L'Empereur emmuré(2019)

Why Does Kolkhoz Need Bears?(ru)

Documentary short written and directed by Vladimir Tatenko.

Paarungsverhalten beim Hausesel im Herdenverband(de)

Short film on the mating behaviour of donkeys

When the Pie Was Opened(en)

Surrealism, avant-garde sound montage, and irreverent wit might be the last thing you'd expect from a government-sponsored film about wartime cookery. But director, artist, animator and all-round firework of a man Len Lye specialised in the unexpected. A simple tale of a mother cheering up her daughter with a pie from her rationing-stricken pantry (interestingly the war is never directly referred to) is skilfully crafted into a work of real artistic depth, while retaining an unpretentious charm.

Extremis(en)

A purely observational non-fiction film that takes viewers into the ethically murky world of end-of-life decision making in a public hospital.

Colours We Paint(de)

The “Painting Skills for Africa” association has been traveling to Rwanda for 10 years now. They support local institutions through social projects. They are painting schools, kindergartens and hospitals. Always at eye level with the journeymen and vocational students.

Death Day(en)

During his adventure in Mexico, Sergei Eisenstein made footage of a Mexican "Death Day" celebration for inclusion in his "Que Viva Mexico!" film project. When the 200,000-plus feet of film he eventually exposed in Mexico was first attempted to be made into a feature film, "Thunder Over Mexico", the producers excluded the Death Day material for subsequent compilation as an independent short subject. Silent with music track and explanatory English intertitles.

Charles Santore Illustrates The Wizard of Oz(en)

Charles Santore, in an expansion of his discussion in “Oz: The American Fairyland” (1997) (V), tells about his experience making an abridged storybook of “The Wizard of Oz”. He tells of his inspirations, the little girl who modeled for Dorothy, the tin man in folk art, and a left to right progression in a journey of identity, with opposing forces pushing the movement in art back to the left.

Bakelite(en)

This underwater ballet is an ecological story depicting our paradoxical relationship with plastic. Bakelite launched the #SickOfPlastic campaign from On Est Prêt, along with the Surfrider Foundation, Break Free from Plastic and the Resilient Foundation. Photography was directed by Jacques Ballard, a specialist in underwater cinematography.

Strychnin-Krämpfe bei der Katze(de)

Demonstration of the rapid poisoning of a cat hung up in a cloth, strychnine as a trigger of the tonic form of convulsions.

Epithelkörperchenexstirpation bei der Katze(de)

The movie shows the consequences of total and partial removal of the epithelial bodies in a cat

Äthersalivation und ihre Unterdrückung durch Atropin bei der Katze(de)

Two cats housed in a glass box, one of which had received a small amount of atropine in the preliminary experiment, are exposed to ether vapors with the result that only the animal which had not been pretreated began to salivate (profusely).

Muskarin-Vergiftung und ihre Beseitigung durch Atropin bei der Katze(de)

Parasympathetic irritation is generated in the test animal by subcutaneous injection of muscarine. Salivary secretion, miosis, convulsive evacuation of thin feces and severe shortness of breath as signs of intoxication with a parasympathomimetic. The symptoms of intoxication are reversed by subcutaneous injection of atropine.

Hund ohne Großhirn und Striatum(de)

Compulsory locomotion and continuous circular movement to the operated side without orientation in case of a onesided removal of the cerebrum and corpus striatum. In case of a doublesided removal there are no spontaneous movements with a normal posture and movement coordination. The dogs' reaction towards external stimuli only.

Land Without Bread(es)

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

Mojave Mirage(en)

Documentary short about a strange phenomenon where a phone booth that was in the middle of the Mojave Desert began to attract people around the world to call the number and also to travel to the desert to answer the phone.

The Sunshine(en)

Portrait of the Sunshine Hotel, a flop house on the Bowery in New York's skid row. We meet Vic, the desk clerk, who paints watercolours and pastels; Jonesy, a janitor who talks about bedbugs; Bruce, a voluble alcoholic who makes runs for residents, picking up beer or sandwiches for them and sharing his philosophy with us; Vinnie, on methadone, caring for caged birds; Cashmere, a prostitute, the only woman at the hotel; Earl, who works downstairs in the Bowery's last factory, and Mike, the general manager, who talks about the changing face of the Bowery. The film concludes with tourists outside the Sunshine, hearing from Seth Kamil of Big Onion Walking Tours.

By the Lake(fr)

Bokanowski returns to the complex - and mind-bending - optical array of pinholes, mirrors, prisms, and refractive substrates of his earlier film, La Plage to create the whimsical and playful Au bord du lac. The film is composed of mundane, everyday scenes of recreation and leisure on an idyllic, sunny day at a park that overlooks a lake - rowing a boat, playing a game of volleyball, rollerskating, bicycling, reading a newspaper, sunbathing, riding on horseback, or strolling on the promenade - shot through optical distortions to create fractured and knotted images that resemble embellished, gothic fairytale illustrations or appear to resolve into morphing, geometric patterns of fluid motion. Evoking the vibrant colors and sun-soaked palette of an invigorated Vincent van Gogh in Arles, Bokanowski transforms the quotidian into an infinitely mesmerizing dynamic kaleidoscope of shape-shifting textures and self-reconstituting objects of organic, abstract art.

Replika(pl)

The Verve: Bittersweet Memories(en)

Renowned Photographer Chris Floyd captured the tumultuous life of the iconic band The Verve from the inside, as they toured as relative unknowns on their first American tour, all the way through to their farewell tour in 1997 at the very top of their game. Using previously unseen photographs, self shot video from the band and interviews, this is an intimate look at an important moment in popular culture. Chris candidly talks about the relationship he had with the band and reveals incredible insight into his process, as well as explaining his views on the meaning of the relationship between photographer and subject and what can happen when that professional line becomes blurred.

Stars on Horseback(en)

A profile of blacksmith George Garfield, among whose Hollywood clients were the horses of Joel McCrea and Guinn "Big Boy" Williams.