After spending 4 years in prison for drug trafficking, Dino tastes fame by interpreting the godfather of the mafia in the TV series Omerta. Now 72 years old, he's preparing for a role that could be his last. Somewhere between reality and fiction, My Friend Dino offers a special access to the universe of this likable anarchist.
On July 22 2018, a Polish ski mountaineer clicked into his bindings at an altitude of 8,611m to make history. Follow Andrzej Bargiel’s expedition from Poland to Pakistan, as he descends K2 on skis.
This short documentary profiles Saint-Jean-Baptiste Day parade in Montreal in 1959. The annual parade takes place every June 24th in memory of Saint-Jean-Baptiste, the patron saint of Québec. Candid shots of youngsters preparing their costumes for the festivities are partnered with a lively jazz soundtrack. All the Montrealers and out-of-town tourists featured in this film avidly participate in a public festivity that is dear to their hearts.
Starting from the Swiss village of Zermatt, two people and a guide make a perilous ascent of the Matterhorn. Local villagers mount a torchlight rescue of a British couple trapped on the famous mountain. Irving Allen shot footage for this documentary while filming his feature film 'High Conquest'. Filmed in Ansocolor, the documentary won the Academy Award for Best Short Film in 1947.
Essay-film on a crucial issue: the notion of belonging to a country. Lingered sentimentalism or deep psychological reality if one believes it is rooted in the heart of man? The action here takes place in the context of a nation that seeks: the French Canadians, and other people without a country: the Indians of Quebec, the Bretons of France. And here is the fundamental question posed: what are the "viable" peoples whose "maturity" allows them to "give" the autonomy and territory? And what is the environment that people can call "their country"?
“Getting to the top matters,” or so says veteran alpinist Mark Richey as he prepares to climb Saser Kangri II, at 7,518 meters the world’s second highest unclimbed mountain. In “The Old Breed”, co- director and climber Freddie Wilkinson takes the audience with him on a journey to the heart of one of the last unexplored patches of mountain wilderness: the war-inflicted eastern Karakoram range. As Richey and Steve Swenson, both in their 50s, push the limits of physical health and will power to be the first to claim this final summit, a gripping psychological thriller unfolds.
An exploration into grief and its expression through the stories of individuals who have experienced loss or trauma due to climbing or alpinism. This artful compilation of interviews highlights how there is no singular or correct way to grieve.